郑文焯词学研究

发布时间：2018-09-13 15:19

【摘要】：以声情为重要特征的词体,至清末获得了中兴之势。清季四大词人之一的郑文焯于填词创作、词籍校勘、词学批评、词律研究诸方面成就卓著,在实现浙西、常州词派理论融合的基础上,推动晚清民初词学的复兴。在细读郑文焯词集与词话的基础上,结合晚清民初词坛的词学背景,以二者关系为切入点,重点探讨以下几方面问题：第一章从词学交往角度,以词社、交游、酬应等词学活动为线索,指出郑文焯主持或参与了多个词学结社活动,通过指导提携社友、校勘词籍、词学宗旨的提倡等方式推动着南北方的词学建设。第二章从内容与形式角度,分析了郑文焯词的主题及艺术风貌：在表面的清空飘逸风貌下蕴藏着士大夫的忧伤情怀,这种忧戚由对自然风光、社会生活至内心活动等表现对象的不同,由淡而浓,渐趋深入；其词语言精巧、意象衰淡、境界疏宕、气节瘦拔,尤其是在采菊东篱的率真意象下蕴藏着幽约怨悱的词心。第三章从词学批评角度,以郑文焯对姜夔词、清空学说、乐律理论等方面研究为轴心,指出其在继承姜夔词幽韵冷香、骚雅峭拔的词风基础上,引骨气、意趣入清空,挽救了清末词坛空虚晦涩的流弊之风；在传统音乐文学的背景之下,主张声文谐和、自然合乐的词乐旨向,注重传承词体音乐文学的本色。结语部分从郑文焯的词学创作与晚清词坛异轨殊途又千丝万缕的词学联系角度,总结郑氏词学于晚清词坛的独特性,通过其清客身份与晚清社会若即若离的独特关系,揭示其对晚清词坛革故鼎新的作用。
[Abstract]:By the end of Qing Dynasty, the style of ci, which was characterized by sound and emotion, gained the tendency of ZTE. Zheng Wenzhuo, one of the four great ci poets in the Qing Dynasty, made remarkable achievements in the writing of ci, the collation of ci books, the criticism of ci, and the study of ci. On the basis of realizing the integration of the theory of ci school in western Zhejiang and Changzhou, it promoted the revival of ci science in the late Qing Dynasty and early Republic of China. On the basis of carefully reading Zheng Wenzhuo's ci collection and ci words, combined with the ci poetry background of the late Qing Dynasty and the beginning of the Republic of China, and taking the relationship between the two as the breakthrough point, the first chapter focuses on the following aspects: the first chapter discusses the following problems from the perspective of ci communication, ci society, friendship, etc. It is pointed out that Zheng Wenzhuo presided over or participated in many ci poetry association activities and promoted the construction of ci poetry in the south and north by guiding and carrying out friends collating ci books and advocating the purpose of ci poetry. The second chapter analyzes the theme and artistic style of Zheng Wenzhuo's ci from the angle of content and form. Social life to inner activities and other performance objects, from light and thick, gradually deepening; its words language delicate, image decline, realm sparse, thin and pull-out, especially in the chrysanthemum Dongli under the frank image of Youyou and grudges to worry about the word heart. The third chapter takes Zheng Wenzhuo's research on Jiang Kui's ci, emptiness theory and music and law theory as the axis from the perspective of ci criticism. In the background of traditional music literature, the author advocates harmony of sound and text, natural harmony of ci and music, and pays attention to inheriting the essence of ci and style music literature. In the conclusion part, from the angle of Zheng Wenzhuo's ci poetry creation and the inextricable and inextricable relationship between the different ways of ci poetry in the late Qing Dynasty, the author summarizes the uniqueness of Zheng's ci poetry in the late Qing Dynasty, and through his unique relationship between the Qing Dynasty and the late Qing Dynasty, the unique relationship between the identity of the Qing Dynasty and the society of the late Qing Dynasty is given. To reveal its role in the late Qing poetry reform.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.23

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