陶瓷壁画色釉形态语言研究
发布时间：2018-10-18 09:45
【摘要】：本文从陶瓷壁画色釉形态语言出发,运用形态学等理论作为研究基础,进行田野考察并综合相关文献资料,对其形态语言进行研究和分析。从色釉独特的艺术表现力入手,结合大量的古今中外优秀陶瓷壁画作品,对色釉的材质、肌理、釉色等方面来研究其不同于其它材料的独特的形态语言。色釉的运用能够充分体现陶瓷壁画艺术的艺术美和科学美。通过对色釉形态语言在陶瓷壁画中多种表现形式的分析和总结,阐述了色釉形态语言在陶瓷壁画中独特的美学价值,丰富并完善了陶瓷壁画的艺术表现形式。色釉在现代陶瓷壁画创作中更应发挥其独特的形态语言特点,发挥色釉材质与生俱来的品质。在陶瓷壁画的创作过程中,只有把色釉材质的独特性,丰富色彩,多变肌理与造型完美地结合起来才能恰如其分地表现出色釉的高雅和天然丽质的审美情趣,才能创作出好的陶瓷壁画作品。陶瓷壁画色釉形态语言的运用应寻找如何从传统艺术中探索新的表现方式。陶瓷壁画色釉形态语言的表现结合传统文化和传统艺术手法的同时,要运用大量的新材料、新技术来增强色釉的表现力度,并运用现代的艺术理念来丰富色釉的表现形式。色釉与新的艺术表现形式有意识的给合,会创造出出其不意的艺术效果,丰富了陶瓷壁画的艺术语言,增强了艺术感染力,与时代的审美趣味相符合。 本论文分为四章：第一章是对形态语言的概念进行界定并对色釉的起源与特性进行分析；第二章主要从色釉的材质,肌理,釉色方面来对其形态语言进行研究探讨；第三章是对色釉形态语言在陶瓷壁画中的表现进行分析,得出色釉形态语言表现形式多样,表现领域宽广的特点；最后一章,指出了色釉形态语言在陶瓷壁画表现中存在的问题,并从观念的更新和综合手段的运用两方面对色釉形态语言在现代陶瓷壁画中的表现应用进行创新探讨。
[Abstract]:In this paper, based on the morphological theory of ceramic mural color and glaze, the author makes a field investigation and synthesizes the relevant literature to study and analyze the morphological language of ceramic mural. Starting from the unique artistic expression of colored glaze and combining with a large number of excellent ceramic mural works in ancient and modern times, this paper studies its unique morphological language different from other materials in terms of its material, texture, glaze color and so on. The use of glaze can fully reflect the artistic and scientific beauty of ceramic mural art. Through the analysis and summary of various forms of expression of color glaze form language in ceramic mural, this paper expounds the unique aesthetic value of color glaze form language in ceramic mural, and enriches and perfects the art expression form of ceramic mural. In the creation of modern ceramic murals, the color glaze should give play to its unique morphological and linguistic characteristics and the inherent quality of the glaze material. In the process of the creation of ceramic murals, only by combining the uniqueness of the glaze material, rich color, changeable texture and shape perfectly can we properly show the elegance of the glaze and the aesthetic taste of natural beauty. In order to create a good ceramic murals. The application of the color and glaze form language of ceramic fresco should find out how to explore the new way of expression from the traditional art. With the combination of traditional culture and traditional art technique, the expression of color glaze form language of ceramic mural should be strengthened by a great deal of new materials and techniques, and the expression form of color glaze should be enriched by modern art idea. The combination of color glaze and new art expression will create unexpected artistic effect, enrich the artistic language of ceramic murals, enhance the artistic appeal and accord with the aesthetic taste of the times. This paper is divided into four chapters: the first chapter is to define the concept of morphological language and to analyze the origin and characteristics of color glaze, the second chapter mainly from the color glaze material, texture, glaze color to study the morphological language; The third chapter is the analysis of the color glaze form language in the ceramic murals, the shape of the color glaze form language expression in a variety of forms, broad performance of the characteristics of the last chapter, This paper points out the problems existing in the expression of color glaze form language in ceramic murals, and probes into the innovative application of color glaze form language in modern ceramic frescoes from two aspects: the renewal of concept and the application of comprehensive means.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.6;J527
本文编号：2278747
[Abstract]:In this paper, based on the morphological theory of ceramic mural color and glaze, the author makes a field investigation and synthesizes the relevant literature to study and analyze the morphological language of ceramic mural. Starting from the unique artistic expression of colored glaze and combining with a large number of excellent ceramic mural works in ancient and modern times, this paper studies its unique morphological language different from other materials in terms of its material, texture, glaze color and so on. The use of glaze can fully reflect the artistic and scientific beauty of ceramic mural art. Through the analysis and summary of various forms of expression of color glaze form language in ceramic mural, this paper expounds the unique aesthetic value of color glaze form language in ceramic mural, and enriches and perfects the art expression form of ceramic mural. In the creation of modern ceramic murals, the color glaze should give play to its unique morphological and linguistic characteristics and the inherent quality of the glaze material. In the process of the creation of ceramic murals, only by combining the uniqueness of the glaze material, rich color, changeable texture and shape perfectly can we properly show the elegance of the glaze and the aesthetic taste of natural beauty. In order to create a good ceramic murals. The application of the color and glaze form language of ceramic fresco should find out how to explore the new way of expression from the traditional art. With the combination of traditional culture and traditional art technique, the expression of color glaze form language of ceramic mural should be strengthened by a great deal of new materials and techniques, and the expression form of color glaze should be enriched by modern art idea. The combination of color glaze and new art expression will create unexpected artistic effect, enrich the artistic language of ceramic murals, enhance the artistic appeal and accord with the aesthetic taste of the times. This paper is divided into four chapters: the first chapter is to define the concept of morphological language and to analyze the origin and characteristics of color glaze, the second chapter mainly from the color glaze material, texture, glaze color to study the morphological language; The third chapter is the analysis of the color glaze form language in the ceramic murals, the shape of the color glaze form language expression in a variety of forms, broad performance of the characteristics of the last chapter, This paper points out the problems existing in the expression of color glaze form language in ceramic murals, and probes into the innovative application of color glaze form language in modern ceramic frescoes from two aspects: the renewal of concept and the application of comprehensive means.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.6;J527
【参考文献】
相关硕士学位论文 前10条
1 乐琦;高温颜色釉在陶瓷装饰中的应用[D];景德镇陶瓷学院;2011年
2 江伟贤;现代陶艺在环境艺术中的运用[D];武汉理工大学;2004年
3 李雪晖;当代中国壁画与公众审美期待[D];山东师范大学;2004年
4 徐微;陶瓷壁饰的发展与应用[D];清华大学;2004年
5 伍璐璐;试析壁画公共性与艺术家艺术个性的关系[D];中央美术学院;2007年
6 喻斐;论建筑环境中陶瓷壁画的运用与发展[D];苏州大学;2007年
7 葛新;现代壁画艺术的材料研究[D];延边大学;2008年
8 徐禹;现代陶艺壁饰情感化应用研究[D];江南大学;2008年
9 涂文静;陶艺在公共环境空间的运用[D];景德镇陶瓷学院;2008年
10 岑士英;论色釉在环境陶艺壁画装饰中的运用[D];景德镇陶瓷学院;2010年
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