后女权主义对中国当代女性艺术的启发
发布时间：2018-10-14 18:49
【摘要】：女性艺术在不同的历史语境下经历了本土特色的发展。直至20世纪80年代末90年代初西方女权主义艺术的传入。由于不同的历史语境,中国对于女性主义和女性主义艺术产生了误读,使中国女性艺术的发展面临着尴尬境地。本文通过社会学、哲学、文化学的角度研究女权主义的发展,并按照时间的顺序对中西方女性艺术的发展脉络进行梳理。结合艺术原理和运用对比的方法多角度进行总结。找出本土女性艺术发展困境的症结,提出可供参考的解决方案。本文选题来源于中国女性艺术家在近现代艺术领域的迅速发展。尤其是20世纪末期的女性艺术家创作状态有很多可喜的变化,在对艺术领域所带来的新气象的同时又不乏在创作观念上所存在的问题。中国女性艺术如果想继续前行还需要对女性艺术发展所存在的问题做系统的分析,并找到一个有效的解决方案,运用正确的理念指导艺术实践活动。在研究中国女性艺术现状所存在的问题时,目光投向了中国的女性主义艺术和中国女性艺术家的生存语境,并结合中国当今女权主义的发展状况提出女性应树立主体意识自信的去创作。探究了新时代给与中国女性艺术发展带来哪些机遇和挑战。论文的创新点。第一,对传统女权主义与后女权主义思想进行辨析,进而研究女权的思想观念对西方女性艺术家的创作所产生哪些影响。第二,中国的女性艺术随着时代语境不同,在各方面产生哪些变化。找到女性艺术健康发展需要哪些社会条件,需要遵循了什么样的艺术发展规律。只有掌握规律,才能利用规律排除现存的障碍继续前行。第三,本文将中国女性艺术家的作品结合后女权思想进行个人的分析。将女性艺术结合艺术的原理,论证女性艺术存在的价值,什么样的艺术理念才适合中国的的实际情况。第四,对西方女性主义艺术进行深入的研究,分析了中国女性艺术家受国际上女性艺术家哪些启发,在借鉴过程中出现哪些问题需要甄别。本文在研究中,将重点放在了后女权思想和中国当下的艺术时代环境进行分析。研究过程中遇到的难点是后女权主义的基本理论在女性艺术家创作中的正确理解与运用。如何借鉴的学习当今世界上优秀的艺术作品。通过研究中国当今女性绘画创作的具体情况,并结合分析中西方女性艺术优秀作品和西方后现在女权主义的积极思想,坚定时代发展对女性艺术的包容性将越来越高,女性艺术家们也应积极的顺应时代潮流,抓住中国新一轮文化艺术大发展的重要机遇,更好的进行艺术创作活动。
[Abstract]:Female art has experienced the development of local characteristics in different historical contexts. The introduction of Western feminist art until the late 1980s and early 1990s. Due to different historical contexts, China misread feminism and feminist art, which makes the development of Chinese female art face an awkward situation. This paper studies the development of feminism from the angles of sociology, philosophy and culturology, and combs the development of Chinese and western female art in the order of time. Combined with artistic principles and the use of contrast methods to sum up from many angles. Find out the crux of the difficulties of the development of local female art, and propose solutions for reference. The topic is derived from the rapid development of Chinese female artists in the field of modern art. Especially in the late 20th century, there are many gratifying changes in the creative state of female artists, which bring new atmosphere to the field of art, and at the same time, there are some problems in the concept of creation. If Chinese female art wants to go on, it needs to make a systematic analysis of the problems existing in the development of female art, and find an effective solution to guide the artistic practice with correct ideas. In studying the problems existing in the present situation of Chinese female art, we have set our eyes on the feminist art in China and the survival context of Chinese female artists. Combined with the development of feminism in China, women should set up subjective consciousness and self-confidence to create. It explores what opportunities and challenges the new era will bring to the development of Chinese women's art. The innovation of the thesis. The first is to analyze the traditional feminism and post-feminism, and then to study the influence of feminism on the creation of western female artists. Second, the Chinese female art with different times context, what changes in all aspects. Find out what social conditions are necessary for the healthy development of female art, and what art development rules must be followed. Only grasp the law, can use the law to remove the existing obstacles to move forward. Third, this paper combines the works of Chinese female artists with post-feminist thoughts to make a personal analysis. Combining female art with the principle of art to demonstrate the value of the existence of female art, what kind of artistic concept is suitable for the actual situation of China. Fourthly, it makes an in-depth study of western feminist art, and analyzes what Chinese female artists are inspired by the international female artists and what problems need to be identified in the process of drawing lessons from them. This paper focuses on the post-feminist thought and the contemporary art environment in China. The difficulty encountered in the research process is the correct understanding and application of the basic theory of post-feminism in the creation of female artists. How to learn from the excellent works of art in today's world. By studying the specific situation of women's painting creation in China today, and combining with the analysis of the outstanding works of Chinese and western women's art and the positive thinking of feminism after the west, we can make sure that the development of the times will be more and more inclusive of women's art. Female artists should also actively conform to the trend of the times, seize the important opportunity of the new round of cultural and artistic development in China, and better carry out artistic creation activities.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
[Abstract]:Female art has experienced the development of local characteristics in different historical contexts. The introduction of Western feminist art until the late 1980s and early 1990s. Due to different historical contexts, China misread feminism and feminist art, which makes the development of Chinese female art face an awkward situation. This paper studies the development of feminism from the angles of sociology, philosophy and culturology, and combs the development of Chinese and western female art in the order of time. Combined with artistic principles and the use of contrast methods to sum up from many angles. Find out the crux of the difficulties of the development of local female art, and propose solutions for reference. The topic is derived from the rapid development of Chinese female artists in the field of modern art. Especially in the late 20th century, there are many gratifying changes in the creative state of female artists, which bring new atmosphere to the field of art, and at the same time, there are some problems in the concept of creation. If Chinese female art wants to go on, it needs to make a systematic analysis of the problems existing in the development of female art, and find an effective solution to guide the artistic practice with correct ideas. In studying the problems existing in the present situation of Chinese female art, we have set our eyes on the feminist art in China and the survival context of Chinese female artists. Combined with the development of feminism in China, women should set up subjective consciousness and self-confidence to create. It explores what opportunities and challenges the new era will bring to the development of Chinese women's art. The innovation of the thesis. The first is to analyze the traditional feminism and post-feminism, and then to study the influence of feminism on the creation of western female artists. Second, the Chinese female art with different times context, what changes in all aspects. Find out what social conditions are necessary for the healthy development of female art, and what art development rules must be followed. Only grasp the law, can use the law to remove the existing obstacles to move forward. Third, this paper combines the works of Chinese female artists with post-feminist thoughts to make a personal analysis. Combining female art with the principle of art to demonstrate the value of the existence of female art, what kind of artistic concept is suitable for the actual situation of China. Fourthly, it makes an in-depth study of western feminist art, and analyzes what Chinese female artists are inspired by the international female artists and what problems need to be identified in the process of drawing lessons from them. This paper focuses on the post-feminist thought and the contemporary art environment in China. The difficulty encountered in the research process is the correct understanding and application of the basic theory of post-feminism in the creation of female artists. How to learn from the excellent works of art in today's world. By studying the specific situation of women's painting creation in China today, and combining with the analysis of the outstanding works of Chinese and western women's art and the positive thinking of feminism after the west, we can make sure that the development of the times will be more and more inclusive of women's art. Female artists should also actively conform to the trend of the times, seize the important opportunity of the new round of cultural and artistic development in China, and better carry out artistic creation activities.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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