公共壁画中关于“空”的相关问题
发布时间：2018-09-12 09:09
【摘要】：“空”作为传统文化中的重要意象,在当代亦不失光芒。因为“空”的字义演化是不断变化的社会和人文环境紧密相连。传统文化中“空”的“人格”性与当下公共精神追求如出一辙,所以,“空”是能够成为表现现代人公共环境下的公共追求的。在公共壁画物质空间中,“空”不仅是壁画物质密度、数量上的空,也是环境整体视距上的空,同时是能够吸纳观者情绪感受上的“虚空”。同时,各种“物”的丰富也在不断的争夺自然空间。在鼓励“作为”而不是“清净无为”的当下社会大生产环境中,要获得更多的空间就要削弱空间的“物性”生产,以“空”性替代其“作为”感。公共壁画打破封闭空间,升华、点缀环境需要“空”作为“粘结剂”,为静止硬性的墙壁“开窗”;为孤立刚性的环境“搭桥”。壁画创造出的独立于物质和意识等能量体之外的精神空间本质是“空无”,但却能成为有“主题标志”样的象征味道,以“非命令”的语气使被引导者感到完全出于自愿接受空间的引导。精神空间不仅是个人的经验还是集体的共鸣。通过“空”来应对社会空间中各种微妙的精神关系:调节城市空间压抑、等级化所带来的抵触感,以及由区别化带来的心理上的疏离感,并有效地削弱空间的强制压迫感。以“海纳百川”式的力量吞噬人面对绝对空间时的恐惧与对抗,这就是“空”在环境与人之间保持的适当精神空间。最后找到公共壁画中“空”的缺失实质,以及运用“空”,从局限性、纯粹性和生态性上构建公共壁画。
[Abstract]:Emptiness, as an important image in traditional culture, does not lose its light in contemporary times. Because the meaning of "empty" evolution is closely linked to the changing social and human environment. The "personality" of "emptiness" in traditional culture is the same as the pursuit of public spirit at present, so "emptiness" can become the public pursuit under the public environment of modern people. In the material space of public murals, "emptiness" is not only the density and quantity of frescoes, but also the void in the whole visual horizon of the environment, and it is also the "void" which can absorb the viewers' emotional feelings. At the same time, the richness of various "things" is constantly competing for natural space. In order to gain more space, we should weaken the "materiality" of space and replace it with "emptiness" instead of "feeling". Public murals break the closed space, sublimate, embellish the environment need "empty" as "binder", for static hard wall "window", for isolated rigid environment "bridge". The spiritual space created by the murals, independent of the energy bodies such as matter and consciousness, is essentially "empty", but it can become a symbolic flavor with "thematic symbols". In the tone of "non-command" make the guide feel completely willing to accept the guidance of space. Spiritual space is not only an individual experience but also a collective resonance. To deal with various subtle spiritual relationships in social space through "emptiness": to adjust the sense of resistance brought about by urban space depression, hierarchy, and psychological alienation brought by differentiation, and to effectively weaken the compulsion of space. The fear and confrontation in the face of absolute space are engulfed by the power of "a hundred rivers in the sea", which is the proper spiritual space between the environment and the human being. Finally, it finds out the essence of "emptiness" in public murals, and constructs public murals from the aspects of limitation, purity and ecology.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.6
本文编号：2238550
[Abstract]:Emptiness, as an important image in traditional culture, does not lose its light in contemporary times. Because the meaning of "empty" evolution is closely linked to the changing social and human environment. The "personality" of "emptiness" in traditional culture is the same as the pursuit of public spirit at present, so "emptiness" can become the public pursuit under the public environment of modern people. In the material space of public murals, "emptiness" is not only the density and quantity of frescoes, but also the void in the whole visual horizon of the environment, and it is also the "void" which can absorb the viewers' emotional feelings. At the same time, the richness of various "things" is constantly competing for natural space. In order to gain more space, we should weaken the "materiality" of space and replace it with "emptiness" instead of "feeling". Public murals break the closed space, sublimate, embellish the environment need "empty" as "binder", for static hard wall "window", for isolated rigid environment "bridge". The spiritual space created by the murals, independent of the energy bodies such as matter and consciousness, is essentially "empty", but it can become a symbolic flavor with "thematic symbols". In the tone of "non-command" make the guide feel completely willing to accept the guidance of space. Spiritual space is not only an individual experience but also a collective resonance. To deal with various subtle spiritual relationships in social space through "emptiness": to adjust the sense of resistance brought about by urban space depression, hierarchy, and psychological alienation brought by differentiation, and to effectively weaken the compulsion of space. The fear and confrontation in the face of absolute space are engulfed by the power of "a hundred rivers in the sea", which is the proper spiritual space between the environment and the human being. Finally, it finds out the essence of "emptiness" in public murals, and constructs public murals from the aspects of limitation, purity and ecology.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.6
【参考文献】
相关期刊论文 前1条
1 张桂权;;笛卡尔的空间观念及其现代意义[J];四川师范大学学报(社会科学版);2014年03期
，本文编号：2238550
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