论高居翰对“职业画家”的重新评价
发布时间：2018-10-17 15:02
【摘要】：自20世纪初,随着西方艺术史学界对中国画及画史研究的不断深入,“职业画家”作为研究中国画史的一个重要画家类型,亦得到不断的认识和评价,其主要可以分为欣赏、批评和再认识,作为一位美国艺术史学家,高居翰在对“职业画家”的认识及评价问题上,也受到了西方艺术史学界不同研究时期的影响,而他关于这一问题的成熟探讨则主要形成于20世纪70年代,笔者认为,高居翰主要从两个方面来进行论述,一是从艺术史的“内相关”出发,其主要以鉴定、形式与风格分析和材料研究为主的方法论,来认识技法于艺术风格转变的影响,发掘中国绘画在“写实主义"上的辉煌成就,并且认为中国“职业画家"在这一点上功不可没,试图消除中国传统认识中对“职业画家”的消极评价；二是从“艺术赞助人”的角度出发,从艺术与社会关系的角度来研究绘画作品,揭示文人画家在绘画创作中的艺术赞助因素,来反证文人画家对“职业画家"的传统评价存在着一种误解和偏见,需要纠正,以这两点为基础,高居翰完成了对中国绘画史中“职业画家”的再认识和再评价,展现出一种不同于中国画史研究新方法和新观点。
[Abstract]:Since the beginning of the 20th century, with the deepening of the study of Chinese painting and painting history in western art history circles, "professional painter", as an important type of painters in studying the history of Chinese painting, has also been continuously recognized and evaluated, which can be mainly divided into appreciation. Criticism and re-understanding, as an American art historian, Gao Jihan's understanding and evaluation of "professional painters" have also been influenced by different periods of Western art historiography. However, his mature discussion on this issue was mainly formed in the 1970s. The author thinks that Gao Juhan mainly discusses from two aspects, one is from the art history of "internal correlation", its main purpose is to identify. The methodology of form and style analysis and material research is used to understand the influence of techniques on the change of artistic style, to discover the brilliant achievements of Chinese painting in "realism", and to think that Chinese "professional painters" have contributed to this. This paper tries to eliminate the negative evaluation of "professional painters" in traditional Chinese cognition, and the second is to study paintings from the angle of "art patron" and from the angle of art and social relations. To reveal the artistic sponsorship factors of literati painters in painting creation, to prove that there is a misunderstanding and prejudice in the traditional evaluation of "professional painters" by literati painters, which need to be corrected, on the basis of these two points. Gao Jihan has completed the re-understanding and re-evaluation of "professional painters" in the history of Chinese painting, showing a new method and new viewpoint different from the history of Chinese painting.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
本文编号：2277055
[Abstract]:Since the beginning of the 20th century, with the deepening of the study of Chinese painting and painting history in western art history circles, "professional painter", as an important type of painters in studying the history of Chinese painting, has also been continuously recognized and evaluated, which can be mainly divided into appreciation. Criticism and re-understanding, as an American art historian, Gao Jihan's understanding and evaluation of "professional painters" have also been influenced by different periods of Western art historiography. However, his mature discussion on this issue was mainly formed in the 1970s. The author thinks that Gao Juhan mainly discusses from two aspects, one is from the art history of "internal correlation", its main purpose is to identify. The methodology of form and style analysis and material research is used to understand the influence of techniques on the change of artistic style, to discover the brilliant achievements of Chinese painting in "realism", and to think that Chinese "professional painters" have contributed to this. This paper tries to eliminate the negative evaluation of "professional painters" in traditional Chinese cognition, and the second is to study paintings from the angle of "art patron" and from the angle of art and social relations. To reveal the artistic sponsorship factors of literati painters in painting creation, to prove that there is a misunderstanding and prejudice in the traditional evaluation of "professional painters" by literati painters, which need to be corrected, on the basis of these two points. Gao Jihan has completed the re-understanding and re-evaluation of "professional painters" in the history of Chinese painting, showing a new method and new viewpoint different from the history of Chinese painting.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
【参考文献】
相关期刊论文 前1条
1 李维琨;美术史方法的差异与对象的差异——《班宗华、高居翰、罗浩通信集》读后[J];新美术;1989年04期
，本文编号：2277055
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2277055.html
