元诗同题集咏中的诗文图共存及其文学史意义

发布时间：2019-04-15 18:36

【摘要】：诗文图共存是元诗一个显著的现象,"诗文图同一"观念深深影响着元人的艺术风格和文风走向。元人借助诗文图共存的方式表达人生理想、道德情感和审美情操,推动了明清文人对诗文图三者结合的艺术形式的认同。诗文图共存的同题集咏是一种表达生命态度的方式,隐藏着对现实的认知和强烈的儒家伦理诉求,是元人社会意识形态的折射。诗文图三者文体互补在文学史上的意义重大,大大提高文化传播价值,丰富了史书不具有的细节,达到以图文证史的目的。
[Abstract]:The coexistence of poems and pictures is a remarkable phenomenon in Yuan poetry. The concept of "poem and text picture is the same" deeply affects the artistic style and style trend of Yuan people. Yuan people express their life ideal, moral emotion and aesthetic sentiment by means of coexistence of poems and pictures, which promote the scholars of Ming and Qing dynasties to recognize the artistic form of the combination of the three pictures of poetry and text. The co-existence of poems and pictures is a way of expressing the attitude of life, hiding the cognition of reality and the strong ethical appeal of Confucianism, which is the reflection of the social ideology of the Yuan people. The complement of the three styles is of great significance in the history of literature, greatly improves the value of cultural dissemination, enriches the details that the historical books do not have, and achieves the purpose of demonstrating the history with pictures and texts.
【作者单位】：山西师范大学戏剧与影视学院;
【基金】：山西省高校人文哲学社会科学项目“元诗同题集咏与多族士人圈下的儒家文化认同”(2017238)
【分类号】：I207.22

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