当代内蒙古油画风景根植于本土地域文化的研究
发布时间：2018-08-12 15:17
【摘要】：内蒙古地域辽阔、地貌多样、文化悠久,并充满了独特的民族风情,这些都为内蒙古的绘画艺术提供了丰富的资源。内蒙古的绘画艺术一直根植于本土的地域文化,特别是近现代内蒙古画坛,可谓群星闪烁。文章在研究方法上选择了王治平、苗景昌、李鑫三位分别出生于50、60、70年代的当代画家作为分析对象,论证当代内蒙古油画风景根植于本土地域文化。这三位画家分别工作生活在呼和浩特、包头和呼伦贝尔,他们都选择了自己熟悉的生活环境,在周边地区进行写生创作,从自己熟悉的地域和文化中寻找自己艺术创作的源泉,并取得了可喜的成绩。最后,文章从内蒙古当代油画风景成功的经验中,总结出以内蒙古地域文化为艺术创作源泉,还需要画家注重写生,并努力在创作中寻找属于自己的艺术语言和艺术精神。画面的语言和意境需要在绘画中将理性思维和感性思维同时运用,这样才能在内蒙古地域文化这一母体上寻找到属于自己的独特艺术风格。
[Abstract]:Inner Mongolia has a vast territory, diverse landforms, a long culture, and full of unique national customs, which provide abundant resources for the painting art in Inner Mongolia. Painting art in Inner Mongolia has always been rooted in local regional culture, especially in modern Inner Mongolia painting world, it can be described as a group of stars. In this paper, three contemporary painters, Wang Zhiping, Miao Jingchang and Li Xin, who were born in the 1950s and 1970s, are chosen as the analysis objects, and the contemporary oil painting scenery of Inner Mongolia is rooted in the local regional culture. The three painters worked and lived in Hohhot, Baotou and Hulunbeir, respectively. They all chose their familiar living environment, created sketches in the surrounding areas, and looked for the source of their artistic creation from their familiar regions and cultures. And achieved gratifying results. Finally, from the successful experience of contemporary oil painting landscape in Inner Mongolia, the author concludes that the regional culture of Inner Mongolia is the source of art creation, and the painter should pay attention to sketching, and strive to find his own artistic language and spirit in his creation. The language and artistic conception of the picture need to use both rational and perceptual thinking in painting so as to find its own unique artistic style on the mother body of Inner Mongolia regional culture.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
本文编号：2179456
[Abstract]:Inner Mongolia has a vast territory, diverse landforms, a long culture, and full of unique national customs, which provide abundant resources for the painting art in Inner Mongolia. Painting art in Inner Mongolia has always been rooted in local regional culture, especially in modern Inner Mongolia painting world, it can be described as a group of stars. In this paper, three contemporary painters, Wang Zhiping, Miao Jingchang and Li Xin, who were born in the 1950s and 1970s, are chosen as the analysis objects, and the contemporary oil painting scenery of Inner Mongolia is rooted in the local regional culture. The three painters worked and lived in Hohhot, Baotou and Hulunbeir, respectively. They all chose their familiar living environment, created sketches in the surrounding areas, and looked for the source of their artistic creation from their familiar regions and cultures. And achieved gratifying results. Finally, from the successful experience of contemporary oil painting landscape in Inner Mongolia, the author concludes that the regional culture of Inner Mongolia is the source of art creation, and the painter should pay attention to sketching, and strive to find his own artistic language and spirit in his creation. The language and artistic conception of the picture need to use both rational and perceptual thinking in painting so as to find its own unique artistic style on the mother body of Inner Mongolia regional culture.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
【参考文献】
相关期刊论文 前4条
1 韩芳;;内蒙古发展草原文化旅游的SWOT分析[J];阴山学刊(自然科学版);2014年04期
2 王治平;;我的创作体会[J];中国油画;2010年04期
3 李鑫;吴厚斌;;关于油画创作的几点认识——与吴厚斌先生的交流谈话[J];美与时代;2007年04期
4 王治平;谈《山河系列》油画的创作感受[J];美术大观;2005年03期
相关硕士学位论文 前3条
1 刘艳荣;论内蒙古地域资源对内蒙古风景油画的影响[D];内蒙古大学;2015年
2 刘相斌;新时期风景油画本土化的研究[D];曲阜师范大学;2012年
3 钱浩波;关于内蒙古风景油画本土性的思考[D];内蒙古师范大学;2011年
，本文编号：2179456
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2179456.html
