论水彩风景画的写意性
发布时间:2018-09-18 10:13
【摘要】:水彩画作为西方画种传入中国,在传播过程中并没有出现“水土不服”的状况,反而被大众迅速接受与喜爱,是因其以水做媒介的绘画形式与中国传统绘画有着不解之缘。水彩画的发展离不开中国传统文化的滋养以及中国美学精神的影响。“写意”是中国传统绘画的精神内涵,亦是中国画家挥之不去的民族情结,在风景水彩绘画的创作实践中,画家经过不断融合、创新、探索等方式将“写意”精神注入水彩艺术之中,使其形成独具民族特色的绘画语言。随着时代的发展,风景水彩画的写意语言也不断丰富和拓展。本文以“水彩风景画的写意性”为论题,简要分析了“写意”的本质、精神内涵,及其发展的历程。主要从水彩风景画的写意性角度出发,阐述了水彩风景绘画中写意性语言的表现形式及写意精神,并结合自己的创作及感受,更加深入的去理解和掌握写意语言在水彩风景绘画中的运用。
[Abstract]:Watercolor painting was introduced into China as a kind of western painting. In the process of dissemination, watercolor painting was accepted and loved quickly by the public, but it was accepted and loved quickly by the public, because its painting form with water as the medium had an inextricable relationship with the traditional Chinese painting. The development of watercolor painting can not be separated from the nourishment of Chinese traditional culture and the influence of Chinese aesthetic spirit. "freehand brushwork" is not only the spiritual connotation of Chinese traditional painting, but also the national complex that Chinese painters can not get rid of. In the creative practice of landscape watercolor painting, the painters have continuously merged and innovated. Exploration and other ways infuse the spirit of freehand brushwork into watercolor art to form a unique painting language with national characteristics. With the development of the times, the freehand brushwork language of landscape watercolor painting has been enriched and expanded. Based on the theme of "freehand brushwork of watercolor landscape painting", this paper briefly analyzes the essence, spiritual connotation and development process of "freehand brushwork". From the angle of freehand brushwork of watercolor landscape painting, this paper expounds the expressive form and freehand brushwork spirit of freehand brushwork language in watercolor landscape painting, and combines with his own creation and feeling. To understand and master the use of freehand brushwork language in watercolor landscape painting.
【学位授予单位】:河北科技大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J215
本文编号:2247584
[Abstract]:Watercolor painting was introduced into China as a kind of western painting. In the process of dissemination, watercolor painting was accepted and loved quickly by the public, but it was accepted and loved quickly by the public, because its painting form with water as the medium had an inextricable relationship with the traditional Chinese painting. The development of watercolor painting can not be separated from the nourishment of Chinese traditional culture and the influence of Chinese aesthetic spirit. "freehand brushwork" is not only the spiritual connotation of Chinese traditional painting, but also the national complex that Chinese painters can not get rid of. In the creative practice of landscape watercolor painting, the painters have continuously merged and innovated. Exploration and other ways infuse the spirit of freehand brushwork into watercolor art to form a unique painting language with national characteristics. With the development of the times, the freehand brushwork language of landscape watercolor painting has been enriched and expanded. Based on the theme of "freehand brushwork of watercolor landscape painting", this paper briefly analyzes the essence, spiritual connotation and development process of "freehand brushwork". From the angle of freehand brushwork of watercolor landscape painting, this paper expounds the expressive form and freehand brushwork spirit of freehand brushwork language in watercolor landscape painting, and combines with his own creation and feeling. To understand and master the use of freehand brushwork language in watercolor landscape painting.
【学位授予单位】:河北科技大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J215
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