中国当代油画中的文人画趣味探析
发布时间：2018-10-05 15:30
【摘要】：本文对中国当代油画中的文人画趣味这一现象进行探析,当代一些油画艺术家在绘画的出发点和方法上存在着一些共同性,比如：他们比较看重创作者的情感表达、画面的形式感以及排斥绘画纯技艺性的表达等等。在这些共同性中,些方面与中国传统文人画的绘画表达一致。加之当代油画与传统文人画都是以对传统质疑的姿态在历史上出现的,都倡导书写性的绘画,重视绘画的笔墨情趣和画面的意境表达,这些共同性引起了笔者的思考——中国当代油画中内含许多传统文人画中的趣味表达,且对这一现象系统研究的文章少之又少,这是一种值得论证和研究的现象。 本文通过对当代油画、文人画背景的研究,在传统与潮流中梳理当代油画的概念、特征和范畴。本文第一章介绍了当代油画的发展、与文人画的关联以及文人画的概述。本文第二章和第三章是本文研究的重点,对当代油画中文人画趣味的研究主要从其形式特征和表现特征两个方面进行。对其形式特征的分析从绘画的书写性、趣味性、试验性、技艺性四个方面入手,并在同传统文人画的比较中展开：对其表现特征的分析从心性与意境、“真我”与自由、绘画的自娱性三个层次入手。本文第四章结合自己在毕业创作中的情况,对油画创作中的文人画的“心性”和“意境”进行艺术体察并对文人画趣味进行艺术反思,从正反两方面讨论了文人画的现代价值与意义。本文认为文人画和当代油画对传统都有反叛的一面和继承的一面。尽管当代油画中富有文人画趣味,但不同的时代,不同的绘画媒介在艺术形式的表达上,包括艺术趣味的表达上都不能划等号。 中国的绘画要立足于东方本土文化的思考,了解本民族深层文化心理结构。画家们在学习和借鉴西方现代艺术、后现代绘画的同时,需要融入中国传统文化的精神内涵,既要发挥油画原有艺术语言与表现力,又要植入中国传统绘画的精神和意趣。当代油画的生存和表现无疑给我们许多艺术启迪。无论当代油画的创作还是对当代油画的研究都方兴未艾。
[Abstract]:This paper analyzes the phenomenon of the interest of literati painting in contemporary Chinese oil painting. Some contemporary oil painting artists have some similarities in the starting point and method of painting. For example, they attach more importance to the emotional expression of the creators. The form of the picture and the rejection of painting pure technical expression and so on. In these commonalities, some aspects are consistent with the traditional Chinese literati paintings. In addition, contemporary oil painting and traditional literati painting both appear in history with the attitude of questioning the tradition. They both advocate writing painting, attach importance to the painting's style of painting and the artistic conception of the picture. These commonalities have aroused the author's thinking that there are many interesting expressions in traditional literati paintings in Chinese contemporary oil paintings, and few articles have systematically studied this phenomenon, which is a phenomenon worthy of argumentation and study. By studying the background of contemporary oil painting and literati painting, this paper combs the concept, characteristics and category of contemporary oil painting in tradition and trend. The first chapter introduces the development of contemporary oil painting, the relationship with literati painting and the overview of literati painting. The second and third chapters of this paper are the focus of this study, the contemporary oil painting in the study of the taste of literati painting mainly from its formal characteristics and performance characteristics of two aspects. The analysis of its formal characteristics starts with the writing, interesting, experimental and technical aspects of painting, and is carried out in comparison with traditional literati painting: the analysis of its expressive characteristics is from the point of mind and artistic conception, "true self" and freedom. Painting from the three levels of entertainment. In the fourth chapter, combining with the situation in his graduation creation, the author explores the "heart" and "artistic conception" of the literati painting in the oil painting, and makes an artistic reflection on the interest of the literati painting. This paper discusses the modern value and significance of literati painting from both positive and negative aspects. This paper argues that literati painting and contemporary oil painting both have a rebellious and inherited side to tradition. Although the contemporary oil painting rich literati painting interest, but in different times, different painting media in art forms, including the expression of artistic interest can not be equated. Chinese painting should be based on the thinking of oriental native culture and understand the deep cultural psychological structure of this nation. While learning and drawing lessons from western modern art and post-modern painting, painters need to incorporate the spiritual connotation of Chinese traditional culture. They should not only bring into play the original artistic language and expressive power of oil painting, but also implant the spirit and interest of Chinese traditional painting. The existence and expression of contemporary oil painting undoubtedly give us a lot of artistic enlightenment. Whether the creation of contemporary oil painting or the study of contemporary oil painting are in the ascendant.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2253914
[Abstract]:This paper analyzes the phenomenon of the interest of literati painting in contemporary Chinese oil painting. Some contemporary oil painting artists have some similarities in the starting point and method of painting. For example, they attach more importance to the emotional expression of the creators. The form of the picture and the rejection of painting pure technical expression and so on. In these commonalities, some aspects are consistent with the traditional Chinese literati paintings. In addition, contemporary oil painting and traditional literati painting both appear in history with the attitude of questioning the tradition. They both advocate writing painting, attach importance to the painting's style of painting and the artistic conception of the picture. These commonalities have aroused the author's thinking that there are many interesting expressions in traditional literati paintings in Chinese contemporary oil paintings, and few articles have systematically studied this phenomenon, which is a phenomenon worthy of argumentation and study. By studying the background of contemporary oil painting and literati painting, this paper combs the concept, characteristics and category of contemporary oil painting in tradition and trend. The first chapter introduces the development of contemporary oil painting, the relationship with literati painting and the overview of literati painting. The second and third chapters of this paper are the focus of this study, the contemporary oil painting in the study of the taste of literati painting mainly from its formal characteristics and performance characteristics of two aspects. The analysis of its formal characteristics starts with the writing, interesting, experimental and technical aspects of painting, and is carried out in comparison with traditional literati painting: the analysis of its expressive characteristics is from the point of mind and artistic conception, "true self" and freedom. Painting from the three levels of entertainment. In the fourth chapter, combining with the situation in his graduation creation, the author explores the "heart" and "artistic conception" of the literati painting in the oil painting, and makes an artistic reflection on the interest of the literati painting. This paper discusses the modern value and significance of literati painting from both positive and negative aspects. This paper argues that literati painting and contemporary oil painting both have a rebellious and inherited side to tradition. Although the contemporary oil painting rich literati painting interest, but in different times, different painting media in art forms, including the expression of artistic interest can not be equated. Chinese painting should be based on the thinking of oriental native culture and understand the deep cultural psychological structure of this nation. While learning and drawing lessons from western modern art and post-modern painting, painters need to incorporate the spiritual connotation of Chinese traditional culture. They should not only bring into play the original artistic language and expressive power of oil painting, but also implant the spirit and interest of Chinese traditional painting. The existence and expression of contemporary oil painting undoubtedly give us a lot of artistic enlightenment. Whether the creation of contemporary oil painting or the study of contemporary oil painting are in the ascendant.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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