王怀庆油画几何结构造型语言研究

发布时间：2018-09-17 09:24

【摘要】：王怀庆于八十年代后期开始了对形式的探索与思考,从早期的变形构成到绍兴的故园,再到后来的明清家具,在艺术语言的探索上,他的创作经历了“解构-结构-重构”三个阶段。其作品无论在绘画材料的选择与运用,还是在绘画语言的表达上都有了很大的改变与突破。近些年的大型创作《大明风度》、《金石为开》、《没有家具的家》等作品使他成为当代杰出的艺术家之一。他作品中呈现的几何化的艺术语言结合了西方的抽象艺术语言、结构解构主义观念,作品内容上多选择中国家具、建筑题材,强调画面的布局,突出几何图形组合的趣味性。三十年来,王怀庆不断钻研,专注创作,逐步成为中国艺术史上具有代表性的构成主义表现艺术家之一。在王怀庆后期绘画风格的养成上,其老师吴冠中先生对其有着极大的影响。在他画面中概括的几何结构、简洁的黑白因素都与其老师的创作密切相关。五六十年代,吴冠中先生陶醉于江南水乡独有的黑墙白瓦构成的美景中,被其中的美感深深打动,将江南建筑中简单的黑白几何块面结构融入到自己的画面中,形成自己独特的形式语言。在王怀庆的作品中,从最早求索变形结构到绍兴的故园建构,再到明清的家具解构,其作品打破了绘画边框的界限,以纯粹的画面几何语言介入到平面的扩展,形成自己的独特表达方式。本文分为五章:第一章为绘画几何结构造型语言阐释,主要从人类早期绘画中几何造型的运用与几何造型语言在当代绘画中的体现方面展开论述;第二章是对王怀庆油画几何结构的解读,从其绘画创作的平面几何符号的构建、单纯色块符号的体现、象征几何符号的运用这三个方面展开论述;第三章王怀庆油画几何结构的凸显与造型语言的构建,着重从黑白横竖化的构成形式、色块符号之间空间传递两个角度展开论述;第四章阐述了王怀庆几何结构形式的独特性,从构成方式与构成规律、外形结构与造型特征两方面进行论述;第五章几何结构对当代油画创作的启示,是笔者针对几何结构对画面构成的作用和对画面形式的引导两个方面提出的个人观点。
[Abstract]:Wang Huaiqing began to explore and think about the form in the late 1980s, from the early deformation to the old garden of Shaoxing, to the furniture of the Ming and Qing dynasties later, to the exploration of artistic language. His creation went through three stages: deconstruction-structure-reconstruction. Both in the selection and use of painting materials, or in the expression of painting language, there have been great changes and breakthroughs. In recent years, he has become one of the outstanding contemporary artists in his large-scale works, such as Daming style, Golden Stone, Home without Furniture, and so on. The geometric artistic language presented in his works combines the abstract artistic language of the West, the concept of structural deconstruction, the choice of Chinese furniture and architectural themes in the content of his works, emphasizing the layout of the picture and highlighting the interest of the combination of geometric figures. Over the past 30 years, Wang Huaiqing has been studying and focusing on creation, and has gradually become one of the representative performance artists in the history of Chinese art. His teacher, Mr. Wu Guanzhong, had a great influence on Wang Huaiqing's later painting style. The geometric structure and the concise black and white factors in his picture are closely related to his teacher's creation. In the 1950s and 1960s, Mr. Wu Guanzhong was enchanted by the beauty of the black wall and white tile unique to Jiangnan Water Township. He was deeply moved by the beauty, and incorporated the simple black-and-white geometric block structure of the Jiangnan architecture into his own picture. Form one's own unique formal language. In Wang Huaiqing's works, from the earliest seeking for deformation structure to the construction of Shaoxing's old garden, and then to the furniture deconstruction of Ming and Qing dynasties, his works broke the boundary of drawing frame and intervened into the expansion of plane with pure picture geometric language. Form their own unique expression. This paper is divided into five chapters: the first chapter is the interpretation of geometric structure modeling language of painting, mainly from the application of geometric modeling in early human painting and the embodiment of geometric modeling language in contemporary painting. The second chapter is the interpretation of Wang Huaiqing oil painting geometry structure, from his painting creation plane geometry symbol construction, pure color block symbol embodiment, symbol geometric symbol use these three aspects to begin to discuss; Chapter III highlights the geometric structure of Wang Huaiqing oil painting and the construction of modeling language, focusing on the black and white vertical form of the composition, color blocks between the two angles of space transmission; chapter four describes the unique form of Wang Huaiqing geometric structure, The fifth chapter discusses the inspiration of geometric structure to contemporary oil painting creation. It is a personal point of view on the function of geometric structure to the composition of the picture and the guidance of the form of the picture.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J213

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