丁玲：个体写作与时代命运的交融与碰撞

发布时间：2019-06-03 10:39

【摘要】：作家一生的创作多多少少都会存在某些一脉相承的特点,无论在漫长的创作过程中因个体心态的改变而主动出现的创作上的转变,还是因时局或现实处境所迫被动的改变创作作风,都难以割断作家创作的作品之间的血肉联系。对于创作上经常出现变化的作家来说,挖掘深藏在众多作品中“不变”的内核似乎显得更加重要和必要。丁玲一生的创作呈现出复杂多变的特点。这不但源于她坎坷奇绝的人生境遇,更是20世纪以来风云多变的国内形势在丁玲身上留下的印记。丁玲作为一名创作个体,她在书写自我,表达个体感触的同时,深受时代与命运的影响。当她处在遵从自我与顺应时代的困惑中时,她的创作便体现出矛盾重重,纠结复杂的情形。丁玲的摇摆不仅体现在创作上,她甚至在文学与政治的纠缠中一度迷失了一名作家的方向。在众多的作家中,丁玲是个性色彩与时代色彩交相辉映的最为突出的典型。她在主动顺应时代到最终被时代异化的创作过程中留下了丰富的,多变的,值得挖掘的一批作品。挖掘她的作品,品读她的人生,体会一名女作家在时代巨变中的果敢,坚韧,隐忍,忏悔与无奈。重新解读丁玲,重新认识她的创作,重新体会她的精神世界。这些工作的目的只有一个：找出与作品契合,与作家想法吻合的并左右着丁玲创作始终的东西。文章的重点在于创作思想研究,而不是作家作品解读。这个创作思想包括作家本人的创作立场,也包括时代语境对作家的影响。广义地说,创作思想是特定文化语境,时代思潮的具体展现,是时代与个人相互交融下的产物,所以对丁玲创作思想的研究离不开广阔的时代与文化空间。在这样广博的参照系中,寻出影响丁玲创作中“变”与“不变”的因素,挖掘深埋于作家内心的不变的信仰,以及这些不变的信仰是如何在巨变的时代中从隐忍到毁灭,从毁灭走向重生,通过这些更加完整的评价丁玲一生的小说创作,而不是以变化的阶段性划分作为研究方法,这是在参考其他研究者后得出的最大收获。简单的说,就是要试图找出丁玲创作精神中不变的内核,以及这不变是如何顺应那些瞬息万变的。在这期间,体会作家本人是如何权衡,如何抉择,如何展现这些矛盾,并最终坚守自我,坚持独立创作的。
[Abstract]:There will be some characteristics in the creation of a writer in his life, no matter the change in creation due to the change of individual mentality in the long process of creation. It is still difficult to cut off the flesh and blood relationship between the works created by the writer by passively changing the creative style because of the current situation or the realistic situation. For writers who often change in creation, it seems more important and necessary to excavate the "unchanged" core hidden in many works. Ding Ling's life creation presents the complex and changeable characteristic. This is not only due to her bumpy and extraordinary life situation, but also the imprint left by the changeable domestic situation since the 20th century on Ding Ling. As a creative individual, Ding Ling, while writing herself and expressing her individual feelings, is deeply influenced by the times and fate. When she is in the confusion of obeying herself and adapting to the times, her creation reflects a lot of contradictions and complicated situations. Ding Ling's swing is not only reflected in her creation, she even lost the direction of a writer in the entanglement of literature and politics. Among many writers, Ding Ling is the most prominent typical of personality color and times color. In the process of actively adapting to the times and finally being alienated by the times, she left behind a rich, changeable and worthy of excavating a number of works. Excavate her works, read her life, experience a female writer in the great changes of the times dare, tenacity, forbearance, repentance and helplessness. Re-interpret Ding Ling, re-understand her creation, re-experience her spiritual world. There is only one purpose of these work: to find out what fits the work, what the writer thinks, and what Ding Ling has always created. The focus of the article is on the study of creative thought, not on the interpretation of writers' works. This creative thought includes the writer's own creative position, as well as the influence of the context of the times on the writer. In a broad sense, creative thought is a specific cultural context, the specific display of the trend of thought of the times, is the product of the blending of the times and individuals, so the study of Ding Ling's creative thought can not be separated from the broad era and cultural space. In such a broad frame of reference, it finds out the factors that affect the "change" and "invariance" in Ding Ling's creation, excavates the immutable beliefs buried deep in the writer's heart, and how these immutable beliefs go from tolerance to destruction in the era of great changes. From destruction to rebirth, through these more complete evaluation of Ding Ling's life novel creation, instead of taking the stage division of change as the research method, this is the biggest gain after referring to other researchers. To put it simply, it is to try to find out the immutable core of Ding Ling's creative spirit and how it adapts to those rapidly changing. During this period, experience the writer himself is how to weigh, how to choose, how to show these contradictions, and finally adhere to their own, adhere to independent creation.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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