藏族当代小说（创作）研究

发布时间：2018-12-11 03:10

【摘要】：藏族当代小说不只是在新的历史条件下思想观念发生了变革,还是在新的世界观、时空观、价值观的引导下,新时期作家具有了新的对世界和民族的感知把握方式和艺术表达方式,因而新时期藏族当代小说产生了新的美学原则。这些原则对民族的、汉语的、西方的、古代的、现代的文学有所继承,且更是创新;有形成、发展、流变、成熟和不成熟。本论文要通过文本细读和历史钩沉,研究对象置于历史过程中来考察,追溯它的渊源和发展脉络,要把藏族当代小说的思想主潮和审美艺术形式的丰富复杂性展示出来。不仅总结藏族当代小说创作的巨大成就,而且要注意到其间的波折与不成熟因素,指出经验与教训,融入批判与反思,力求有利于藏族文学的进一步发展和繁荣。藏族当代作家群是通过汉语同世界文学潮流的发展相衔接,首先他们接受现实主义文学创作方法,着意发掘"性格—事件"的情节模式,突破藏族传统小说以对话为主要表现方式的写作模式。然后随着创作者视野的不断拓展,对生活的观察视角还是对人物心灵的窥视;或是创作方法和表现手法都得到了广泛的重视和运用。在借鉴运用过程中却有成功者,也有不成熟者,良莠不齐。我们既要从历史的角度指出艺术形式的成绩,又要从理论的高度指出有待完善的不足之处和其背后的深层原因,以便对以后的创作起到借鉴和指导作用。藏族当代文学发展初期的小说创作,内容比较简单表现形式比较简陋,普遍停留在图解式的手法上。九十年代以后,随着藏族当代文学创作经验的积累和文学修养的不断加深,藏族当代小说的创作逐渐转向对人们生存的关怀,文化的寻根和人性的探索上。艺术表现方法方面由于受到诸多中西方文学创作方法的影响,藏族当代小说创作呈现出丰富性和多样化。大力运用人物性格塑造为主的写法,写实主义的创作手法,以及魔幻现实主义创作方法等,本论文主要从这些变化角度,着重论述藏族当代文学三十多年里的思想内涵和艺术表现形式方面的发展状况。
[Abstract]:Tibetan contemporary novels have not only changed their ideas under the new historical conditions, but also been guided by the new world outlook, space-time view, and values. The writers of the new period have new ways of perceiving and grasping the world and the nation and expressing themselves in art, so the Tibetan contemporary novels in the new period have produced new aesthetic principles. These principles inherit and innovate the national, Chinese, western, ancient and modern literature, and are formed, developed, evolved, mature and immature. In this paper, the author tries to find out the origin and development of Tibetan contemporary novels by reading them carefully and studying them in the course of history. It also shows the rich complexity of Tibetan contemporary novels' ideological trend and aesthetic art form. We should not only sum up the great achievements in the creation of Tibetan contemporary novels, but also pay attention to the twists and turns and immature factors, point out experiences and lessons, integrate criticism and introspection, and strive to be conducive to the further development and prosperity of Tibetan literature. Tibetan contemporary writers link up with the development of the world literary trend through Chinese. First of all, they accept the method of realistic literature creation and try to explore the plot pattern of "character-event". Break through the traditional Tibetan novels with dialogue as the main way of writing. Then with the continuous expansion of the creator's vision, the perspective of life or the soul of the characters, or creative methods and expression techniques have been widely valued and used. In the process of use for reference, there are winners, but also immature, mixed good and bad. We should not only point out the achievements of art form from the historical point of view, but also point out the deficiencies to be perfected and the deep reasons behind it from the perspective of theory, so as to serve as a reference and guide for future creation. In the early stage of Tibetan contemporary literature development, the content of novels is relatively simple and the form of expression is relatively simple. Since the 1990s, with the accumulation of Tibetan contemporary literary creation experience and the deepening of literary accomplishment, the creation of Tibetan contemporary novels has gradually turned to concern for people's survival, cultural roots and exploration of human nature. The artistic expression method is influenced by many Chinese and western literary creation methods, Tibetan contemporary novel creation presents richness and diversification. We should make great use of the writing method of character shaping, the writing technique of realism, and the creative method of magic realism, etc., this thesis mainly from these change angle, This paper focuses on the development of Tibetan contemporary literature in the past thirty years.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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