浅析文人画对张冬峰油画创作中“笔墨意蕴”的影响
发布时间：2018-10-11 19:46
【摘要】：社会的进步与文化的发展促使着中国风景油画的形式语言不再是单一的写实主义或现实主义：中国艺术家越来越深刻的认识到作品的“民族性”是时代发展的必然趋势，因此中国传统的绘画观念、思想与审美风格也正在逐步影响着中国当代风景油画形式语言发展的新方向。追根溯源且与当下发展相结合，将传统文人画的审美趣味与西方油画艺术语言相融合，提炼出符合中国当代风景油画家进行艺术表现的绘画元素，并从画面形式感与内容上加以继承和创新，最终形成作品自身鲜明、独特的艺术特征，是本文所要阐述的观点。文章采用个案、分析、例证等方法，具体从画家张冬峰风景油画作品中的“写意性精神、笔墨技法和审美风格”三个方面来分别品悟文人画代表画家石涛、龚贤与沈周独特的艺术表现力对其产生的影响与彼此艺术观点的相似性。总之，对中国当代艺术家而言，继承与创新油画风景中的“笔墨意蕴”，画家需肩负起勇于探索且实事求是的实践行动和专业态度，，才能最终在这条任重且道远的艺术探索之路上取得实质性的收获。
[Abstract]:With the development of society and culture, the formal language of Chinese landscape oil painting is no longer a single realism or realism: Chinese artists are more and more deeply aware that the "nationality" of their works is the inevitable trend of the development of the times. Therefore, the traditional Chinese painting concept, thought and aesthetic style are gradually affecting the new direction of the development of the formal language of Chinese contemporary landscape oil painting. Tracing back to the source and combining with the current development, the aesthetic taste of the traditional literati painting is combined with the western oil painting art language to extract the painting elements that accord with the artistic expression of Chinese contemporary landscape oil painters. And from the form and content of the picture to inherit and innovate, and finally form its own distinctive and unique artistic characteristics, is the point of view to be elaborated in this paper. This article adopts the methods of case study, analysis and illustration, specifically from three aspects of "freehand brushwork spirit, stroke technique and aesthetic style" in the painter Zhang Dongfeng's landscape oil paintings, respectively. The influence of Gong Xian and Shen Zhou's unique artistic expressiveness on them is similar to each other's artistic views. In short, for contemporary Chinese artists, to inherit and innovate the "pen and ink meaning" in oil painting landscape, painters should shoulder the practical action and professional attitude of daring to explore and seek truth from facts. In the end, we can get substantial results on the long road of art exploration.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2265027
[Abstract]:With the development of society and culture, the formal language of Chinese landscape oil painting is no longer a single realism or realism: Chinese artists are more and more deeply aware that the "nationality" of their works is the inevitable trend of the development of the times. Therefore, the traditional Chinese painting concept, thought and aesthetic style are gradually affecting the new direction of the development of the formal language of Chinese contemporary landscape oil painting. Tracing back to the source and combining with the current development, the aesthetic taste of the traditional literati painting is combined with the western oil painting art language to extract the painting elements that accord with the artistic expression of Chinese contemporary landscape oil painters. And from the form and content of the picture to inherit and innovate, and finally form its own distinctive and unique artistic characteristics, is the point of view to be elaborated in this paper. This article adopts the methods of case study, analysis and illustration, specifically from three aspects of "freehand brushwork spirit, stroke technique and aesthetic style" in the painter Zhang Dongfeng's landscape oil paintings, respectively. The influence of Gong Xian and Shen Zhou's unique artistic expressiveness on them is similar to each other's artistic views. In short, for contemporary Chinese artists, to inherit and innovate the "pen and ink meaning" in oil painting landscape, painters should shoulder the practical action and professional attitude of daring to explore and seek truth from facts. In the end, we can get substantial results on the long road of art exploration.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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