仇远文学思想研究

发布时间：2018-06-27 10:30

本文选题：仇远 + 文学思想　；参考：《陕西师范大学》2015年硕士论文

【摘要】：论文绪论部分首先对仇远的情况进行了简单的介绍,凸显出他在文学史上的重要地位,其次分析了学界对仇远的研究现状,指出其中的不足之处,最后阐述了本论文的研究意义和目标。第一章：仇远的生平、著作和交友简述。本章首先探究的是仇远的生平。其次探究的是仇远的著作情况,着重介绍了笔记小说《稗史》。最后探讨的是仇远的交友,考察了几个对仇远文学思想的形成和发展起到重要作用的人物。第二章：“近体吾主于唐,古体吾主于选”。本章主要是从仇远尊唐复古思想形成的大背景、“近体吾主于唐”、“古体吾主于选"三个方面来论述的。仇远尊唐复古思想形成的大背景有两个：一是当时的社会文化氛围；二是诗歌自身发展的规律性。仇远尊唐主要是尊盛唐和晚唐。在尊古方面,仇远学习汉魏古诗、陶渊明和屈原。第三章：“体物缘情,多感慨兴亡之意”。仇诗有两个特点：一是抒情性,即诗歌应该反映人内心的真实情感；二是写实性,即诗歌应该反映广阔的社会现实。第四章：“其顿挫沉郁,仿佛杜少陵之风”。与尊唐复古相对应地,仇诗具有“顿挫沉郁”和“清真”、“清瘦"、“冲淡闲旷”的艺术风格。第五章：“言顺律舛,律协言谬,俱非本色”。本章是从协律可歌、“言顺”与“言谬”、本色论三个方面来论述的。仇远认为作词要难于作诗,言顺律不协或律协言不顺,都不能称得上是本色。第六章：“清丽和雅,清名正似孤山逋”。仇远主张人品与词品的高度统一。仇远“言为心声”的人格追求表现在词的思想内容方面就是对亡国之痛、怀乡之苦和隐逸之思的反映。仇远“清”、“雅”、“言为心声”的人格追求表现在词的艺术特色方面就是“清丽和雅”风格的形成。
[Abstract]:In the introduction part of the paper, the author introduces the situation of Qiu Yuan briefly, highlights his important position in the history of literature, and then analyzes the current research situation of Qiu Yuan in academic circles, and points out the shortcomings. Finally, the research significance and goal of this paper are expounded. Chapter one: the life of Qiu Yuan, his works and a brief account of making friends. This chapter first explores the life of Qiu Yuan. Secondly, it explores the works of Qiu Yuan, focusing on the introduction of the Notebook the History of Paspalum. Finally, it discusses the friendship of Qiu Yuan, and examines several characters who play an important role in the formation and development of Qiu Yuan's literary thought. The second chapter: "near the body of my master in the Tang Dynasty, the ancient style of my master in the election." This chapter is mainly from Qiu Yuan Zun Tang Fu Gu thought formation big background, "near body I master in the Tang Dynasty", "ancient style my master chooses" three aspects to discuss. There are two backgrounds for the formation of Qiu Yuan Zun's Tang Fu Gu thought: one is the social and cultural atmosphere at that time; the other is the regularity of the development of poetry itself. Qiu Yuan Zun Tang Dynasty is mainly respected prosperous Tang Dynasty and late Tang Dynasty. In respect of respecting ancient times, Qiu Yuan studied ancient poems of Han and Wei dynasties, Tao Yuanming and qu Yuan. The third chapter: "physical origin, more feelings for the rise and fall of the meaning." There are two characteristics of the poems: one is lyricism, that is, poetry should reflect the true feelings of human heart, the other is realism, that is, poetry should reflect the broad social reality. The fourth chapter: its depression, like du Shaoling's wind. In contrast to the reversion of the Tang Dynasty, the poems of feud have the artistic style of "depression", "halal", "thinness" and "dilute leisure". Chapter V: "the law of the law, the law is wrong, is not the true color." This chapter is discussed from the following three aspects: hymns, adversaries and absurdities, and essence theory. Qiu Yuan thinks that it is difficult to write poems, and it is not true to say that the words are not in harmony with the law or that the words are not obedient. Chapter VI: Qingli and elegant, the name is just like Gu Shan Bu. Qiu Yuan advocates a high degree of unity between character and ci. The personality pursuit of Qiu Yuan's words is reflected in the thought content of ci, which reflects the pain of national subjugation, the hardship of home and the thought of seclusion. The pursuit of personality of Qiu Yuan's Qing Dynasty, elegance and speech is manifested in the formation of Qing Li and Ya style of ci.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I206.2

【参考文献】