任伯年人物画造型研究
发布时间：2018-10-09 20:43
【摘要】：绘画作为文化形态的一个具体文本载体，其有鲜明的传承性和时代性。中国人物画作为中国最早成熟的画科，北宋之前一直是绘画的主流。以造型为圭臬的人物画，形，历来是人物画家创作和理论家品评的标准之一。传统画论常将“气韵生动”、“以形写神”、“形神兼备”作为品评人物画艺术价值的重要标准。自古至今，对中国人物画造型中“形”与“神”的关系阐述一脉相承，是中国绘画的优秀传统，也是中国人物画造型的重要准则。任伯年作为晚清时期最重要的人物画家，其人物画的探索承启着古典人物画和现代人物画，深入研究其人物画造型，对探究中国人物画造型理念及其传承、发展和今天的人物画创作、品评仍然具有现实的指导意义。 本文在前期的准备阶段，，用大量的精力来摘录和整理历代画论中涉及人物造型问题的描述性言论和主要观点，以对这些造型理念的体悟作为对任伯年人物画造型研究的观照。文稿以传统人物画造型的理念作为切入点，参照国内机构现有的任伯年人物画和较权威的任伯年人物画画册，对任伯年人物造型进行分析。首先对传统人物画造型的理念和发展进行阐释。其次，从任伯年人物画造型的艺术渊源、整体风貌两方面加以阐述。再次，通过任伯年人物画的造型理念，从“心理和谐”向“形式和谐”的转变；异质绘画语言的借用；绘画的“私人指向性”到“公众指向性”；由程式寄画意四个方面深入剖析对其造型的影响。以对应当时的社会风尚、造型理念、技法运用方面的特征，比较出任伯年人物画在特殊的时代背景下所独有的个性特质与精神面貌，及在艺术创作中表现出的独特之处。全文以文献整理、作品分析、风格研究为基础，综合运用社会学、史学、比较学等多学科交叉的理论和方法，并结合本人的绘画实践、感想和认知，来铺展对任伯年人物造型问题的理性思考，试图对任伯年人物造型特点做一些阐释。
[Abstract]:As a specific text carrier of cultural form, painting has distinct inheritance and times. As the earliest mature painting subject in China, Chinese figure painting was the mainstream of painting before the Northern Song Dynasty. Figure painting is one of the standards of figure painter's creation and theorist's evaluation. Traditional painting theory often regards "vivid charm", "writing spirit with form" and "both form and spirit" as important criteria for evaluating the artistic value of figure painting. Since ancient times, the relationship between "form" and "God" in the modeling of Chinese figure painting has been expounded in the same vein, which is an excellent tradition of Chinese painting and an important criterion for the modeling of Chinese figure painting. Ren Bonian, as the most important figure painter in the late Qing Dynasty, the exploration of his figure painting carried on the classical figure painting and the modern figure painting, deeply studied its figure painting modelling, explored the Chinese figure painting modelling idea and its inheritance. The development and today's figure painting creation, the appraisal still has the realistic guidance significance. In the early stage of preparation, this paper uses a great deal of energy to extract and sort out the descriptive remarks and main viewpoints concerning the character modeling in the painting theory of the past dynasties, taking the understanding of these modeling ideas as the reflection of the study on the modeling of Ren Bonian's figure painting. The manuscript takes the concept of traditional figure painting as the starting point, referring to the existing figures of Ren Bonian and the more authoritative book of Ren Bonian figure painting, and analyzes the figure modeling of Ren Bonian. First of all, the concept and development of traditional figure painting modeling are explained. Secondly, from Ren Bonian figure painting modeling art origin, the overall style and features two aspects to be elaborated. Thirdly, the transformation from "psychological harmony" to "formal harmony", the borrowing of heterogeneous painting language, the "private directivity" to "public directionality" of Ren Bonian's figure painting; From four aspects of program painting meaning in-depth analysis of the impact on its shape. In accordance with the characteristics of social fashion, modeling concept and the application of techniques at that time, this paper compares the unique personality and spiritual features of the figure painting of Bergen in the special background of the times, as well as its unique features in artistic creation. The full text is based on literature collation, work analysis, style research, comprehensive use of sociology, historiography, comparative science and other multidisciplinary theories and methods, and combined with my painting practice, feelings and cognition, To spread the rational thinking on Ren Bonian's character modeling, try to do some explanation to the character modeling characteristics of Ren Bonian.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2260725
[Abstract]:As a specific text carrier of cultural form, painting has distinct inheritance and times. As the earliest mature painting subject in China, Chinese figure painting was the mainstream of painting before the Northern Song Dynasty. Figure painting is one of the standards of figure painter's creation and theorist's evaluation. Traditional painting theory often regards "vivid charm", "writing spirit with form" and "both form and spirit" as important criteria for evaluating the artistic value of figure painting. Since ancient times, the relationship between "form" and "God" in the modeling of Chinese figure painting has been expounded in the same vein, which is an excellent tradition of Chinese painting and an important criterion for the modeling of Chinese figure painting. Ren Bonian, as the most important figure painter in the late Qing Dynasty, the exploration of his figure painting carried on the classical figure painting and the modern figure painting, deeply studied its figure painting modelling, explored the Chinese figure painting modelling idea and its inheritance. The development and today's figure painting creation, the appraisal still has the realistic guidance significance. In the early stage of preparation, this paper uses a great deal of energy to extract and sort out the descriptive remarks and main viewpoints concerning the character modeling in the painting theory of the past dynasties, taking the understanding of these modeling ideas as the reflection of the study on the modeling of Ren Bonian's figure painting. The manuscript takes the concept of traditional figure painting as the starting point, referring to the existing figures of Ren Bonian and the more authoritative book of Ren Bonian figure painting, and analyzes the figure modeling of Ren Bonian. First of all, the concept and development of traditional figure painting modeling are explained. Secondly, from Ren Bonian figure painting modeling art origin, the overall style and features two aspects to be elaborated. Thirdly, the transformation from "psychological harmony" to "formal harmony", the borrowing of heterogeneous painting language, the "private directivity" to "public directionality" of Ren Bonian's figure painting; From four aspects of program painting meaning in-depth analysis of the impact on its shape. In accordance with the characteristics of social fashion, modeling concept and the application of techniques at that time, this paper compares the unique personality and spiritual features of the figure painting of Bergen in the special background of the times, as well as its unique features in artistic creation. The full text is based on literature collation, work analysis, style research, comprehensive use of sociology, historiography, comparative science and other multidisciplinary theories and methods, and combined with my painting practice, feelings and cognition, To spread the rational thinking on Ren Bonian's character modeling, try to do some explanation to the character modeling characteristics of Ren Bonian.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 王飞;;海派绘画的商业化由来[J];美术观察;2006年10期
2 陈超南;承前启后的海上画派[J];社会科学;2000年02期
本文编号：2260725
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