当前位置:主页 > 文艺论文 > 绘画论文 >

镂空壁画的正负空间转换研究

发布时间:2018-10-13 16:52
【摘要】:随着历史洪流的奔腾不息,壁画也伴随人类文明和科技的发展从简单的墙体刻画演变为古代寺庙、墓室壁画等形式;改革开放后,以北京机场壁画为起点,又出现了琳琅满目、各式各样的现代壁画艺术形式,甚至发展到多媒体壁画。 由于现代艺术家的不断创新与实践,壁画的多种类多形式已为众人所见,而镂空壁画却是这其中的一支新秀,既继承了古代建筑、民间艺术等传统元素,又以新的壁画模式展示给公共大众。以其独特的艺术形式在壁画领域更上一层新楼。 镂空壁画不仅是空间艺术,更是“正负”空间转换的艺术。其空间效果必须依赖于各种正负空间的转换才能得以实现,研究其正负空间转换是镂空壁画研究的根中之本,而如何转换便成了重中之点。这就是本论文的核心论点,第一章和第二章便对该论点做了追根溯源和刨根问底的研究。然而要实现正负空间的转换,又会受制于很多因素,这些因素就成了设计镂空壁画能否成功的重要组成部分和必须思考的条件,这就是第三章中的深度探索索要阐述的核心思想。在论文的第四章中,基于前面的分析研究所设计出来的镂空壁画,再做一次各个角度的审美特征剖析和艺术效果介绍。最后,在镂空壁画正负空间转换研究的基础上,笔者对镂空壁画的前景与创新提出了个人的观点和期望。
[Abstract]:With the torrent of history, murals have evolved from simple wall paintings to ancient temples, tombs and murals with the development of human civilization and technology. After reform and opening up, with the Beijing airport murals as the starting point, a dazzling array has emerged. All kinds of modern mural art form, even develop to multimedia mural. As a result of the continuous innovation and practice of modern artists, many kinds and forms of murals have been seen by all, but hollowed-out murals are a new talent among them, inheriting traditional elements such as ancient architecture, folk art and so on. And the new mural model is displayed to the public. With its unique art form in the field of murals on a new floor. Hollowed-out mural is not only the art of space, but also the art of positive and negative space conversion. Its spatial effect must depend on the conversion of all kinds of positive and negative spaces to be realized. The study of positive and negative space conversion is the root of the study of hollowed-out murals. This is the core point of this thesis. However, in order to realize the conversion of positive and negative space, there are many factors, which become an important part of the successful design of hollowed-out murals and the conditions that must be considered. This is the third chapter of the depth of exploration for elaboration of the core ideas. In the fourth chapter of the thesis, based on the hollow murals designed by the research institute of analysis before, the aesthetic features and artistic effects of each angle are analyzed again. Finally, on the basis of the research on the positive and negative space conversion of hollowed-out murals, the author puts forward personal views and expectations on the prospect and innovation of hollowed-out murals.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J218.6

【参考文献】

相关期刊论文 前10条

1 赵世学;;“镂空”设计在包装装潢中的运用[J];包装工程;2006年04期

2 陈辉;雕塑的形体和空间[J];雕塑;2005年04期

3 陈彦卿;;负空间在版式设计中的特色编排[J];大舞台;2010年07期

4 杨勇;;中国画布白空间向负空间的演进[J];大家;2011年09期

5 吴伯枫;;雕刻阳光的艺术——英国现代雕塑家亨利·摩尔[J];大科技(百科探索);2006年02期

6 王婧;;论中国画艺术中的“虚”“空”之美[J];美术观察;2010年02期

7 王青云;欧阳苏龙;;关于真实与虚幻的讨论[J];建筑知识;2012年01期

8 乔迁;;雕塑空间形式的历史发展[J];美术观察;2008年05期

9 张方;;无画处皆成妙境——述清代画学虚实观[J];同济大学学报(社会科学版);2005年06期

10 李鹏伟;;从虚空的角度看亨利·摩尔雕塑的时代意义[J];云南艺术学院学报;2005年04期



本文编号:2269299

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2269299.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户d6a90***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com