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城市题材山水画在当代山水画中的意义

发布时间:2018-10-17 08:12
【摘要】:中国山水画是中华民族传统文化深厚底蕴的集中体现,现如今社会,为艺者,,有举“古典艺术”大旗的,有关注当下生活的。大部分对山水画艺术不太了解的人也许会把山水画理解为就是画自然风景,但实际上,并非是他们认为的那样,简单的来说,中国山水画与西方写实主义风景画并非一概而论,它所要描述和表达的是一种意象,所谓意象,指的是自然山水的气象和作者内心的真实感受。当今社会多数是以都市生活为主导的时代,所以自然山水在广厦万千的城市化进程中渐行渐远,人们与自然山水之间的距离不仅仅表现在地理意义上,更重要的则是心理意义上。当代画家与古时候的艺术家相比,现代人的审美情趣更多地倾向于他们所生活的都市环境和熟悉的都市文化,以及都市文化带给我们的人文关怀。 本文共分为四章分析,第一章是对城市题材山水画这一课题的提出并从概念与来源两方面加以解释。第二章,从社会背景、历史背景、文化背景这三方面对城市题材山水画进行阐述与剖析。第三章,由创立新意、画面构成形式、市场特点、笔墨语言运用这四个方面出发,对城市题材山水画的特点以及语言表达作以深刻分析。最后一章总结出城市题材山水画在当代多元文化背景下的现实意义和发展状况,并对城市题材山水画在今后社会中的发展走向进行预测。
[Abstract]:Chinese landscape painting is the concentrated embodiment of the Chinese traditional culture. Nowadays, the society, for the artists, holds the banner of "classical art" and pays attention to the present life. Most people who don't know much about the art of landscape painting may understand landscape painting as painting natural scenery, but in fact, it is not what they think, simply speaking, Chinese landscape painting and Western realistic landscape painting are not generalities. What it wants to describe and express is a kind of image, the so-called image, refers to the natural landscape weather and the author's inner true feeling. Most of today's society is dominated by urban life, so the natural landscape is gradually moving away in the process of urbanization, and the distance between people and natural landscape is not only in geographical significance. More important is the psychological significance. Compared with the artists of ancient times, contemporary painters tend more to the urban environment they live in, the familiar urban culture, and the humanistic care brought by urban culture. This paper is divided into four chapters, the first chapter is to put forward the subject of urban landscape painting and explain it from two aspects: concept and source. The second chapter, from the social background, the historical background, the cultural background these three aspects carries on the elaboration and the analysis to the city theme landscape painting. The third chapter, from the creation of new ideas, screen form, market characteristics, the use of pen and ink language of these four aspects, the characteristics of urban landscape painting and language expression to make a profound analysis. The last chapter summarizes the realistic significance and development of urban landscape painting under the background of contemporary multiculturalism, and forecasts the development trend of urban landscape painting in the future.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前4条

1 钱学森;社会主义中国应该建山水城市[J];城市规划;1993年03期

2 刘爱梅;;当代中国山水画发展趋向探讨[J];读与写(教育教学刊);2007年05期

3 陈端;;城市山水画创作初探[J];大舞台;2010年05期

4 宋玉明;;论城市山水画[J];艺术探索;2009年04期



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