清前期诗话中的苏轼论
发布时间：2018-09-10 06:17
【摘要】：苏轼是宋代重要的文学家,也是继唐诗之后宋诗的开创者之一,他也是一位集诗文、书法、绘画兼善的大家,可谓是天才恣肆,横贯古今。对苏轼的接受、研究、阐释自其生前就开始了。近代诗人陈衍(1856—1937)在其《石遗室文集》中说:“长公之诗,自南宋风行,靡然于金,元明中熄,清而复炽,二百余年中,大人先生殆无不濡染及之者。”从宋至清对苏轼的研究一直没有间断过,虽时有减弱,但一直是源源不断,其中宋清两朝可以说是研究苏轼的鼎盛时期。清代的苏轼研究沿着前人的步伐与格局,结合其独特的时代特色亦取得了不错的成就,尤其在以诗话为主体的诗歌理论批评下关于苏轼的研究成果更是卓著。清代诗话可以说是诗话的集大成时期,而且与选本、诗集、注本等相比较,诗话是学者表达自己诗论主张的重要载体,是诗论家诗学观念的直接反映,因此,本文拟从“清前期诗话中的苏轼论”这一特定视角,根据诗话对苏轼其人及苏诗等方面的论述,并在综合前人研究的基础上,结合清前期这一特定历史时期,通过分析、归纳、总结这一时期诗话中的苏轼论所呈现出来的特点。同时,清前期处于易代之际,前继明代,后作为清代的肇端,而清代前期的诗话也是处于这样一个重要的转折阶段,研究清前期诗话中的苏轼论,有助于我们发现这一时期中有关苏轼的研究在继承前人的基础上的突破之处以及对后代的苏轼接受所产生的影响。本论文共分为三个章节。第一章以清代前期诗话中的苏轼形象为中心,主要包括其所主张的诗学观和后代对其文人形象的评价。第二章,主要是对苏诗的评价,从体制类和品藻类两方面,聚焦清代诗话中品评苏诗的主要问题,包括苏轼的七言古诗、和陶诗、咏梅诗、以文为诗的表现手法和用典方面。第三章,主要是把苏轼与诗歌史上的重要诗人进行比较,一方面是苏轼诗歌在创作源流呈现出转益多师的特征,另一方面探讨韩、苏轼并称的文学内涵和苏、黄优劣的问题。
[Abstract]:Su Shi is an important writer in Song Dynasty and one of the pioneers of Song poetry after Tang poetry. He is also a collection of poetry, calligraphy, painting and good people, can be said to be genius unbridled, traversing the ancient and modern. The acceptance, research and interpretation of Su Shi began before his death. The modern poet Chen Yan (1856-1937) said in his Collection of works of the Stone Legacy: "the poem of the Chang Gong has been popular since the Southern Song Dynasty, was extinguished in the Yuan and Ming dynasties, and the Qing Dynasty was incandescent. In more than two hundred years, the grown-up gentleman was almost infected." The study of Su Shi from Song to Qing Dynasty has been uninterrupted, although it has been weakened from time to time, it has always been a constant stream, and the Song and Qing dynasties can be said to be the heyday period of studying Su Shi. The study of Su Shi in the Qing Dynasty followed the steps and patterns of the predecessors, combined with its unique characteristics of the times, and also achieved good results, especially in the poetry theory criticism with poetry as the main body, and the research results of Su Shi were even more outstanding. Poetry in the Qing Dynasty can be said to be the period of poetry, and compared with anthology, anthology and notes, poetry is an important carrier for scholars to express their views on poetry, and it is a direct reflection of poetic ideas of poetics. From the specific angle of view of Su Shi in the early Qing Dynasty, according to his exposition of Su Shi and Su Shi's poems, and on the basis of synthesizing the previous studies, this paper combines this particular historical period of the early Qing Dynasty, through the analysis, induces, summarizes, and so on. Summing up the characteristics of Su Shi's theory of poetry in this period. At the same time, the early Qing Dynasty is in the period of changing generations, followed by the Ming Dynasty, and later as the beginning of the Qing Dynasty, and the early Qing Dynasty poetry is also at such an important turning point, the study of Su Shi in the early Qing Dynasty poetry theory. It is helpful for us to find out the breakthrough in the research of Su Shi in this period on the basis of inheriting the predecessors and the influence on the acceptance of Su Shi. This thesis is divided into three chapters. The first chapter focuses on the image of Su Shi in the early Qing Dynasty, mainly including his poetic views and the evaluation of his literati image by his descendants. The second chapter is mainly about the evaluation of Su's poems, focusing on the main problems in the evaluation of Su's poems in Qing Dynasty from the aspects of system and quality, including Su Shi's seven-character ancient poems, and Tao's poems, poems on Mei, and the expressive techniques and examples of poems based on literature. The third chapter mainly compares Su Shi with the important poets in the history of poetry. On the one hand, it shows the characteristics of the source of Su Shi's poetry. On the other hand, it discusses the literary connotation of Han and Su Shi and the merits and demerits of Su and Huang.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.22
本文编号：2233629
[Abstract]:Su Shi is an important writer in Song Dynasty and one of the pioneers of Song poetry after Tang poetry. He is also a collection of poetry, calligraphy, painting and good people, can be said to be genius unbridled, traversing the ancient and modern. The acceptance, research and interpretation of Su Shi began before his death. The modern poet Chen Yan (1856-1937) said in his Collection of works of the Stone Legacy: "the poem of the Chang Gong has been popular since the Southern Song Dynasty, was extinguished in the Yuan and Ming dynasties, and the Qing Dynasty was incandescent. In more than two hundred years, the grown-up gentleman was almost infected." The study of Su Shi from Song to Qing Dynasty has been uninterrupted, although it has been weakened from time to time, it has always been a constant stream, and the Song and Qing dynasties can be said to be the heyday period of studying Su Shi. The study of Su Shi in the Qing Dynasty followed the steps and patterns of the predecessors, combined with its unique characteristics of the times, and also achieved good results, especially in the poetry theory criticism with poetry as the main body, and the research results of Su Shi were even more outstanding. Poetry in the Qing Dynasty can be said to be the period of poetry, and compared with anthology, anthology and notes, poetry is an important carrier for scholars to express their views on poetry, and it is a direct reflection of poetic ideas of poetics. From the specific angle of view of Su Shi in the early Qing Dynasty, according to his exposition of Su Shi and Su Shi's poems, and on the basis of synthesizing the previous studies, this paper combines this particular historical period of the early Qing Dynasty, through the analysis, induces, summarizes, and so on. Summing up the characteristics of Su Shi's theory of poetry in this period. At the same time, the early Qing Dynasty is in the period of changing generations, followed by the Ming Dynasty, and later as the beginning of the Qing Dynasty, and the early Qing Dynasty poetry is also at such an important turning point, the study of Su Shi in the early Qing Dynasty poetry theory. It is helpful for us to find out the breakthrough in the research of Su Shi in this period on the basis of inheriting the predecessors and the influence on the acceptance of Su Shi. This thesis is divided into three chapters. The first chapter focuses on the image of Su Shi in the early Qing Dynasty, mainly including his poetic views and the evaluation of his literati image by his descendants. The second chapter is mainly about the evaluation of Su's poems, focusing on the main problems in the evaluation of Su's poems in Qing Dynasty from the aspects of system and quality, including Su Shi's seven-character ancient poems, and Tao's poems, poems on Mei, and the expressive techniques and examples of poems based on literature. The third chapter mainly compares Su Shi with the important poets in the history of poetry. On the one hand, it shows the characteristics of the source of Su Shi's poetry. On the other hand, it discusses the literary connotation of Han and Su Shi and the merits and demerits of Su and Huang.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.22
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