“人造世界”创作浅谈
发布时间：2018-09-11 06:39
【摘要】：人类与自然的关系大致经历了几个大的阶段：敬畏自然——认识自然——掌控自然——战胜自然——回归自然——亲和自然。折射在绘画中，体现为农耕时代的田园风景——工业时代的工业风景——现代城市风景——后现代生态风景。本论文首先阐述了“人造世界”的概念，分析“人造世界”的多维性。并叙述各个时代的绘画发展，从十七世纪的荷兰风景画，到浪漫主义风景画、现实主义风景画，一直到工业时代背景下，立体派绘画中“人造世界”的出现，达达主义代表人物杜尚在绘画中对机械风景的极致表现及“基里柯”形而上城市风景的冷峻形式的城市风景的动态速力，并述及图像时代后现代风景的碎片化拼接。从而指出自然客体从“第一自然”到“第二自然”的演变，自然主体从田园、诗意、浪漫、唯美到讽喻、批判的姿态转型，继而引申出“人造世界”这一概念，，以及当代艺术领域里“人造世界”的不同样式体现，并从不同题材内容和视觉方式阐述人造世界的多维性。最终结合我的毕业创作《人造世界》系列作品，畅谈对于机械时代、图像时代带给我们的利与弊，以及如何审视和直面“第二自然”：是以一种怀旧之情，唤起人们对农耕文明田园意识诗性发现，还是以一种批判姿态，唤起人们生态审美理念。我的毕业创作试图以反讽和批判的多维视角对风景进行解构、错置、拼接、重叠、褶皱，引发人们对机械文明和图像时代的无尽追捧而丧失本体关怀和主体自觉进行一些深刻的剖析、反思。
[Abstract]:The relationship between man and nature has gone through several stages: awe of nature-understanding of nature-control over nature-return to nature-affinity to nature. Reflected in painting, reflected in the farming era of pastoral scenery-industrial era of industrial landscape-modern urban landscape-post-modern ecological landscape. This paper first expounds the concept of artificial world and analyzes the multi-dimensional nature of man-made world. And narrates the development of painting in various times, from Dutch landscape painting in the 17th century to romantic landscape painting, realistic landscape painting, to the emergence of "artificial world" in cubism painting under the background of the industrial age. The representative figure of Dadaism, Duchamp, presents the extreme performance of mechanical scenery in his paintings and the dynamic rapidity of the cold and steep form of urban landscape in the metaphysical urban landscape of Kirilco, and discusses the splicing of the post-modern landscape in the image age. It points out the evolution of natural object from "the first nature" to "the second nature", and the transformation of the natural subject from idyllic, poetic, romantic, aesthetic to allegorical, critical posture, and then extends the concept of "artificial world". And the different styles of "artificial world" in the field of contemporary art, and expound the multi-dimensional nature of artificial world from different subjects and visual ways. Finally, with my graduation and creation of the "artificial World" series, I talked about the advantages and disadvantages of the mechanical age, the image age, and how to examine and face the "second Nature": with a nostalgic feeling. To arouse people's poetic discovery of agricultural civilization and pastoral consciousness, or to arouse people's ecological aesthetic idea with a critical attitude. My graduation creation attempts to deconstruct, misplace, splice, overlap, fold, and critique the landscape from a multi-dimensional perspective of irony and criticism. It has caused people to deeply analyze and reflect on the endless pursuit of mechanical civilization and image age and the loss of Noumenon care and subjective consciousness.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2235912
[Abstract]:The relationship between man and nature has gone through several stages: awe of nature-understanding of nature-control over nature-return to nature-affinity to nature. Reflected in painting, reflected in the farming era of pastoral scenery-industrial era of industrial landscape-modern urban landscape-post-modern ecological landscape. This paper first expounds the concept of artificial world and analyzes the multi-dimensional nature of man-made world. And narrates the development of painting in various times, from Dutch landscape painting in the 17th century to romantic landscape painting, realistic landscape painting, to the emergence of "artificial world" in cubism painting under the background of the industrial age. The representative figure of Dadaism, Duchamp, presents the extreme performance of mechanical scenery in his paintings and the dynamic rapidity of the cold and steep form of urban landscape in the metaphysical urban landscape of Kirilco, and discusses the splicing of the post-modern landscape in the image age. It points out the evolution of natural object from "the first nature" to "the second nature", and the transformation of the natural subject from idyllic, poetic, romantic, aesthetic to allegorical, critical posture, and then extends the concept of "artificial world". And the different styles of "artificial world" in the field of contemporary art, and expound the multi-dimensional nature of artificial world from different subjects and visual ways. Finally, with my graduation and creation of the "artificial World" series, I talked about the advantages and disadvantages of the mechanical age, the image age, and how to examine and face the "second Nature": with a nostalgic feeling. To arouse people's poetic discovery of agricultural civilization and pastoral consciousness, or to arouse people's ecological aesthetic idea with a critical attitude. My graduation creation attempts to deconstruct, misplace, splice, overlap, fold, and critique the landscape from a multi-dimensional perspective of irony and criticism. It has caused people to deeply analyze and reflect on the endless pursuit of mechanical civilization and image age and the loss of Noumenon care and subjective consciousness.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
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1 金兢;“人造世界”创作浅谈[D];中国美术学院;2014年
本文编号：2235912
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