蒙福之女—从《受胎告知》看圣母绘画形像的演变
发布时间：2018-10-05 13:58
【摘要】：本文拟以《受胎告知》这一绘画主题为例,从基督教发展及传播的角度和中世纪与文艺复兴时期的社会发展对绘画的影响来对圣母的形象进行具体分析。从图像的角度,对中世纪和文艺复兴这两个时期的天使指向马利亚的手势所发生的改变,图像中双方所占据比例的变化,以及对天使加百列自身由原本单纯的男性形象逐步的向中性乃至于女性形象靠拢等一系列不同进行探讨和比较,并深入分析教会力量兴起和扩大的同时与世俗皇权之间势力相互制衡在这一母题表现中留下的影响。此外,本文还根据图像中表现出来的女性地位的提升,针对女性地位在中世纪和文艺复兴时期受到人文主义的影响从而由完全的顺从逐步开始想自我意识的萌发进行转变进行了分析和比较。同时,将《圣经》原文中相关段落的细节描写与本文主题相互印证,其实践意义在于,通过对基督教发展、两个时代绘画特征以及中世纪和文艺复兴时期女性地位的变化这三个方面进行梳理,从而在圣像这一绘画主题上找到更多的共同点和共鸣点,从一个侧面总结出宗教题材绘画的发展和变化是在社会这个大环境中收到多方面影响的结果,以及美术作品中宗教题材的呈现与表达。
[Abstract]:This paper takes the theme of "informed by conception" as an example to analyze the image of the Virgin from the perspective of the development and dissemination of Christianity and the influence of the social development of the Middle Ages and the Renaissance on the painting. From the perspective of images, the changes in the gestures of angels pointing to Mary in the Middle Ages and the Renaissance, the changes in the proportions of the two sides in the images, And to discuss and compare a series of different kinds of angel Gabriel itself from the original pure male image to the neuter and even the female image. And deeply analyzes the influence left in this motif between the rise and expansion of church power and the checks and balances between the secular imperial power and the secular imperial power. In addition, this paper also based on the image of the status of women, This paper analyzes and compares the influence of humanism on the status of women in the Middle Ages and the Renaissance, and gradually begins to think about the germination and transformation of self-consciousness from complete obedience. At the same time, the detailed description of the relevant passages in the original Bible and the theme of this article are mutually confirmed. Its practical significance lies in the development of Christianity. In order to find more common ground and resonance point in the painting theme of the saint, the characteristics of painting of the two times and the change of the status of women in the Middle Ages and the Renaissance were combed. It is concluded from one aspect that the development and change of religious painting is the result of various influences in the social environment, as well as the presentation and expression of religious themes in art works.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J209
本文编号：2253662
[Abstract]:This paper takes the theme of "informed by conception" as an example to analyze the image of the Virgin from the perspective of the development and dissemination of Christianity and the influence of the social development of the Middle Ages and the Renaissance on the painting. From the perspective of images, the changes in the gestures of angels pointing to Mary in the Middle Ages and the Renaissance, the changes in the proportions of the two sides in the images, And to discuss and compare a series of different kinds of angel Gabriel itself from the original pure male image to the neuter and even the female image. And deeply analyzes the influence left in this motif between the rise and expansion of church power and the checks and balances between the secular imperial power and the secular imperial power. In addition, this paper also based on the image of the status of women, This paper analyzes and compares the influence of humanism on the status of women in the Middle Ages and the Renaissance, and gradually begins to think about the germination and transformation of self-consciousness from complete obedience. At the same time, the detailed description of the relevant passages in the original Bible and the theme of this article are mutually confirmed. Its practical significance lies in the development of Christianity. In order to find more common ground and resonance point in the painting theme of the saint, the characteristics of painting of the two times and the change of the status of women in the Middle Ages and the Renaissance were combed. It is concluded from one aspect that the development and change of religious painting is the result of various influences in the social environment, as well as the presentation and expression of religious themes in art works.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J209
【参考文献】
相关期刊论文 前1条
1 达尼埃尔·阿拉斯;殷俊洁;;旁观的天使——《西斯廷圣母》和瓦尔特·本雅明[J];艺术设计研究;2010年04期
，本文编号：2253662
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