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高台民居系列绘画研究

发布时间:2018-10-19 09:43
【摘要】:高台民居系列绘画研究是以绘画的实践为例的论文,这一绘画题材的发现来自于艺术考察。对于在艺术考察中发现的层层叠叠的平面化的艺术美进行了一系列的绘画实验。这一系列实验绘画主要分成三个小的系列,这三个小的系列分别是“叠面分割系列”、“黄色系列”、“清真寺系列”。叠面系列的作品以研究画面的平面化分割与色块色彩之间的对比融合为主,黄色系列在注重画面平面化基础上加强了对运笔的运用,教堂系列是一种对构图与笔触的训练。高台民居生土系列作品主要脱尘于自己对于表现主义绘画中的平面化形式的研究和实践运用,当然也离不开新疆绘画前辈的影响。绘画的形式离不开绘画背后的思想,也即绘画的观念,那么表现主义绘画的思想是什么?表现主义画家认为,艺术要表达人类的“内在信息”,以及人自身的内在情感与思想,艺术要直接通过自身的表达来变革社会现实,而不要以客观现实的描绘来复现现实,借以表达教育和训诫的目的。他们特别强调人的感情的力量和主观的天性,借以表达人对客观世界的奋争与苦斗,并以此建立新的艺术和生活的关系。他们还强调精神美感的作用,认为艺术不能只表现可视的可模仿的客观现实,而表现内在的,不可见的精神世界。结合油画创作,对于高台民居绘画题材的创作在以画面平面分割的研究上是行的通的,画面大的布局就是画面的构图,而构图则依赖于画面中形和色的分割。高台民居从这一绘画题材的特性(层层叠叠之美)上正是适合画面的平面化的分割。这一系列绘画的研究多从表现主义绘画的艺术思想和艺术手法中吸取营养。表现主义绘画的语言在中西方当代绘画中,特别是新疆当代绘画中,越来越多的运用到在油画创作中,这里面有很多原因,但其中最主要的原因源自于人们渴望表达自己的内心,表达真实的自己,也表达对这个社会的思考。当然新疆表现主义绘画的发展还处于刚起步的阶段,虽说有表现主义绘画的因素,但与当代西方表现主义绘画还有很大的差距,这个差距并不是单单指的是技艺上的高低,更多的是绘画观念。
[Abstract]:The research on the series of paintings in Gaotai dwelling is a paper based on the practice of painting, and the discovery of this painting theme comes from the investigation of art. A series of painting experiments have been carried out on the laminated and flat artistic beauty found in the artistic investigation. This series of experimental paintings is mainly divided into three small series, the three small series are divided into the "overlapping section series", "yellow series", "Mosque series." The works of the overlapping surface series mainly study the contrast and fusion between the flat segmentation of the picture and the color of the color block. The yellow series strengthens the use of the pen on the basis of paying attention to the plane of the picture, and the church series is a kind of training for composition and brush strokes. The study and practice of the flat form in the expressionist painting are the main works of the Gaotai residence series, and of course, the influence of the Xinjiang painting predecessors is also indispensable. The form of painting can not be separated from the idea behind painting, that is, the concept of painting, so what is the idea of expressionism painting? Expressionist painters believe that art should express the "internal information" of human beings, as well as people's own inner feelings and thoughts, and that art should change social reality directly through its own expression, rather than reproducing reality by depicting the objective reality. To express the purpose of education and admonition. They emphasize the strength of human feelings and subjective nature so as to express the struggle and struggle for the objective world, and thus to establish a new relationship between art and life. They also emphasize the role of spiritual aesthetic, and think that art can not only express the visual and imitative objective reality, but also the inner and invisible spiritual world. In combination with oil painting, the research on the subject matter of Gaotai folk house painting is connected with the research on the segmentation of the picture plane. The big layout of the picture is the composition of the picture, and the composition depends on the segmentation of the shape and color in the picture. From the characteristics of this painting theme, Gaotai residence is suitable for the flat segmentation of the picture. The study of this series of paintings draws nourishment from the artistic thought and technique of Expressionism painting. The language of expressionist painting is more and more used in contemporary painting in China and the West, especially in contemporary painting in Xinjiang. There are many reasons for this. But the main reason is that people are eager to express themselves, to express their true self, and to express their thoughts about the society. Of course, the development of Expressionist painting in Xinjiang is still in its infancy. Although there are elements of Expressionist painting, there is still a big gap with contemporary Western Expressionist painting. This gap does not refer solely to the level of skill. More is the concept of painting.
【学位授予单位】:新疆师范大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J213

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