川剧《琵琶记》改编研究
发布时间：2019-04-11 06:50
【摘要】：《琵琶记》是川剧界公认的“四大本头”之一,流传至今已有六百多年的历史,其蕴含的魅力经久不衰。新中国成立后对传统剧目进行了第一次戏曲改革,包括改戏、改制、改人。1955年春,四川省在“三改”的政策下开展了川剧剧目的鉴定工作,整理出了一大批优秀的传统剧目,其中传统剧目《琵琶记》也在此列。川剧高腔《琵琶记》有多个演出本,经剧目组鉴定过的有1957年由重庆川剧院剧目组整理而成的演出本,另一个是在“振兴川剧”号召下,1983年由川剧艺术研究院整理的剧本。本文以前者为研究对象,分四个章节进行分析,具体如下:第一章为川剧《琵琶记》人物形象的改编,分析剧中戏剧中心人物、人物形象以及角色变动。第二章为川剧《琵琶记》戏剧情节的改编,分析川剧对原剧关目漏洞所作的修整工作,以及戏剧情节的调整,最后分析川剧戏剧情节结构的特点。第三章为川剧《琵琶记》高腔曲牌分析,此章节主要介绍高腔曲牌,并对剧中高腔曲牌进行分类分析。最后,分析剧中高腔曲牌所呈现出来的特点。第四章为川剧《琵琶记》的艺术特色。分析川剧《琵琶记》的戏剧风格,剧中语言的运用,以及剧中的舞台提示语。
[Abstract]:Pipa is recognized as one of the "four great books" in Sichuan opera circles. It has been spread for more than 600 years, and its charm is lasting for a long time. After the founding of the people's Republic of China, the first reform of traditional opera repertoire was carried out, including remaking, reforming, and changing people. In the spring of 1955, Sichuan Province carried out the appraisal of Sichuan opera repertoire under the policy of "three reforms" and sorted out a large number of excellent traditional operas. The traditional repertoire Pipa is also listed here. There are many performances in the opera "pipa Ji", which has been identified by the repertoire group in 1957, and the other is the script organized by the Academy of Art of Sichuan Opera in 1983 under the call of "Revitalizing Sichuan Opera". This paper takes the former as the research object and analyzes it in four chapters as follows: the first chapter is the adaptation of the character image of Sichuan Opera Pipa, the analysis of the drama center character, the character image and the character change in the drama. The second chapter is the adaptation of the drama plot of Sichuan opera, analyzes the repair work of Sichuan opera to the original drama Guan mu loophole, and the adjustment of the drama plot, and finally analyzes the characteristics of the plot structure of the drama of Sichuan opera. The third chapter is the analysis of Gaoanqu card in Sichuan opera, this chapter mainly introduces the Gaoqu card, and carries on the classification analysis to the Gaoanqu card in the play. Finally, the paper analyzes the characteristics of the high-pitched cards in the play. The fourth chapter is the artistic characteristics of Sichuan Opera Pipa. This paper analyzes the dramatic style of Sichuan opera Pipa, the use of language in the play, and the stage cues in the play.
【学位授予单位】：温州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.36
本文编号：2456175
[Abstract]:Pipa is recognized as one of the "four great books" in Sichuan opera circles. It has been spread for more than 600 years, and its charm is lasting for a long time. After the founding of the people's Republic of China, the first reform of traditional opera repertoire was carried out, including remaking, reforming, and changing people. In the spring of 1955, Sichuan Province carried out the appraisal of Sichuan opera repertoire under the policy of "three reforms" and sorted out a large number of excellent traditional operas. The traditional repertoire Pipa is also listed here. There are many performances in the opera "pipa Ji", which has been identified by the repertoire group in 1957, and the other is the script organized by the Academy of Art of Sichuan Opera in 1983 under the call of "Revitalizing Sichuan Opera". This paper takes the former as the research object and analyzes it in four chapters as follows: the first chapter is the adaptation of the character image of Sichuan Opera Pipa, the analysis of the drama center character, the character image and the character change in the drama. The second chapter is the adaptation of the drama plot of Sichuan opera, analyzes the repair work of Sichuan opera to the original drama Guan mu loophole, and the adjustment of the drama plot, and finally analyzes the characteristics of the plot structure of the drama of Sichuan opera. The third chapter is the analysis of Gaoanqu card in Sichuan opera, this chapter mainly introduces the Gaoqu card, and carries on the classification analysis to the Gaoanqu card in the play. Finally, the paper analyzes the characteristics of the high-pitched cards in the play. The fourth chapter is the artistic characteristics of Sichuan Opera Pipa. This paper analyzes the dramatic style of Sichuan opera Pipa, the use of language in the play, and the stage cues in the play.
【学位授予单位】：温州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.36
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