明刊戏曲中的“一剧多图本”现象探析
发布时间：2018-09-06 19:49
【摘要】：明刊戏曲中,除所熟知的《西厢记》《琵琶记》等有不止一种插图本外,还有数目可观的剧目有不止一种插图本刊刻流通。此乃"一剧多图本"现象。出现原因主要有:从出版者的视角看,是涉利之争;从插图的绘制者来看,是画家的不同理解;从接受者的视角看,是不同层次读者之需求;从剧本本身看,是名剧的魅力及阐释空间。其促进了戏曲文本传播,扩大了剧作影响力,阐发了剧本内在意蕴,提升了戏曲插图艺术性,且具有版本意义,是戏曲出版史上一种独特的颇值关注的现象。
[Abstract]:In Ming opera, there is more than one kind of illustrations in addition to the familiar "West Chamber" and "Pipa", and there are a considerable number of plays with more than one illustrative book in circulation. This is the phenomenon of "one play with many pictures". The main reasons are as follows: from the perspective of the publisher, it is a matter of interest; from the perspective of the illustrator, it is the painter's different understanding; from the perspective of the receiver, it is the needs of the readers at different levels; from the script itself, It is the charm and interpretation space of famous drama. It promotes the dissemination of drama text, expands the influence of drama, clarifies the intrinsic meaning of the script, promotes the artistry of opera illustrations, and has the significance of edition, which is a unique phenomenon worth paying attention to in the history of opera publication.
【作者单位】： 宝鸡文理学院文学与新闻传播学院;
【基金】：国家社会科学基金重大招标项目“《全明戏曲》编纂及明代戏曲文献研究”(10&ZD105)研究成果
【分类号】：G239.29
本文编号：2227369
[Abstract]:In Ming opera, there is more than one kind of illustrations in addition to the familiar "West Chamber" and "Pipa", and there are a considerable number of plays with more than one illustrative book in circulation. This is the phenomenon of "one play with many pictures". The main reasons are as follows: from the perspective of the publisher, it is a matter of interest; from the perspective of the illustrator, it is the painter's different understanding; from the perspective of the receiver, it is the needs of the readers at different levels; from the script itself, It is the charm and interpretation space of famous drama. It promotes the dissemination of drama text, expands the influence of drama, clarifies the intrinsic meaning of the script, promotes the artistry of opera illustrations, and has the significance of edition, which is a unique phenomenon worth paying attention to in the history of opera publication.
【作者单位】： 宝鸡文理学院文学与新闻传播学院;
【基金】：国家社会科学基金重大招标项目“《全明戏曲》编纂及明代戏曲文献研究”(10&ZD105)研究成果
【分类号】：G239.29
【相似文献】
相关期刊论文 前5条
1 姜德明;寻找插图本[J];书屋;1998年03期
2 岳洪治;普及经典名著的成功尝试——关于木刻插图本《阿Q正传》及其他[J];出版科学;2003年04期
3 ;连线书屋[J];计算机与网络;2002年14期
4 小丹;台推出新版插图本福尔摩斯[J];出版参考;1998年11期
5 ;好书超市[J];博览群书;2010年07期
相关重要报纸文章 前10条
1 至善;关于插图本的设想[N];光明日报;2000年
2 记者 刘丽梅;插图本历史书会不会突然走红[N];中华读书报;2000年
3 本报记者 郭晓虹;插图学术著作：多余，，抑或必要？[N];中国新闻出版报;2001年
4 林薇;给学术著作插图[N];人民日报海外版;2001年
5 王夏斐;图文并茂 书市新宠[N];西安日报;2002年
6 张建松;科普图书质量亟待提高[N];人民日报;2003年
7 赫连城;像秋天一样收割[N];中国图书商报;2000年
8 本报记者 王坤宁;世纪出版集团力促人文阅读走红[N];中国新闻出版报;2007年
9 ;中国城市图书销售排行榜[N];中国邮政报;2002年
10 本报记者 萧恩明;“插图”声浪中的出版新趋势[N];中华读书报;2002年
本文编号：2227369
本文链接：https://www.wllwen.com/wenyilunwen/hanyuyanwenxuelunwen/2227369.html
