梅尧臣叙事诗研究

发布时间：2019-05-09 19:13

【摘要】：梅尧臣是宋代诗风的开创者之一,创始革新的地位和众多的诗歌数量使梅尧臣受到了学术界的广泛关注。当前对梅尧臣的研究已经取得了丰硕的成果,然而,却少有人以叙事的视角来审视梅尧臣的诗歌,有鉴于此,笔者在研究梅尧臣诗歌时,选择了梅尧臣叙事诗作为题目。换个角度审视梅尧臣的诗歌,可以发现更多梅尧臣诗歌的特质,对梅尧臣“开山祖师”的地位有更加细致的理解。与此同时,还能对宋代文学的发展状况进行更加深入的了解和认识。第一章,主要介绍梅尧臣以前叙事诗概况。叙事诗发展到了宋代,颇有成就,在丰富的题材中以政治民生题材较引人注目。在创作手法上,情节曲折、叙事详略得当、虚实结合,为后人提供了丰富的借鉴。第二章,主要探讨梅尧臣叙事诗的内容。梅尧臣至少有170首叙事诗,按内容可将其分为七类:政治民生、交游往来、日常琐事、宴饮娱乐、记游记行、男女爱情及其他。其中又以政治民生、交游往来、宴饮娱乐、记游记行、日常琐事这五类数量多、有代表性,因此对这五类内容进行了重点的分析论述。总体来说,梅尧臣叙事诗在内容上具有琐碎繁多的特点,充满了生活气息,这也正是宋代诗歌生活化倾向的表现。第三章,主要探讨梅尧臣叙事诗的叙事艺术。不同的时代有不同的制题特色,诗题发展到了宋代,制题方式发生了转变:叙事信息的丰富、符号化人物的舍弃、长篇诗题的大量涌现是梅尧臣叙事诗诗题转变的三个特点。在叙事过程中,“事”的中心地位相较于前代得到凸显。在结构上,梅尧臣叙事诗呈现出多样化的起承转合艺术,或以事直起,风起云涌;或以议为结,彰显理性;或以事直录,叙述平实;或有意求曲,跌宕起伏。在叙事手法上,实笔与虚笔,简笔与繁笔,正笔与谐笔交叉运用,笔法众多,精彩的叙事艺术更体现了梅尧臣在叙事上的擅长。第四章,主要探讨梅尧臣叙事诗的意义与价值。源远流长的叙事传统的不断沉淀,为梅尧臣创作叙事诗积累了丰富的经验,提供了借鉴意义。梅尧臣在继承前代叙事传统的基础上,又融合了时代的特色,积极以“叙”寻求创新,使其叙事诗具有独特的艺术风貌。梅尧臣诗歌对宋代诗风产生了重要的影响,对纠正西昆体的雕靡浮艳、促进宋诗散文化发挥了重要作用,从叙事诗的角度入手,能够对梅尧臣“开山祖师”的地位评价获得更加深刻的解释。
[Abstract]:Mei Yaochen was one of the founders of poetry style in Song Dynasty. Mei Yaochen received extensive attention from academic circles because of the position of founding innovation and a large number of poems. At present, the research on Mei Yaochen has made fruitful achievements, however, few people examine Mei Yaochen's poetry from the perspective of narration. In view of this, the author chooses Mei Yaochen's narrative poem as the title when studying Mei Yaochen's poetry. Looking at Mei Yaochen's poetry from another angle, we can find more characteristics of Mei Yaochen's poetry and have a more detailed understanding of Mei Yaochen's position as "Kaishan ancestor". At the same time, we can also have a deeper understanding and understanding of the development of literature in Song Dynasty. The first chapter mainly introduces the general situation of Mei Yaochen's narrative poems before. Narrative poetry developed to Song Dynasty and made great achievements. Among the rich themes, the theme of political people's livelihood is more noticeable. In the creative techniques, the plot twists and turns, the narrative details are slightly appropriate, the combination of false and real, provides a rich reference for future generations. The second chapter mainly discusses the content of Mei Yaochen's narrative poetry. Mei Yaochen has at least 170 narrative poems, which can be divided into seven categories according to their contents: political and people's livelihood, communication, daily trifles, banquets and entertainment, travel notes, love between men and women and others. Among them, the five categories of political and livelihood, friendship, banquets and entertainment, travel notes and daily trifles are large and representative, so the five kinds of contents are analyzed and discussed in detail. On the whole, Mei Yaochen's narrative poetry has many trivial and numerous characteristics in content, which is full of life flavor, which is also the expression of the life tendency of Song Dynasty poetry. The third chapter mainly discusses the narrative art of Mei Yaochen's narrative poems. Different times have different characteristics of theme-making. Poetry developed into Song Dynasty, and the way of topic-making has changed: the rich narrative information, the abandonment of symbolized characters, and the emergence of a large number of long poems are the three characteristics of the transformation of Mei Yao-Chen's narrative poems' poetry title, which is characterized by the rich narrative information, the abandonment of symbolized characters and the emergence of a large number of long poems. In the process of narration, the central position of things is more prominent than that of the previous generation. Structurally, Meyaochen's narrative poems present a variety of inherited and conformational arts, either from the point of view of matter, or from discussion to reason, or from direct record of events to plain narration, or from the intention of seeking music, and from ups and downs to ups and downs. In the narrative technique, the real pen and the false pen, the simple pen and the complex pen, the positive pen and the harmonious pen cross use, the writing method is numerous, the wonderful narrative art even more reflects Mei Yaochen's ability in narration. The fourth chapter mainly discusses the significance and value of Mei Yaochen's narrative poetry. The continuous precipitation of the narrative tradition, which has a long history, has accumulated rich experience and provided reference significance for Mei Yaochen to write narrative poems. On the basis of inheriting the narrative tradition of the previous generation, Mei Yaochen integrated the characteristics of the times and actively sought innovation with "narration", so that his narrative poetry had a unique artistic style. Mei Yaochen's poetry had an important influence on the poetic style of Song Dynasty, played an important role in correcting the sculpture of Xikun style and promoting Song poetry scattered culture, starting from the point of view of narrative poetry. It can get a deeper explanation for the status evaluation of Mei Yaochen's "Kaishan ancestor".
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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