从苏区到延安：李伯钊与根据地戏剧发展研究

发布时间：2018-11-16 07:36

【摘要】：根据地戏剧作为中国现代戏剧史中的一个重要环节,是中国戏剧史上不可忽视的一个戏剧现象。根据地戏剧运动的开展离不开文艺工作者的领导和推动,李伯钊作为我国革命文艺事业的领导者和组织者之一,她的戏剧实践历程与根据地戏剧发展息息相关,本文以李伯钊作为切入点,从她的戏剧创作实践和表演实践进行探析,以此来透视根据地戏剧的历史特征和实践方式。本文分为五个部分,绪论部分对论题的来源、研究的价值和意义以及研究现状进行概述。第一章论述李伯钊从知识精英到中共职业革命家的角色建构历程,在李伯钊的人生历程中透视她身份的变化,并由此引起的戏剧观念生成。第二章李伯钊在苏区的戏剧创作与表演实践,从向苏联文艺形态的学习和借鉴到对民间文化资源的利用,文中选取了李伯钊不同种类的戏剧作品,以此来分析李伯钊戏剧创作从“国际范”到“乡土风”的风格变化。第三章延安时期戏剧民族化的实践探索,在民族国家话语和党性话语的双重规约下,李伯钊的戏剧创作实践开始向“民族化”、“中国化”转型。在新民主主义革命的历史语境下,李伯钊开始自觉地将民族化、民间化的传统文化元素融入到戏剧创作中,以民间文艺资源为依托,创造新的民族化的戏剧作品。结语部分论述李伯钊的戏剧创作实践价值及历史局限,并从她的戏剧创作实践来透视革命戏剧的历史价值和局限。
[Abstract]:As an important link in the history of Chinese modern drama, base area drama is a dramatic phenomenon which can not be ignored in the history of Chinese drama. The development of the drama movement in the base area can not be carried out without the leadership and promotion of the writers and artists. As one of the leaders and organizers of the revolutionary literary and art cause in China, Li Bozhao's drama practice is closely related to the development of the drama in the base area. This article takes Li Bozhao as the breakthrough point, from her drama creation practice and the performance practice carries on the analysis, in order to perspective the historical characteristic and the practice way of the base area drama. This paper is divided into five parts. The introduction summarizes the origin of the topic, the value and significance of the research and the current situation of the research. The first chapter discusses the role construction process of Li Bozhao from the intellectual elite to the professional revolutionist of the Communist Party of China. In the course of Li Bozhao's life she has a perspective on the change of her identity and the formation of the drama concept. In the second chapter, Li Bozhao's drama creation and performance practice in the Soviet region, from the study of the Soviet literature and art form to the use of folk cultural resources, the article selects different kinds of drama works of Li Bozhao. This paper analyzes the style changes of Li Bozhao's drama creation from "international norm" to "local style". The third chapter explores the practice of drama nationalization in Yan'an period. Under the dual rules of national discourse and party spirit discourse, Li Bozhao's drama creation practice begins to transform to "nationalization" and "Chinese style". In the historical context of the New Democratic Revolution, Li Bozhao began to consciously incorporate the traditional cultural elements of nationalization and folklore into the drama creation, and to create new nationalized drama works based on the folk literature and art resources. The conclusion part discusses the practical value and historical limitation of Li Bozhao's drama creation, and perspective the historical value and limitation of revolutionary drama from her drama creation practice.
【学位授予单位】：东华理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.3

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