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当代工笔画肌理表现与意境创新研究

发布时间:2018-10-11 12:00
【摘要】:传统中国工笔画,在中国绘画历史上是成熟较早的画种,源于魏晋,兴盛于唐宋,尤其到了宋代,得到宋徽宗提倡,成立了翰林图画院,使工笔画得到了前所未有的繁荣。延至明清时期由于其自身发展的局限性影响而走向衰落。至上世纪八十年代以后,,肌理技法的运用介入到工笔花鸟创新中,才使工笔花鸟画形成风格的多元化,体现时代的人文情怀和更加丰富了多样的审美形态。本文就针对肌理技法在工笔花鸟画中的探索、运用、审美、意境做了深入研究,全文分为三个部分。 第一部分,首先介绍肌理的产生、发展以及在绘画艺术中的价值,对画面中的肌理进行了详尽的阐述。第二部分,具体解析各种肌理特殊技法,如积水法、拓印法、撒盐法、撒水法、喷染法、水洗法等等,并对相关的例画进行分析与研究。第三部分,阐述了肌理技法的运用对风格特征及构建现代的多元审美形态、满足现代的多元审美需求有重要作用,也使中国工笔花鸟画向前推进了一大步。
[Abstract]:Traditional Chinese fine brushwork, which originated from Wei and Jin dynasties and flourished in Tang and Song dynasties, was advocated by Song Huizong and set up Hanlin Picture Academy, which made the painting become more prosperous than ever. Extended to the Ming and Qing dynasties due to its own development of the limitations of the decline. Since the eighties of the last century, the application of texture techniques has been involved in the innovation of fine brushwork flowers and birds, so that the style of fine brushwork flower and bird painting has been diversified, which reflects the humanistic feelings of the times and enriches the various aesthetic forms. This paper makes a deep study on the texture techniques in the fine brushwork flower and bird painting exploration, application, aesthetic, artistic conception, the full text is divided into three parts. The first part first introduces the production, development and value of the texture in the painting art, and elaborates the texture in the picture. In the second part, we analyze the special techniques of texture, such as water accumulation, printing, salting, spraying, washing and so on. In the third part, the application of texture techniques plays an important role in stylistic features and the construction of modern multi-aesthetic forms, to meet the needs of modern multi-aesthetic, and also makes Chinese fine brushwork flower-and-bird painting a big step forward.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212

【参考文献】

相关期刊论文 前4条

1 何次贤;试论肌理在绘画中的价值[J];湘南学院学报;2004年01期

2 何卫东;;浅析绘画创作的肌理美[J];美术大观;2007年04期

3 秋霖;谈肌理在现代中国画中的表现[J];宁夏大学学报(人文社会科学版);2001年03期

4 洪新发;论肌理美是绘画作品的重要属性[J];新美术;2005年02期



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