口头程式理论下新疆民间汉语歌谣语言研究

发布时间：2018-07-08 18:51

本文选题：新疆 + 歌谣　；参考：《西北民族大学学报(哲学社会科学版)》2017年04期

【摘要】："口头程式理论"也叫"帕里—洛德理论",源于美国学者帕里对《荷马史诗》演唱和创作传统的理论总结,它由三个结构性单元组成,该理论的核心是"程式"。对于地方歌谣而言它的文本组织形式包含"程式系统",通过分析歌谣语言结构的平行式、韵律特征和频密度,发现新疆民间汉语歌谣文本也有大量的描写程式、句式程式、衬词程式和套语程式,歌谣"主题"的创作图式呈现出口头诗学创作过程中的快速俭省原则。歌谣是民间口头文学的一种,它既有语言现象又有民俗现象,因此,在对歌谣进行语言学实证研究时运用民俗学的相关理论,能更全面而客观地认识其特质.
[Abstract]:The oral program theory, also called the Parry-Lord theory, originated from the theoretical summary of the tradition of singing and writing Homer Epic by American scholar Parry. It consists of three structural units, the core of which is "procedure". For the local ballad, its form of text organization includes the "program system". By analyzing the parallel style, rhythmic characteristics and frequency density of the ballad language structure, it is found that the folk Chinese ballad text in Xinjiang also has a large number of descriptive programs and sentence patterns. The schemata of "theme" of ballad show the principle of quick frugality in the process of oral poetics creation. Ballad is a kind of folk oral literature, which has both linguistic and folklore phenomena. Therefore, using the relevant theories of folklore in the empirical study of ballad, we can fully and objectively understand its characteristics.
【作者单位】：陕西师范大学文学院;昌吉学院中语系;
【基金】：国家社科基金重大项目“中国西北地区戏曲歌谣语言文化研究”(项目编号:13&ZD119)
【分类号】：I207.7

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