都市与乡村：80后女作家笛安、马金莲的青春叙事
发布时间：2018-09-13 06:26
【摘要】：在评述当下写作中,对于80后的研究,成果纷呈。尤其是80后在文坛展露之初,其作为一个文化现象,被许多学者、批评家评述。随着时间的推移,80后个体逐渐成熟,其展露出不同的写作特质和追求。以往的研究对于个案的分析较为缺乏。其研究成果大多集中在几位具有商业价值的代表作家身上,例如韩寒、郭敬明、张悦然、春树等。一方面,这些研究成果概括了80后的集体特质,使他们作为一种文学现象为众人所知,另一方面,也由此遮蔽了80后作家书写的其他特质。本文选取两位具有代表性的80后作家:一位是追逐现代主义步伐,撰写都市青春之歌的笛安;一位是扎根乡土,叙写生活之重与女性生存境遇的马金莲。本文以性别和代际为视角,运用叙事学的方法,对二者的选材、主题、叙事手法进行分析。展现80后在书写青春成长时的不同特征,通过关联对比,展现二人在面临相同时代背景下,所共有的精神困惑和情感追求。本文分四个部分,第一部分绪论,介绍选题的意义和目的。论述为什么选择研究80后,以及为何选择笛安和马金莲两人。她们的比较是基于什么样的共同点。第二部分介绍笛安的叙事艺术,从都市的繁华与苍凉、青春的纵情和幻灭以及童话叙事三个方面进行阐释。第三部分介绍马金莲的叙事艺术,从乡村的落寞与坚守、乡村中的女性境遇、童年视角与日常伦理进行解读。第四部分为二者的比较,前两小节通过童话叙事、青春成长的描写找到二人精神世界的关联点。最后两个小节,引述文学与市场理论,阐明两人在当下声名不相当的缘由。
[Abstract]:In the review of the present writing, for the post-80s research, the results are numerous. Especially at the beginning of the post-80s, as a cultural phenomenon, it has been commented by many scholars and critics. With the passage of time, the post-80s individuals gradually mature, showing different writing characteristics and pursuit. Previous research on the case analysis is relatively lacking. Most of the research results are focused on several representative writers with commercial value, such as Han, Guo Jingming, Zhang Yuelan, Chunshu and so on. On the one hand, these achievements generalize the collective characteristics of the post-80s writers, making them known as a literary phenomenon, on the other hand, they also obscure the other characteristics of the post-80s writers. This paper selects two representative post-80s writers: one is Desan, who pursues modernism and writes the song of urban youth; the other is Ma Jinlian, who takes root in the country and describes the importance of life and the living conditions of women. This paper, from the perspective of gender and intergenerational, uses narratology to analyze the selection of materials, themes and narrative techniques. It shows the different characteristics of the post-80s generation in the writing of youth growth, and through the correlation comparison, shows the common spiritual confusion and emotional pursuit of the two people in the same background of the times. This article is divided into four parts, the first part of the introduction, introduce the significance and purpose of the topic. This paper discusses why we chose to study the post-80s and why we chose Desan and Ma Jinlian. Their comparison is based on what they have in common. The second part introduces Desan's narrative art, from three aspects of urban prosperity and desolation, youth indulgence and disillusionment, and fairy tale narration. The third part introduces Ma Jinlian's narrative art, from the perspective of rural loneliness and adherence, the situation of women in the countryside, childhood perspective and daily ethics. The fourth part is the comparison of the two, the first two sections through fairy tale narration, the description of youth to find the spiritual world of the two connected points. The last two subsections, quoting literature and market theory, explain why they are not quite famous in the present.
【学位授予单位】：华中科技大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I206.7
本文编号：2240348
[Abstract]:In the review of the present writing, for the post-80s research, the results are numerous. Especially at the beginning of the post-80s, as a cultural phenomenon, it has been commented by many scholars and critics. With the passage of time, the post-80s individuals gradually mature, showing different writing characteristics and pursuit. Previous research on the case analysis is relatively lacking. Most of the research results are focused on several representative writers with commercial value, such as Han, Guo Jingming, Zhang Yuelan, Chunshu and so on. On the one hand, these achievements generalize the collective characteristics of the post-80s writers, making them known as a literary phenomenon, on the other hand, they also obscure the other characteristics of the post-80s writers. This paper selects two representative post-80s writers: one is Desan, who pursues modernism and writes the song of urban youth; the other is Ma Jinlian, who takes root in the country and describes the importance of life and the living conditions of women. This paper, from the perspective of gender and intergenerational, uses narratology to analyze the selection of materials, themes and narrative techniques. It shows the different characteristics of the post-80s generation in the writing of youth growth, and through the correlation comparison, shows the common spiritual confusion and emotional pursuit of the two people in the same background of the times. This article is divided into four parts, the first part of the introduction, introduce the significance and purpose of the topic. This paper discusses why we chose to study the post-80s and why we chose Desan and Ma Jinlian. Their comparison is based on what they have in common. The second part introduces Desan's narrative art, from three aspects of urban prosperity and desolation, youth indulgence and disillusionment, and fairy tale narration. The third part introduces Ma Jinlian's narrative art, from the perspective of rural loneliness and adherence, the situation of women in the countryside, childhood perspective and daily ethics. The fourth part is the comparison of the two, the first two sections through fairy tale narration, the description of youth to find the spiritual world of the two connected points. The last two subsections, quoting literature and market theory, explain why they are not quite famous in the present.
【学位授予单位】：华中科技大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I206.7
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