20世纪60年代中国文学中的“物”与“心”——关于《艳阳天》的一种读法

发布时间：2018-06-27 09:56

本文选题：世纪年代中国文学 + “物”的难题　；参考：《文学评论》2017年03期

【摘要】：20世纪60年代激进化后的文学表达关联于"物"的难题。这一难题关乎中国社会主义实践的结构性矛盾,同时又中介于当时的政教机制,并由后者提供规范性的解决途径。《艳阳天》中诸种人物对于物的感觉、评价乃至扬弃的策略,迂回地关联着历史实践的难题。物质享受的正当性在叙事中有其位置,然而此刻的物质享受又受到政治-伦理的中介,同时,物质扬弃有着审美的解决途径。而小说对于萧长春卷入交换活动的简化处理,尤其是萧与赶集群众之间的叙述距离,正是那一时期社会形式的诗学表达。从萧长春这一"当家人"形象中亦可读解出"新人"之"心"的特质。小说叙事却不经意地暴露了:由"物"之命题带出的矛盾以及"心"之改造的困难,远比文学自身的解决路径复杂。
[Abstract]:The literature expression after radicalization in the 1960 s is related to the difficult problem of "thing". This difficult problem relates to the structural contradiction of Chinese socialist practice, and at the same time mediates the political and religious mechanism at that time, and provides a normative solution by the latter. The problem of historical practice is intertwined in a roundabout way. The legitimacy of material enjoyment has its place in the narration, but the material enjoyment is mediated by politics and ethics at the moment, at the same time, the material sublation has an aesthetic solution. The simplified treatment of Xiao Changchun's involvement in exchange activities, especially the narrative distance between Xiao and the masses, is the poetic expression of the social form in that period. Xiao Changchun's "family" image can also be read out of the "new" heart "characteristics. However, the narration of the novel inadvertently exposes the contradiction brought out by the proposition of "thing" and the difficulty of the transformation of "mind", which is far more complicated than the way of solving the problem of literature itself.
【作者单位】：上海大学中文系;
【分类号】：I207.42

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