“窗外风景”系列创作研究

发布时间：2018-05-29 20:24

本文选题：窗 + 风景　；参考：《延边大学》2014年硕士论文

【摘要】：城市的瞬息万变,改变的不仅仅是物质性的外观,它同时也影响并改变这一代人的思维方式。我们关注的不再是虚无的表象而更多的是真实的内在。拨开华丽的“外衣”我们眼前的世界究竟是什么样子的?我们这一代年轻人激进而又尖锐,但我并不想去批判或改变什么,我仅仅只是想通过我的画笔去抒发和表达内心的情感。艺术是一种行为,是一种在与特定环境的关系中认同我们自己的手段①。阴暗,消沉类似这种氛围的绘画吸引着本科时对绘画还懵懵懂懂的我。那种气氛一直微妙的吸引着我,引发我的关注。追寻着这种吸引力,我不断的在自己的画面中寻找并创造着我所喜欢的画境。这多多少少为这类表现技法和取材方向上积累了一些经验。农村、城市、学校这里有许多各种各样很棒的窗户,一个相机,一个背包就可以出发去取材。在对取材进行整理时发现将破旧的窗与繁华的街景结合在一起,形成一种反差的对比反而让视觉更有冲击力,让作品更具讽刺与批判的意味。反之也可以用华丽的窗户映照出残破的风景。而且不一样的窗户呈现出不一样的构图,不一样的构图设计需要决定选择不一样的窗户大小。在我为了表现空间感而烦恼不已时夏小万老师的作品为我提供了很多的帮助。夏小万老师的作品属于“空间绘画”的一种,其手段是把平面绘画解构为多层透明介质上的图像,再将这些“切片”(cutsections)重构为一个纵深的三维画面。从小面积的有机玻璃板到数米高的大型透明薄膜装置,从彩色铅笔到特制的玻璃彩,从叠压组合到分层装置,这个探索的过程既是技术的,又是视觉的和理念的。因此我才想到使用有机玻璃来分层次绘制多层景深。我认为所有的艺术作品都能反映出作品创作之时的时代背景,绘画作品像一面镜子清晰的映照出一个时代的社会背景。画家们将他们的生活以绘画的方式记录下来。因此每一位艺术家的创作灵感和创作动力都来源于生活,绘画作品才具有了时代特点。生活在当下的我也会将我的所看所感都以多样的的绘画形式和绘画技法记录在作品当中,使其具有时代特征。我希望那些受社会制度影响而被束缚心智失去自由发展的人们在看到我的作品之后能产生与我一样的共鸣,并让更多的人面对并反思这一时代问题。这便是我在“窗外风景”系列作品中所希望实现的意义
[Abstract]:The rapid changes in cities change not only the physical appearance, but also the way this generation thinks. We are no longer concerned with nothingness, but more with the true inner. What is the world like in front of us? Our generation of young people is radical and sharp, but I don't want to criticize or change anything. I just want to express and express my feelings through my brush. Art is an act, a means of identifying ourselves in relation to a particular environment. Dark, depressed like this atmosphere of painting attracted to the undergraduate painting is still ignorant of me. That atmosphere has been subtle to attract me, aroused my attention. In pursuit of this attraction, I constantly sought and created my favorite paintings in my own pictures. This more or less for this kind of performance techniques and the direction of the accumulation of some experience. There are a lot of great windows, a camera and a backpack here in the countryside, city and school. When sorting out materials, it is found that the old windows are combined with the bustling streetscape, which makes the contrast between the old windows and the bustling street view make the vision more powerful and the works more ironic and critical. Conversely, it is possible to use gorgeous windows to illuminate the dilapidated landscape. And different windows show different composition, different composition design needs to choose different window size. In order to express my sense of space and worry when Miss Xia Xiaowan works for me to provide a lot of help. Xia Xiaowan's works belong to one kind of "space painting", its means is to deconstruct the plane painting into the image on the multi-layer transparent medium, and then reconstruct these "slicing" sections into a deep three-dimensional picture. From a small area of plexiglass plates to large transparent film devices several meters high, from colored pencils to special glass colors, from stacking to laminating devices, this exploration process is both technical, visual and conceptual. That's why I thought of using plexiglass to draw multilayer depth of field in layers. I think that all works of art can reflect the background of the time when the work was created, and the painting works are like a mirror clearly reflecting the social background of an era. The painters recorded their lives in the form of paintings. Therefore, every artist's creative inspiration and creative power are derived from life, painting has the characteristics of the times. Living in the present, I will also see and feel in a variety of painting forms and painting techniques recorded in the works, so that it has the characteristics of the times. I hope that those who have been bound by the social system and who have lost their freedom to develop their minds will resonate with me when they see my work, and let more people face and reflect on the problems of the times. That's what I wanted to achieve in the "scenery out of the window" series.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【共引文献】