唐代山西诗人诗歌用韵研究
发布时间：2018-08-28 17:13
【摘要】：山西方音史的研究与唐五代宋西北方音的研究密切相关,现代的山西方言是唐五代宋西北方音直接发展演变的结果。研究山西方音史可利用的古文献资料很多,除了韵书、域外译音等研究外,大量的古诗文用韵是我们研究山西方音史的宝贵资料。本文选择唐代山西诗人诗歌用韵作为研究对象,运用描写、韵部分析、算术统计和比较等方法,对唐代山西籍127位诗人的3556首诗歌、4208个韵段进行了穷尽性的分析研究。文章通过归纳唐代山西诗人诗歌的韵部系统,总结了三条通语音变规律。根据对唐代山西诗韵中特殊用韵语音性质的分析,探讨唐代山西地区的实际语音与唐五代西北方音的密切联系。本文的研究有助于丰富唐代语音史的研究,并从用韵的角度为山西方音史的研究提供事实依据。文章归纳出唐代山西诗人近体诗韵系29部,其中阴声韵13部,阳声韵15部,入声韵1部。归纳古体诗韵系共31部,其中阴声韵9部,阳声韵13部,入声韵9部。唐代山西诗人诗歌用韵与唐代通语韵系基本相符唐代山西诗人诗歌用韵中显示出了3条重要的通语音变:1《广韵》佳韵系字叶入麻韵,佳韵系“涯、崖、娃”等字归入麻韵,形成“麻佳”部;2齐祭韵与支脂之韵相押,这一音变主要发生在晚唐诗人诗韵中,相押比例不大,有合流趋势,但没有达到合流的程度;3尤侯韵部分唇音字与鱼模相押,在唐代山西这一语音演变进程比较缓慢。文章分析了唐代山西诗人诗歌用韵中全浊上声字入韵的情况,认为唐代山西浊上变去的语音演变已经开始,但相当一部分的全浊上声字仍处在演变过程中。对于韵段中出现的平上相押和去入相押的现象也做出了相应的分析。文章详尽分析了唐代山西诗人诗歌用韵中的特殊用韵情况,其中阴声韵之间的混押有歌戈部与麻佳部,歌戈部与鱼模部,麻佳部与鱼模部,支微部与鱼模部;阳声韵之间的混押有同韵尾间的混押,如覃盐部与侵寻部,寒桓部、删山部、先仙部、文分部和元魂部,蒸登部与庚青部,江双部与东钟部,阳唐部与东钟部,还有不同阳声韵尾间的混押,如侵寻部与蒸登部,侵寻部与庚青部,文分部与蒸登部;入声韵之间混押有同韵尾间的混押,如职德部与陌锡部,药铎部与觉学部、狎叶部与缉邑部、职德部与药铎部,还有不同入声韵尾间的混押;唐代山西诗人诗歌用韵中还有1个阳声韵鼻音韵尾脱落与阴声韵混押的韵例。这些都可以在唐五代西北方音研究中所使用的少数民族文字对音材料(如汉藏对音、夏汉对音)中得到印证。通过分析,我们认为除去仿古和作者偶然为之的用韵外,特殊用韵应该是唐代山西方音的反映。从整体上看,唐代山西诗人用韵是以通语为基础的,但是韵例中仍然能够反映出当时诗人的实际语言状况。文章还单独列出唐代山西诗人诗歌用韵中的一些特殊韵字并加以分析,这些字在一定程度上反映了当时的实际语音变化,是后人研究唐代语音的重要参考。
[Abstract]:The study of the history of Shanxi dialects is closely related to the study of the northwest dialects in Tang and Five Dynasties and Song Dynasties. Modern Shanxi dialects are the result of the direct development and evolution of the northwest dialects in Tang and Five Dynasties and Song Dynasties. This paper chooses the rhyme of Shanxi poets in the Tang Dynasty as the research object and makes an exhaustive analysis of 3556 poems and 4208 rhymes of 127 Shanxi poets in the Tang Dynasty by means of description, rhyme analysis, arithmetic statistics and comparison. Based on the analysis of the phonetic properties of the special rhymes in Shanxi in the Tang Dynasty, this paper discusses the close relationship between the actual phonetics in Shanxi in the Tang Dynasty and the northwest dialects in the Tang and Five Dynasties. There are 29 modern-style poetry rhymes of Shanxi poets in Tang Dynasty, of which 13 are yin-tone rhyme, 15 are yang-tone rhyme and 1 is entering rhyme. There are 31 ancient-style poetry rhymes, including 9 are yin-tone rhyme, 13 are yang-tone rhyme and 9 are entering rhyme. Change: 1 < Guang Yun > Jia Yun is a rhyme, and Jia Yun is a rhyme, and Ya, Ya, Wa is a rhyme, forming "Ma Jia"; 2 Qi Festival rhyme and Zhizhi rhyme are rhymed together, which mainly occurs in the late Tang poetry rhyme, the rhyme proportion is small, there is a trend of confluence, but not to the degree of confluence; 3 You Hou rhyme part of the lip characters and fish model rhyme, in the Tang Dynasty. The evolution of Shanxi pronunciation in the Tang Dynasty is relatively slow. This paper analyzes the situation of the Phonetic Evolution of Shanxi poets in the Tang Dynasty. This paper makes a detailed analysis of the special rhymes used by Shanxi poets in the Tang Dynasty, including the mixed rhymes of Gog and Majia, Gog and Fish Mould, Majia and Fish Mould, and the mixed rhymes of Yangsheng and Yun, such as the mixed rhymes of salt and invasion. Xun Bu, Hanhuan Bu, Chuan Shan Bu, Xianxian Bu, Wen Bu and Yuan Soul Bu, Zhengdeng Bu and Geng Qing Bu, Jiangshuang Bu and Dongzhong Bu, Yangtang Bu and Dongzhong Bu, as well as the intermingling of different Yangsheng rhyme tails, such as intrusion and steaming, intrusion and Geng Qing Bu, text and steaming Bu; the intermingling of rhyme tails between intrusion rhyme and rhyme, such as Gongde Bu and Mo Xi There are also some mixed rhymes in the poems of Shanxi poets in the Tang Dynasty, such as the rhyme ending of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the Through the analysis, we think that the special rhyme should be the reflection of Shanxi dialect in Tang Dynasty, except for the rhyme imitating the ancients and the author's accidental rhyme. The article also lists and analyzes some special rhyming words in the rhymes of Shanxi poets'poems in the Tang Dynasty. These words reflect the actual phonetic changes at that time to a certain extent and are an important reference for later generations to study the phonetic sounds of the Tang Dynasty.
【学位授予单位】：山西大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：I207.22
[Abstract]:The study of the history of Shanxi dialects is closely related to the study of the northwest dialects in Tang and Five Dynasties and Song Dynasties. Modern Shanxi dialects are the result of the direct development and evolution of the northwest dialects in Tang and Five Dynasties and Song Dynasties. This paper chooses the rhyme of Shanxi poets in the Tang Dynasty as the research object and makes an exhaustive analysis of 3556 poems and 4208 rhymes of 127 Shanxi poets in the Tang Dynasty by means of description, rhyme analysis, arithmetic statistics and comparison. Based on the analysis of the phonetic properties of the special rhymes in Shanxi in the Tang Dynasty, this paper discusses the close relationship between the actual phonetics in Shanxi in the Tang Dynasty and the northwest dialects in the Tang and Five Dynasties. There are 29 modern-style poetry rhymes of Shanxi poets in Tang Dynasty, of which 13 are yin-tone rhyme, 15 are yang-tone rhyme and 1 is entering rhyme. There are 31 ancient-style poetry rhymes, including 9 are yin-tone rhyme, 13 are yang-tone rhyme and 9 are entering rhyme. Change: 1 < Guang Yun > Jia Yun is a rhyme, and Jia Yun is a rhyme, and Ya, Ya, Wa is a rhyme, forming "Ma Jia"; 2 Qi Festival rhyme and Zhizhi rhyme are rhymed together, which mainly occurs in the late Tang poetry rhyme, the rhyme proportion is small, there is a trend of confluence, but not to the degree of confluence; 3 You Hou rhyme part of the lip characters and fish model rhyme, in the Tang Dynasty. The evolution of Shanxi pronunciation in the Tang Dynasty is relatively slow. This paper analyzes the situation of the Phonetic Evolution of Shanxi poets in the Tang Dynasty. This paper makes a detailed analysis of the special rhymes used by Shanxi poets in the Tang Dynasty, including the mixed rhymes of Gog and Majia, Gog and Fish Mould, Majia and Fish Mould, and the mixed rhymes of Yangsheng and Yun, such as the mixed rhymes of salt and invasion. Xun Bu, Hanhuan Bu, Chuan Shan Bu, Xianxian Bu, Wen Bu and Yuan Soul Bu, Zhengdeng Bu and Geng Qing Bu, Jiangshuang Bu and Dongzhong Bu, Yangtang Bu and Dongzhong Bu, as well as the intermingling of different Yangsheng rhyme tails, such as intrusion and steaming, intrusion and Geng Qing Bu, text and steaming Bu; the intermingling of rhyme tails between intrusion rhyme and rhyme, such as Gongde Bu and Mo Xi There are also some mixed rhymes in the poems of Shanxi poets in the Tang Dynasty, such as the rhyme ending of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the rhyme of the Through the analysis, we think that the special rhyme should be the reflection of Shanxi dialect in Tang Dynasty, except for the rhyme imitating the ancients and the author's accidental rhyme. The article also lists and analyzes some special rhyming words in the rhymes of Shanxi poets'poems in the Tang Dynasty. These words reflect the actual phonetic changes at that time to a certain extent and are an important reference for later generations to study the phonetic sounds of the Tang Dynasty.
【学位授予单位】：山西大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：I207.22
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