论王任叔二、三十年代乡土小说的转变
发布时间：2019-04-02 03:53
【摘要】：在中国现当代文学史上,王任叔无疑是一个全能型的作家,从诗歌、小说到杂文、文学理论再到历史研究、翻译出版等,无一不涉猎并取得丰硕成果。然而与其丰硕成果形成鲜明对照的是,对王任叔的研究却始终没有得到全面而深入地展开。在有关王任叔研究的众多领域中,虽然有关王任叔乡土小说的研究目前已有很多成果,但对其乡土小说的转变研究缺乏应有的关注。因此,本论文试图以王任叔建国前的乡土小说转变为切入点,重点探讨其建国前乡土小说转变的艺术呈现和意义。本论文除了引言和结语外,共三章：第一章主要介绍王任叔的生平和乡土小说创作历程。王任叔的一生是革命的一生,更是创作的一生。王任叔的乡土小说创作开始于二十世纪二十年代,一直持续到建国后的五、六十年代。在将近半个多世纪的乡土小说创作中,王任叔一直在不断地进行转变与突破,力图全面而真实地展现浙江奉化地区的农村状况。从二十年代抨击封建制度并深深地同情挣扎在生存线上的乡村下层人民,到三、四十年代探讨农村经济破产的原因以及塑造农村地区各色人物,再到五、六十年代展现中国农村和农民风貌,王任叔从未停止过探索的脚步。第二章深入王任叔乡土小说的文本,寻找王任叔乡土小说转变的艺术呈现。从人物形象塑造方面来看,二十年代的乡土小说热衷于塑造贫苦的中下层农民形象,特别是赤贫者、光棍党,而三十年代的乡土小说则是全景式塑造农村的各色人物,从下层农民到地主再到流寓者。在语言方面,二十年代的乡土小说语言呈现出明显的诗化特征,三十年代的乡土小说则更加的偏向口语化。从小说风格来看,从二十年代到三十年代经历了由朴质自然向隐喻讥讽的转变。第三章探讨王任叔乡土小说转变的意义。从王任叔个人情感来看,乡土小说转变表达了其对乡土家园的坚守；从地域文学的角度来看,王任叔的乡土小说转变丰富并且推动了浙东乡土小说的发展,是浙东乡土小说的重要组成部分；从中国现代乡土写实小说来看,王任叔的乡土小说折射了现代乡土写实小说的发展历程。
[Abstract]:In the history of modern and contemporary Chinese literature, Wang Renshu is undoubtedly an all-round writer, from poetry, novels to essays, literary theory to historical studies, translation and publishing, and so on, all of which have been involved in and achieved fruitful results. However, in contrast to its fruitful achievements, the study of Wang Renshu has never been carried out in an all-round and in-depth manner. In many fields about Wang Renshu, although there have been many achievements in the study of Wang Renshu's vernacular novels, the research on the transformation of Wang Renshu's vernacular novels lacks due attention. Therefore, this thesis attempts to explore the artistic presentation and significance of the transformation of Wang Renshu's rural novels before the founding of the people's Republic of China by taking the transition of local novels before the founding of China as the starting point. In addition to the introduction and conclusion, this paper consists of three chapters: the first chapter mainly introduces Wang Renshu's life and the process of local novel creation. Wang Renshu's life is the life of revolution, but also the life of creation. Wang Renshu's local novel creation began in the twenties of the 20th century and lasted until the 1950s and 1960s after the founding of the people's Republic of China. In more than half a century of local novel creation Wang Renshu has been constantly changing and breaking through in an attempt to fully and truly show the rural situation of Fenghua area in Zhejiang Province. From attacking the feudal system in the 1920s and deeply sympathizing with the lower rural people struggling on the survival line, to the 1930s and 1940s to explore the causes of rural economic bankruptcy and to shape various figures in rural areas, and then to five, In the 1960s, Wang Renshu never stopped exploring the countryside and peasants in China. The second chapter goes deep into the text of Wang Renshu's vernacular novel, looking for the artistic presentation of Wang Renshu's local novel transformation. From the aspect of character image shaping, the rural novels of the twenties are keen on shaping the image of the poor middle and lower class peasants, especially the extremely poor, the singles party, and the local novels of the 1930s are all kinds of people who shape the countryside with panoramic style. From the lower peasants to the landlords to the exile. In terms of language, the vernacular novels in the twenties have obvious poetic features, while the vernacular novels in the 1930s are more colloquial. From the perspective of novel style, the period from 1920s to 1930s experienced the transition from simple nature to metaphorical irony. The third chapter discusses the significance of the transformation of Wang Renshu's vernacular novels. From the perspective of Wang Renshu's personal feelings, the transformation of local novels expresses his adherence to the homeland of the country; From the point of view of regional literature, Wang Renshu's local novels are rich in transformation and promote the development of the local novels in East Zhejiang, which is an important part of the local novels in East Zhejiang; From the perspective of modern Chinese local realistic novels, Wang Renshu's local novels reflect the development of modern local realistic novels.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42
本文编号：2452210
[Abstract]:In the history of modern and contemporary Chinese literature, Wang Renshu is undoubtedly an all-round writer, from poetry, novels to essays, literary theory to historical studies, translation and publishing, and so on, all of which have been involved in and achieved fruitful results. However, in contrast to its fruitful achievements, the study of Wang Renshu has never been carried out in an all-round and in-depth manner. In many fields about Wang Renshu, although there have been many achievements in the study of Wang Renshu's vernacular novels, the research on the transformation of Wang Renshu's vernacular novels lacks due attention. Therefore, this thesis attempts to explore the artistic presentation and significance of the transformation of Wang Renshu's rural novels before the founding of the people's Republic of China by taking the transition of local novels before the founding of China as the starting point. In addition to the introduction and conclusion, this paper consists of three chapters: the first chapter mainly introduces Wang Renshu's life and the process of local novel creation. Wang Renshu's life is the life of revolution, but also the life of creation. Wang Renshu's local novel creation began in the twenties of the 20th century and lasted until the 1950s and 1960s after the founding of the people's Republic of China. In more than half a century of local novel creation Wang Renshu has been constantly changing and breaking through in an attempt to fully and truly show the rural situation of Fenghua area in Zhejiang Province. From attacking the feudal system in the 1920s and deeply sympathizing with the lower rural people struggling on the survival line, to the 1930s and 1940s to explore the causes of rural economic bankruptcy and to shape various figures in rural areas, and then to five, In the 1960s, Wang Renshu never stopped exploring the countryside and peasants in China. The second chapter goes deep into the text of Wang Renshu's vernacular novel, looking for the artistic presentation of Wang Renshu's local novel transformation. From the aspect of character image shaping, the rural novels of the twenties are keen on shaping the image of the poor middle and lower class peasants, especially the extremely poor, the singles party, and the local novels of the 1930s are all kinds of people who shape the countryside with panoramic style. From the lower peasants to the landlords to the exile. In terms of language, the vernacular novels in the twenties have obvious poetic features, while the vernacular novels in the 1930s are more colloquial. From the perspective of novel style, the period from 1920s to 1930s experienced the transition from simple nature to metaphorical irony. The third chapter discusses the significance of the transformation of Wang Renshu's vernacular novels. From the perspective of Wang Renshu's personal feelings, the transformation of local novels expresses his adherence to the homeland of the country; From the point of view of regional literature, Wang Renshu's local novels are rich in transformation and promote the development of the local novels in East Zhejiang, which is an important part of the local novels in East Zhejiang; From the perspective of modern Chinese local realistic novels, Wang Renshu's local novels reflect the development of modern local realistic novels.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42
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