《檀香刑》的叙事策略研究
发布时间：2018-09-13 09:50
【摘要】：莫言的《檀香刑》,这部被认为是“21世纪中国文学的第一部重要作品的长篇小说”,一问世便引起了学界的关注。研究者们纷纷从文学与民间、文学乡土化、历史写作等角度对《檀香刑》进行了深入的研究。笔者在经过对《檀香刑》的反复阅读和分析后,发现小说在叙事方面颇具匠心。《檀香刑》作为莫言“撤退”后的第一部小说,在叙事策略上汲取了民间文化的丰富营养,表现出了较多的民间气息和纯粹的中国风格。所以,在西方叙事学理论和民间故事文本互为参照的基础上对《檀香刑》进行叙事策略研究是有一定理论意义和价值的。本文的绪论对《檀香刑》叙事策略研究这一选题的研究背景和对象、研究现状以及选题的研究意义、方法和创新性等方面进行了简明扼要的概述,以期读者能够对选题的基础、论文的研究思路有一定的了解。第一章叙事结构和叙事时间,从线索、结构顺序、联结方式、对比四个方面对《檀香刑》的结构逻辑进行了剖析,分析了《檀香刑》中的顺序、联结、对比带给小说的节奏感和和谐感。通过对故事时间和叙事时间及其中的文化内涵的研究,感受《檀香刑》中叙事时间所展现的深刻的人文性和丰厚的文化意蕴。第二章故事人物,论述了小说如何站在民间立场上以新口吻讲述了旧故事,解读莫言如何从另一个角度解读历史,展示了新历史主义小说的启蒙意义和民间姿态。对其中着墨最多的主要人物也进行了全面剖析,着重分析了小说中看似痴傻却道破真谛的傻子赵小甲形象。论述了莫言如何在独特的叙事安排中完成了对历史故事和人物的全新叙写。第三章叙事视角和叙事语言,分析了戏曲对《檀香刑》的影响,语言的动作性以及角色语言的个性特征。叙事语言与叙事视角息息相关,通过对角色视角的着重分析,展示了小说人物各有特色的叙事语言。此外,全知视角是小说写作中最常用的视角,论文对莫言不落窠臼、别出心裁地在全知视角中运用流动视角、环形视角和辐射形视角的叙事技巧进行了解读。第四章叙事意象,对《檀香刑》中叙事意象的选择、组合、类型和功能进行了分析。意象是高浓度的文化密码,莫言继承了中国传统叙事作品中的智慧和谋略,通过对檀香、刑具、龙椅、佛珠等意象的组合等手段,融合了外来的现代思潮和叙事经验,丰富了小说意象的含义。结语部分概括了本文的主要内容,对叙事学在中国的研究成果进行了概括,对立足于中国叙事学研究莫言《檀香刑》的原因和意义进行了论述,并对莫言小说的叙事学研究进行了展望。论文在对《檀香刑》文本细读的基础上,对该小说的叙事结构、时间、人物、故事、语言、视角、意象等方面的叙事策略进行了详细阐述,从叙事学角度重新剖析《檀香刑》,力图为莫言的小说的叙事学研究提供一点参考。
[Abstract]:Mo Yan's Honolulu punishment, which is regarded as "the first important novel of Chinese literature in the 21st century", has aroused the attention of scholars. Researchers have deeply studied sandalwood punishment from the perspectives of literature and folk, localization of literature and historical writing. After reading and analyzing Sandalwood punishment repeatedly, the author finds that the novel has a great deal of heart in narrative. As the first novel after Mo Yan's retreat, the writer draws rich nutrition from folk culture in narrative strategy. Show more folk atmosphere and pure Chinese style. Therefore, it is of certain theoretical significance and value to study the narrative strategy of Sandalwood punishment on the basis of the western narrative theory and folk story text. The introduction of this paper gives a brief overview of the research background and object, the research status, the significance, the method and the innovation of the topic, so that the readers can choose the basis of the topic. The research idea of the thesis has certain understanding. The first chapter analyzes the structure logic of sandalwood punishment from four aspects: clue, structure sequence, connection mode, and analyzes the order and connection of sandalwood punishment. Contrast brings the sense of rhythm and harmony to the novel. Through the study of story time, narrative time and its cultural connotation, we can feel the profound humanism and rich cultural implication of narration time in Honolulu punishment. In the second chapter, the author discusses how the novel tells the old story in a new tone from a folk standpoint, how Mo Yan interprets the history from another angle, and shows the enlightenment significance and folk attitude of the new historicism novel. The main characters with the most painting are also comprehensively analyzed, focusing on the image of the fool Zhao Xiaojia, who seems to be silly but who has broken through the truth in the novel. This paper discusses how Mo Yan completed a new narrative of historical stories and characters in his unique narrative arrangement. The third chapter analyzes the influence of drama on Honolulu punishment, the action of language and the personality characteristics of character language from the perspective of narrative and narrative language. Narrative language is closely related to narrative perspective. In addition, omniscient perspective is the most commonly used perspective in novel writing. Chapter four analyzes the choice, combination, type and function of narrative image in Honolulu punishment. Image is a high concentration of cultural code, Mo Yan inherited the wisdom and strategy of Chinese traditional narrative works, through the combination of the images of sandalwood, torture, dragon chair, Buddha beads, and so on, he integrated the foreign modern thoughts of thought and narrative experience, such as the combination of images, such as sandalwood, torture, dragon chair, Buddha bead, etc. It enriches the meaning of novel image. The conclusion summarizes the main contents of this paper, summarizes the research results of narratology in China, and discusses the reasons and significance of the study of sandalwood punishment based on Chinese narratology. The narratology of Mo Yan's novels is prospected. On the basis of reading the text of Honolulu punishment, the paper elaborates the narrative strategy of the novel, such as narrative structure, time, character, story, language, visual angle, image and so on. The reanalysis of sandalwood punishment from the perspective of narratology tries to provide some references for the narratology study of Mo Yan's novels.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42
本文编号：2240823
[Abstract]:Mo Yan's Honolulu punishment, which is regarded as "the first important novel of Chinese literature in the 21st century", has aroused the attention of scholars. Researchers have deeply studied sandalwood punishment from the perspectives of literature and folk, localization of literature and historical writing. After reading and analyzing Sandalwood punishment repeatedly, the author finds that the novel has a great deal of heart in narrative. As the first novel after Mo Yan's retreat, the writer draws rich nutrition from folk culture in narrative strategy. Show more folk atmosphere and pure Chinese style. Therefore, it is of certain theoretical significance and value to study the narrative strategy of Sandalwood punishment on the basis of the western narrative theory and folk story text. The introduction of this paper gives a brief overview of the research background and object, the research status, the significance, the method and the innovation of the topic, so that the readers can choose the basis of the topic. The research idea of the thesis has certain understanding. The first chapter analyzes the structure logic of sandalwood punishment from four aspects: clue, structure sequence, connection mode, and analyzes the order and connection of sandalwood punishment. Contrast brings the sense of rhythm and harmony to the novel. Through the study of story time, narrative time and its cultural connotation, we can feel the profound humanism and rich cultural implication of narration time in Honolulu punishment. In the second chapter, the author discusses how the novel tells the old story in a new tone from a folk standpoint, how Mo Yan interprets the history from another angle, and shows the enlightenment significance and folk attitude of the new historicism novel. The main characters with the most painting are also comprehensively analyzed, focusing on the image of the fool Zhao Xiaojia, who seems to be silly but who has broken through the truth in the novel. This paper discusses how Mo Yan completed a new narrative of historical stories and characters in his unique narrative arrangement. The third chapter analyzes the influence of drama on Honolulu punishment, the action of language and the personality characteristics of character language from the perspective of narrative and narrative language. Narrative language is closely related to narrative perspective. In addition, omniscient perspective is the most commonly used perspective in novel writing. Chapter four analyzes the choice, combination, type and function of narrative image in Honolulu punishment. Image is a high concentration of cultural code, Mo Yan inherited the wisdom and strategy of Chinese traditional narrative works, through the combination of the images of sandalwood, torture, dragon chair, Buddha beads, and so on, he integrated the foreign modern thoughts of thought and narrative experience, such as the combination of images, such as sandalwood, torture, dragon chair, Buddha bead, etc. It enriches the meaning of novel image. The conclusion summarizes the main contents of this paper, summarizes the research results of narratology in China, and discusses the reasons and significance of the study of sandalwood punishment based on Chinese narratology. The narratology of Mo Yan's novels is prospected. On the basis of reading the text of Honolulu punishment, the paper elaborates the narrative strategy of the novel, such as narrative structure, time, character, story, language, visual angle, image and so on. The reanalysis of sandalwood punishment from the perspective of narratology tries to provide some references for the narratology study of Mo Yan's novels.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42
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相关期刊论文 前3条
1 程光炜;;魔幻化、本土化与民间资源——莫言与文学批评[J];当代作家评论;2006年06期
2 黄发有;;莫言的“变形记”[J];当代作家评论;2006年06期
3 张清华;莫言与新历史主义文学思潮——以《红高粱家族》、《丰乳肥臀》、《檀香刑》为例[J];海南师范学院学报(社会科学版);2005年02期
，本文编号：2240823
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