元代上京纪行诗的文化阐释
发布时间:2018-07-07 23:52
本文选题:上京纪行诗 + 扈从 ; 参考:《南京师范大学》2017年硕士论文
【摘要】:上京纪行诗或称元上都扈从诗,是元朝两都巡幸制度下的产物,也是本课题的主要研究对象。两都巡幸制度自忽必烈中统年间制定后,终元一代不曾废止。历年夏初之时,皇帝均携后宫、子嗣、百官以及亲王从大都到上都避暑,一是维稳边塞,二是回溯民族文化、不忘初心。这一活动的随行者众多,其中囊括了翰林、御史、编修等重要的文官,同时更为文人出塞提供了便利机会,出现了中国历史上第二次文人出塞高潮,也形成了为数众多的上京纪行诗。从上都到大都的纪行诗皆是针对具体地理坐标、具体事件而写的时人心灵史,各个具有文化意义的地理坐标已经构成了可供切入的研究主线。其中影射的文化交融、多民族文化碰撞、异民族统治下的文人心态均可附于独特的地理意象、地理抒情中。本文试图借助文化地理学、地域文学视角对上京纪行诗进行整合性的文化阐释。上京纪行诗是在元朝空前统一的盛况下诞生的极富文化意蕴和思想内涵的新议题,属于国境之内的异域书写。居庸关、长城以北的塞北地域,漠南、漠北等游牧民族活动的地域,对以往的汉族王朝而言,是骑置难至、辙迹罕及之处,却在元代成为文人可以耳闻目见、真切感受的地域。除了书写异域,草原都城上京以及都城辐射下的蒙古族文化圈也是一个全新的内容。异域、政治中心、游牧民族文化中心,这是汉语表义系统所要纳入的全新知识,文人尤其是汉族文人将如何处理这些新型问题与自我的关系,这是本次研究所要探讨的重要问题。从宏观角度看,本文进行的是文献基础上的专题研究。全文由绪论、正文四章和结语构成。本文试图从文化地理学和空间理论中寻求统筹文化阐释的直观方法,针对纪行诗发生的现实条件——旅行,在地理点的线性铺展中寻求文化、历史因素重叠较多、对元代诗人感性认知影响较大的地理空间,进行文化阐释。针对上京纪行诗内容的集中程度,从围绕上京的诗作和围绕扈从途中纪行的诗作入手,从以居庸关、长城为叙述背景的旧时边塞地域,作为异域都城的上都空间,“江南”地域空间与“塞北”之间的关联性等三个研究专题进行“文学——文人——文化”式的探讨。
[Abstract]:It is the product of the system of visiting the two capital in Yuan Dynasty and the main research object of this subject. Since the establishment of the Hu Bilie, the last generation of the Yuan Dynasty has not been abolished. At the beginning of summer, the emperor took the imperial palace, children, hundreds of officials and princes from most to the summer, one is to maintain the border fortress, the other is to trace back to the national culture, and not forget the original ideals and aspirations. This activity was accompanied by a large number of people, including Hanlin, imperial history, editing and other important civil servants. At the same time, it provided a convenient opportunity for the literati to come out of the barrier, and there was the second high tide of literati in Chinese history. It also formed a large number of poems in Beijing. From the upper capital to most of the Ji Xing poems are aimed at the specific geographical coordinates, specific events and write the history of the human mind, each of the geographical coordinates with cultural significance has become the main line of research that can be cut into. Among them, the cultural blending of insinuation, the collision of multi-national culture and the mentality of literati under the rule of different nationalities can be attached to the unique geographical image and geographical lyricism. In this paper, the author tries to explain the integration of Shangjing's poems with the help of cultural geography and regional literature. In the Yuan Dynasty, a new topic of cultural meaning and ideological connotation was born under the unprecedented unity of the Yuan Dynasty, which belongs to the foreign writing within the boundary of China. Juyongguan, north of the Great Wall, north of Saibei, desert south, desert north and other areas of nomadic activities, for the past Han dynasty, it is difficult to ride, ruts rarely reached, but in the Yuan Dynasty become literati can hear, see and see, really feel the region. In addition to writing exotic land, the grassland capital city in Beijing and the Mongolian cultural circle under the capital city radiation is also a new content. Alien, political center, nomadic culture center, this is the new knowledge to be included in the Chinese semantic system. How will the literati, especially the Han literati, deal with these new problems and the relationship between themselves and themselves? This is an important issue to be explored in this study. From the macro point of view, this paper is based on the literature of the thematic study. The full text consists of an introduction, four chapters and a conclusion. This paper attempts to seek an intuitive method of cultural interpretation from cultural geography and space theory, aiming at the realistic condition of the occurrence of Ji Xing poem-travel, and seeking culture in the linear spread of geographical points, the historical factors overlap more. Cultural interpretation of the geographical space in which the perceptual cognition of the poets of the Yuan Dynasty has a great influence. In view of the concentration degree of the content of the poetry of the excursion, starting with the poetry of the Shangjing and the poetry of the excursion along the way, starting with the old frontier fortress region with Juyongguan and the Great Wall as the narration background, as the upper capital space of the foreign capital city, the paper points out that the former frontier fortress area with the narration background of Juyongguan and the Great Wall. The relationship between the regional space and the north of the Yangtze River is discussed in the form of literature-literati-culture.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.22
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