20世纪90年代以来知识分子小说的叙事研究
发布时间：2018-08-18 15:09
【摘要】：中国知识分子的诞生、衍化与整个现代化过程相因相契,他们作为文化生产与传承的主体,始终承担着社会价值取向、人类终极意义的建构和阐释使命。文学中的知识分子叙事在一定意义上是作家镜像式地反观自身的行为,折射出知识分子生存状态与精神境遇的变迁。90年代以来,随着市场经济的展开,知识分子从“文化英雄”滑落至社会边缘,作家的叙事策略发生了从建构到解构的骤变,文学中呈现出一系列价值失落、欲望沉沦的儒生百态图,主题意蕴也日趋多元,叙事风格从写实走向反讽,共同构成这一时期纷繁复杂的叙事景观。90年代以来的知识分子小说叙事不仅具有自身的审美内涵与阐释价值,同时与转型期的历史文化语境、作家主体的知识分子身份意识有着内在关联,兼具文学叙事、审美价值与思想文化价值。本文立足于“20世纪90年代以来”这一特定的时间概念所框定的论述空间,采取审美阐释与理论剖析,史与论相结合的研究思路,首次对90年代以来的知识分子叙事进行梳理与系统研究,在认真发掘其独特审美内涵的同时,廓清错综复杂的精神症候,透视当下知识分子的生存境遇。绪论部分,首先对“知识分子”进行谱系式溯源,其次对20世纪小说中的知识分子形象做简要回顾,最后对论题的选题依据及研究现状做详致说明;第一章主要从悬空性、犬儒性与悲剧性着手,结合重点作品,归纳90年代以来知识分子形象审美内涵的衍变特征;第二章从主题学层面,以知识分子的生存性不安、信仰危机与重续启蒙精神为主线,集中探寻知识分子小说的弑父、逃离、疯癫、欲望、虚无、救赎等主题意蕴;第三章从祛魅化的反讽叙事、多元化的叙述视角两方面深入解析,力图凸显90年代以来知识分子叙事的总体风格。
[Abstract]:The birth and evolution of Chinese intellectuals are closely related to the whole process of modernization. As the main body of cultural production and inheritance, they are always bearing the social value orientation and the mission of constructing and explaining the ultimate meaning of human beings. In a certain sense, the narrative of intellectuals in literature is a mirror reflection of their own behavior, reflecting the changes of intellectuals' living state and spiritual circumstances since the 1990s, with the development of the market economy. The intellectuals fell from "cultural hero" to the social edge, the narrative strategy of the writer changed from construction to deconstruction, and a series of lost values and desires of Confucian students appeared in literature, and the theme meaning was becoming more and more diverse. The narrative style from realism to irony constitutes the complex narrative landscape of this period. The narrative of intellectuals' novels since the 1990s has not only its own aesthetic connotation and explanatory value, but also the historical and cultural context in the transition period. The intellectual identity consciousness of the main body of the writer is intrinsically connected with literary narration, aesthetic value and ideological and cultural value. Based on the discussion space defined by the special time concept "since the 1990s", this paper adopts the research ideas of aesthetic interpretation and theoretical analysis, and the combination of history and theory. It is the first time to comb and systematize the narration of intellectuals since the 1990s, to explore its unique aesthetic connotation, to clarify the complex spiritual symptoms and to see through the living conditions of the intellectuals at present. In the introduction part, we first trace the genealogical origin of "intellectuals", then briefly review the image of intellectuals in the novels of the 20th century. Finally, we give a detailed explanation of the basis of the topic and the current research situation. Cynicism and tragedy, combined with key works, sum up the evolvement characteristics of intellectual image aesthetic connotation since 1990s. The second chapter focuses on intellectuals' existential uneasiness, belief crisis and renewed enlightenment spirit. Focusing on the intellectual novel of patricide, escape, madness, desire, nothingness, redemption and other themes; chapter three from the disenchantment of irony narrative, diversified narrative perspective in-depth analysis, It tries to highlight the overall style of intellectuals' narrative since the 1990's.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42
本文编号：2189852
[Abstract]:The birth and evolution of Chinese intellectuals are closely related to the whole process of modernization. As the main body of cultural production and inheritance, they are always bearing the social value orientation and the mission of constructing and explaining the ultimate meaning of human beings. In a certain sense, the narrative of intellectuals in literature is a mirror reflection of their own behavior, reflecting the changes of intellectuals' living state and spiritual circumstances since the 1990s, with the development of the market economy. The intellectuals fell from "cultural hero" to the social edge, the narrative strategy of the writer changed from construction to deconstruction, and a series of lost values and desires of Confucian students appeared in literature, and the theme meaning was becoming more and more diverse. The narrative style from realism to irony constitutes the complex narrative landscape of this period. The narrative of intellectuals' novels since the 1990s has not only its own aesthetic connotation and explanatory value, but also the historical and cultural context in the transition period. The intellectual identity consciousness of the main body of the writer is intrinsically connected with literary narration, aesthetic value and ideological and cultural value. Based on the discussion space defined by the special time concept "since the 1990s", this paper adopts the research ideas of aesthetic interpretation and theoretical analysis, and the combination of history and theory. It is the first time to comb and systematize the narration of intellectuals since the 1990s, to explore its unique aesthetic connotation, to clarify the complex spiritual symptoms and to see through the living conditions of the intellectuals at present. In the introduction part, we first trace the genealogical origin of "intellectuals", then briefly review the image of intellectuals in the novels of the 20th century. Finally, we give a detailed explanation of the basis of the topic and the current research situation. Cynicism and tragedy, combined with key works, sum up the evolvement characteristics of intellectual image aesthetic connotation since 1990s. The second chapter focuses on intellectuals' existential uneasiness, belief crisis and renewed enlightenment spirit. Focusing on the intellectual novel of patricide, escape, madness, desire, nothingness, redemption and other themes; chapter three from the disenchantment of irony narrative, diversified narrative perspective in-depth analysis, It tries to highlight the overall style of intellectuals' narrative since the 1990's.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42
【参考文献】
相关期刊论文 前10条
1 张涛;;错位的批评与知识分子话语重建——重评“废都现象”[J];文艺争鸣;2014年01期
2 雷鸣;赵家文;;消费文化与20世纪90年代以来大学题材小说的叙事成规[J];文艺评论;2014年01期
3 赵家文;;消费文化与1990年以来大学题材小说的叙事成规[J];中国矿业大学学报(社会科学版);2013年04期
4 颜敏;;论新世纪小说中的知识分子形象[J];天津师范大学学报(社会科学版);2013年03期
5 孙谦;;悲剧精神缺失的喜剧镜像——关于转型期小说中知识分子叙事话语的反思[J];文艺评论;2012年05期
6 常慧林;;近三十年知识分子小说中反智叙事的嬗变[J];小说评论;2012年02期
7 颜敏;;从“裸体问题”到“风雅颂”——90年代以来的“大学叙事”:十部长篇小说读记[J];文艺争鸣;2010年23期
8 丁帆;;新世纪文学中价值立场的退却与乱象的形成[J];当代作家评论;2010年05期
9 王卫平;;自我反省的力度与理想人格的缺失——从现代知识分子的形象史看作家的写作立场和描写侧重[J];北京师范大学学报(社会科学版);2010年03期
10 张晓琴;;近三十年中国作家的知识分子立场[J];西北师大学报(社会科学版);2010年03期
相关博士学位论文 前1条
1 杨永明;士者何为[D];武汉大学;2008年
，本文编号：2189852
本文链接：https://www.wllwen.com/wenyilunwen/hanyuyanwenxuelunwen/2189852.html
