《诗经》花卉意象解读

发布时间：2019-05-11 04:05

【摘要】：《诗经》是中国文学的源头之作,它是“恒常的典范”,但是长久以来加在“诗”上的“经”字,使其背负了太多无法承受之重,成为教化的教鞭,让读者对其望而生畏。思维的定式让我们提起《关雎》就只看到“后妃之德”,说起《氓》就想起弃妇之诗。挣脱经学的束缚,释放《诗经》最原始的魅力,对于诗三百的研究才是接地气重人文的。诗三百汇集了瑰丽万千的动植物意象,本文将选取其中的花卉意象作为研究对象,对《诗经》中的花卉意象加以解读。本文分四部分进行分析:首先是对概念的界定,追溯“意象”在中国古代文学史上的起源,以时间为线索,对“意象”这一文学范畴做一个简单的梳理。并且着意解释《诗经》中的花卉意象具体指什么;其次,汇总《诗经》中出现的花卉,从植物的生物特点以及生长地域来进行阐释,并附上相关表格。在这一部分中,倾向对《诗经》的跨学科研究,由于知识储备有限,言论尚为稚嫩;第三,《诗经》是歌咏花卉的源头,也是花意象产生的雏形阶段。在这一部分笔者将从《诗经》中花卉的实用价值、以花喻人、以花抒情、以花起兴等角度来探源花卉意象的生发;最后,从《诗经》花卉意象中提取三种艺术类型——原始意象(莲花)、比德意象(唐棣之花)、审美意象(桃花)分别进行分析,理清花卉意象在文学领域逐步成熟的脉络。
[Abstract]:The Book of songs is the source of Chinese literature, and it is a "model of permanence". However, the word "Jing", which has been added to "poetry" for a long time, makes it bear too much unbearable weight, becomes the teaching whip of enlightenment, and makes readers afraid of it. The formula of thinking makes us only see the morality of the concubine when we mention Guan Ju, and when we talk about Meng, we think of the poem of abandoning a woman. Breaking away from the shackles of Confucian classics and releasing the most primitive charm of the Book of songs, the study of poetry 300 is human. Poetry 300 brings together thousands of magnificent animal and plant images. This paper selects the flower images as the research object and interprets the flower images in the Book of songs. This paper is divided into four parts: first of all, it is the definition of the concept, tracing back to the origin of "image" in the history of ancient Chinese literature, taking time as a clue, to make a simple combing of the literary category of "image". The purpose of this paper is to explain what the flower image refers to in the Book of songs. Secondly, the flowers in the Book of songs are summarized and explained from the biological characteristics and growing regions of the plants, and the relevant tables are attached. In this part, the interdisciplinary study of the Book of songs tends to be young because of the limited knowledge reserve; thirdly, the Book of songs is the source of singing flowers, and it is also the embryonic stage of the emergence of flower images. In this part, the author will explore the origin of flower image from the point of view of the practical value of flowers in the Book of songs, the expression of flowers, the lyricism of flowers, and the rejuvenation of flowers. Finally, three artistic types, primitive image (lotus flower), bid image (Tang Di Hua) and aesthetic image (peach blossom), are extracted from the flower image of the Book of songs to clarify the gradual maturity of flower image in the field of literature.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.22

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