论戏曲文体文人化中的著作权意识
发布时间：2019-03-02 15:37
【摘要】：早期戏曲作者不重视作品的署名权。明代嘉靖、隆庆以后,戏曲文体文人化程度加深,戏曲刊本开始出现署别号或真名的情况,说明当时的戏曲作者逐渐有了著作权意识。而宋元南戏在元明两代删改过程中,著作权发生了转移,如高明、丹丘先生(朱权)等在有意无意之中被认为是一些作品的作者。在戏曲文人化的过程中,文人戏曲家越来越重视戏曲作品的著作权,汤显祖是代表之一。汤显祖对改本的激烈态度促成了晚明戏曲著作权观念的发展。祁彪佳《远山堂曲品》分别著录原作与改本,实际是承认了作者和改家各自的著作权。
[Abstract]:The early opera writers paid little attention to the authorship of their works. In the Ming Dynasty, Jiajing, Longqing, the degree of literary personalization of the opera style deepened, the opera publication began to appear in the case of an alias or real name, indicating that the opera writers at that time gradually had a sense of copyright. In the process of deletion and reform in the Yuan and Ming dynasties, the copyright of Song-Yuan-Nan Opera was transferred, such as Gao Ming, Danchu (Zhu Quan) and so on, who were considered to be the authors of some works consciously or unintentionally. In the process of literate drama, literati dramatists pay more and more attention to the copyright of opera works, Tang Xianzu is one of the representatives. Tang Xianzu's fierce attitude towards the reform contributed to the development of the copyright concept of opera in the late Ming Dynasty. Qi Biujia recorded the original works and revised works respectively, which actually recognized the copyright of the author and the author.
【作者单位】： 东北师范大学文学院;
【基金】：教育部人文社会科学研究青年基金项目“明代文人传奇在清代的舞台呈现研究”(16YJC751028)阶段性成果
【分类号】：I207.3
[Abstract]:The early opera writers paid little attention to the authorship of their works. In the Ming Dynasty, Jiajing, Longqing, the degree of literary personalization of the opera style deepened, the opera publication began to appear in the case of an alias or real name, indicating that the opera writers at that time gradually had a sense of copyright. In the process of deletion and reform in the Yuan and Ming dynasties, the copyright of Song-Yuan-Nan Opera was transferred, such as Gao Ming, Danchu (Zhu Quan) and so on, who were considered to be the authors of some works consciously or unintentionally. In the process of literate drama, literati dramatists pay more and more attention to the copyright of opera works, Tang Xianzu is one of the representatives. Tang Xianzu's fierce attitude towards the reform contributed to the development of the copyright concept of opera in the late Ming Dynasty. Qi Biujia recorded the original works and revised works respectively, which actually recognized the copyright of the author and the author.
【作者单位】： 东北师范大学文学院;
【基金】：教育部人文社会科学研究青年基金项目“明代文人传奇在清代的舞台呈现研究”(16YJC751028)阶段性成果
【分类号】：I207.3
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1 王小岩;;论戏曲文体文人化中的著作权意识[J];中国高校社会科学;2017年02期
2 杝冠至;;明代南京的f蠿4[J];W 家Wf鴻(，
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