杨慎词学思想及创作特色

发布时间：2018-10-07 17:53

【摘要】：杨慎对明词的发展功不可没,其贡献主要表现在词学思想与词学创作两个方面。虽然学术界对杨慎词学思想与词学创作这两个方面的研究都有所涉及,但都只是集中于某一方面,并未将两者结合起来研究。本文注意到杨慎词学思想与词学创作之间的紧密关系,遂结合杨慎之词学思想,具体解读杨慎词学创作的主要内容、三大特色及其对词学的重要影响。第一章主要分析杨慎词学思想。通过精读《词品》与《评点草堂诗余》,总结出杨慎的三大词学观念:词源论、创作论以及风格论。首先,杨慎从诗词格韵与风致两个方面论证了词源自六朝。其次,在词创作上,杨慎认为词是一种抒情的工具,重在言情。“以词传情”则必须建立在博学的基础之上。最后,杨慎倾向于绮丽、婉转、雄壮三种词风,其中“丽”“奇”侧重词藻,“婉”“雄”侧重抒发方式。第二章通过研读杨慎词集,联系杨慎个人经历,分析词作中杨慎被贬后的心路历程、对亲友故乡的思念以及对云南景物的热爱。第三章透过杨慎词作,分析杨慎词作的三方面特色:意象特色、小令特色以及语言特色。意象上,杨慎多用美人典故与美人之态寄寓词人对妻子浓厚的情感和自己仕途失意的心态。杨慎词作以小令居多,其小令善用白描与寓情于景的手法,含蓄蕴藉又自然浑成。杨慎在语言上表现出双重特色:一方面精工绮丽,讲究遣词造句;另一方面又晓畅明达,多用俗语、俚语直抒胸臆,将个人情感流畅表达出来。第四章主要探讨杨慎的词学思想与词学创作对当时及后世产生的重要影响。首先,杨慎“词源六朝”的词学观念对后世词坛影响很大,特别是清代,众多词论家在论及词之起源问题,常引用杨慎言论,将词的起源归于六朝诗歌。其次,杨慎认为“词名多取诗名”,明清众多词论谈及词调时,常引用杨慎所言。杨慎创作的“自度曲”,运用次数在明代“自度曲”中位于前列,对词调的丰富和拓展有一定的贡献。最后,在明清出现的有关明词的重要选本中,对杨慎词作非常重视,收录较多,可见杨慎词作在明清词坛的重要地位。
[Abstract]:Yang Shen's contribution to the development of Ming ci is mainly reflected in the two aspects of ci thought and ci creation. Although the academic circles have involved in the two aspects of Yang Shen's ci thought and ci creation, they are only concentrated on one aspect and have not been studied in combination with each other. This paper pays attention to the close relationship between Yang Shen's poetical thought and ci writing, and then, in combination with Yang Shen's poetical thought, specifically interprets the main contents, three characteristics and their important influence on the ci writing of Yang Shen. The first chapter mainly analyzes Yang Shen's ci-poetry thought. Through intensive reading of Ci-Pin and comment on Caotang Poems, this paper summarizes three major etymological concepts of Yang Shen: etymology, creationism and stylistics. First of all, Yang Shen demonstrated that ci originated from six dynasties from two aspects of poetic rhyme and style. Secondly, in the creation of ci, Yang Shen thinks that ci is a lyric tool, and the emphasis is on emotion. On the other hand, it must be based on erudite knowledge. Finally, Yang Shen tends to be beautiful, graceful and magnificent, among which "Li" and "Qi" lay emphasis on rhetoric and "euphemism" male "emphasizes on expressing style. In the second chapter, by reading Yang Shen's ci collection, connecting with Yang Shen's personal experience, the author analyzes the psychological course of Yang Shen's demoted ci, his yearning for relatives and friends and his love for Yunnan scenery. The third chapter analyzes three features of Yang Shen's ci-writing through Yang Shen's ci-writing: image feature, Xiao Ling feature and language feature. On the image, Yang Shen often uses beauty allusions and beauty states to convey the strong feelings of the poet to his wife and his frustrated attitude towards her official career. Yang Shen's ci works are mostly made by Xiao Ling, who makes the best use of the techniques of "white drawing" and "emotion in the scene", implicative and natural. Yang Shen has two features in language: on the one hand, exquisite and beautiful, pay attention to the choice of words and sentences; on the other hand, he knows and understands, more with the common saying, slang to express his feelings fluently. The fourth chapter mainly discusses Yang Shen's ci-poetry thought and the important influence of ci-poetry creation on that time and later generations. First of all, Yang Shen's etymological concept of "etymological origin and six dynasties" has a great influence on the later etymology, especially in the Qing Dynasty. In the Qing Dynasty, a large number of ci theorists often cite Yang Shen's comments on the origin of ci, and attribute the origin of ci to the poetry of the six dynasties. Secondly, Yang Shen thinks that "ci name takes poem name more", when Ming and Qing dynasties many words talk and ci tone, often quote the words of Yang Shen. Yang Shen's "self-du qu", which is used in the Ming Dynasty, has a certain contribution to the enrichment and expansion of ci tune. Finally, in the important anthology of Ming ci appeared in the Ming and Qing dynasties, Yang Shen's ci poems were attached great importance to and included more, so we can see the important position of Yang Shen's ci poems in the Ming and Qing dynasties.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

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