梅尧臣的“意新语工”论研究
发布时间：2018-08-16 07:49
【摘要】：被誉为宋诗“开山祖师”的梅尧臣,在北宋诗歌革新运动中所起的作用不可轻忽。他在诗歌革新中提出的“意新语工”论有着丰富的内涵。他认为作诗之前须立意,且诗意的阐发不应该蹈袭前人,而应该求新求变。随后寄言出意,这就要求对诗歌语言进行加工,不但要实现言意的统一,还要追求言外之意营造出的深远意境。梅尧臣的这些诗学思想根植于中国诗论的深厚土壤中,也与他自己在诗歌创作实践中的转益多师和大胆创新有很大关系。梅尧臣的“意新语工”论为当时追求思想之新和语言之妙的宋代诗人提供了重要的创作指导,可谓影响深远。本文主要从三个角度对梅尧臣的“意新语工”论进行深入发掘:第一部分,挖掘其内涵。首先,从创作论的角度来挖掘“意新语工”对诗歌创作有哪些要求;其次,从文本解读的角度分析梅尧臣的诗歌作品如何体现“意新语工”的特点。第二部分,追溯其源流。从理论和创作两个层面追溯梅尧臣“意新语工”论的渊源。“意新语工”论归根结底可归于言意论。言意论在中国诗论史上占据着重要的一席之地,各代诗论家都在丰富和推进着这一命题。到宋代时,梅尧臣吸取前人诗论成果,并结合自己的诗歌创作经验,提出了“意新语工”论。第三部分,分析其影响。首先,梅尧臣作为北宋诗歌革新运动中的核心人物,他针对当时诗歌弊病提出的“意新语工”论,有其深刻的现实意义,为当时的诗歌创作提供了重要的理论指导;其次,梅尧臣作为“开宋诗之一代面目”者,其理论及创作都对后世产生了很大影响,成为众多诗人的效法对象。
[Abstract]:Mei Yaochen, known as the "founder" of Song poetry, played an important role in the poetry innovation movement in the Northern Song Dynasty. His theory of "Italian New Work" in the poetry innovation had rich connotations. He believed that before writing poetry, one should make up one's mind, and that poetic interpretation should not follow the predecessors'example, but should seek new changes. Mei Yaochen's poetic thoughts are rooted in the deep soil of Chinese poetics, and are closely related to his own practice of poetry creation. Mei Yaochen's theory of "Italian New Language Work" This article mainly explores Mei Yaochen's theory of "Italian New Work" from three angles: the first part, excavates its connotation. First, from the perspective of creative theory, it explores what "Italian New Work" has to do with poetry creation. The second part traces back to the origin of Mei Yaochen's theory of "Italian New Work" from both theoretical and creative levels. In the Song Dynasty, Mei Yaochen drew on the achievements of his predecessors'poetic theories and combined with his own experience in poetry creation, put forward the theory of "Yixinyugong". The theory of "Italian New Language Work" put forward by the maladies of poetry at that time had its profound practical significance and provided important theoretical guidance for the poetry creation at that time. Secondly, Mei Yaochen's theory and creation, as a "face of one generation of poetry in the early Song Dynasty", had a great influence on later generations and became the effect of many poets.
【学位授予单位】：青海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
本文编号：2185362
[Abstract]:Mei Yaochen, known as the "founder" of Song poetry, played an important role in the poetry innovation movement in the Northern Song Dynasty. His theory of "Italian New Work" in the poetry innovation had rich connotations. He believed that before writing poetry, one should make up one's mind, and that poetic interpretation should not follow the predecessors'example, but should seek new changes. Mei Yaochen's poetic thoughts are rooted in the deep soil of Chinese poetics, and are closely related to his own practice of poetry creation. Mei Yaochen's theory of "Italian New Language Work" This article mainly explores Mei Yaochen's theory of "Italian New Work" from three angles: the first part, excavates its connotation. First, from the perspective of creative theory, it explores what "Italian New Work" has to do with poetry creation. The second part traces back to the origin of Mei Yaochen's theory of "Italian New Work" from both theoretical and creative levels. In the Song Dynasty, Mei Yaochen drew on the achievements of his predecessors'poetic theories and combined with his own experience in poetry creation, put forward the theory of "Yixinyugong". The theory of "Italian New Language Work" put forward by the maladies of poetry at that time had its profound practical significance and provided important theoretical guidance for the poetry creation at that time. Secondly, Mei Yaochen's theory and creation, as a "face of one generation of poetry in the early Song Dynasty", had a great influence on later generations and became the effect of many poets.
【学位授予单位】：青海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
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