论绘画作品中的色彩语言

发布时间：2018-10-21 19:49

【摘要】：绘画艺术是一种以视觉信号传递审美体验的艺术形式,色彩作为绘画艺术的一种重要的艺术语言,始终伴随着人类以绘画形式创造视觉形象的历史进程。从绘画艺术发展史的角度看,不同阶段的绘画在色彩上反映出不同的特点。在近代光色学第一次对色彩做出科学的理论解释之后,色彩作为一门科学开始成为科学家和理论家们研究的对象,而光色学的理论成果也开始不断地被艺术家们用来指导绘画创作。自印象派首次将色彩作为画面的表现对象开始,色彩便成为了艺术家们表达审美情绪的最有效方式,一次又一次的改变着现代人的审美方式。由于图像技术与信息技术的飞速发展,绘画艺术过去被赋予的记录客观视觉形象的社会功能被逐渐取代。现代艺术家们更专注于如何利用绘画这种艺术形式传达审美情感,因而更加注意探索绘画语言的形式美规律,研究色彩各种要素之间的结构关系。本文以现代色彩理论成果在绘画中的具体体现为整体切入点,分别论述了人类认识与应用色彩的历史进程、色彩理论的具体内容在绘画作品中的体现、西方绘画不同历史时期的不同色彩观念以及色彩在绘画作品中所能形成的形式美感。为求论文论点鲜明、论据充分、论证有力,我在研究期间翻阅了大量关于美术史论、绘画色彩、色彩构成理论、色彩心理学方面的文献资料,并参考了一些美术期刊杂志及关于绘画色彩的学术论文。不仅获取了很多专业知识,同时了解了关于绘画色彩理论研究的最新动态。通过对绘画作品中体现的色彩原理进行解读与论证,对于色彩在绘画中的运用及其所形成的形式美感有了更深层的认识。
[Abstract]:Painting art is an art form which conveys aesthetic experience by visual signal. As an important artistic language of painting art, color is always accompanied by the historical process of creating visual image in the form of painting. From the perspective of the history of the development of painting art, different stages of painting reflect different characteristics in color. After the first scientific explanation of color in modern light chromatics, color, as a science, began to be the object of study by scientists and theorists. And the theoretical achievements of photochromatics also began to be used by artists to guide the creation of painting. Since the Impressionists first took color as the object of expression, color has become the most effective way for artists to express their aesthetic feelings, and it has changed the aesthetic style of modern people time after time. Due to the rapid development of image technology and information technology, the social function of recording objective visual images, which was endowed with painting art in the past, has been gradually replaced. Modern artists pay more attention to how to use the art form of painting to convey aesthetic feelings, so they pay more attention to explore the formal beauty law of painting language and study the structural relationship between various elements of color. Based on the concrete embodiment of modern color theory in painting, this paper discusses the historical process of human cognition and application of color, and the concrete content of color theory in painting works. Western painting in different historical periods of different color concepts and colors in painting can form the aesthetic form. In order to have a clear argument, a strong argument and a strong argument, I read a lot of literature on art history theory, painting color, color composition theory, color psychology during my research. Reference is made to some art periodicals, magazines and academic papers on painting color. Not only acquired a lot of professional knowledge, but also learned about the latest developments in the study of painting color theory. Through the interpretation and argumentation of the principle of color reflected in painting works, there is a deeper understanding of the application of color in painting and the aesthetic sense of form formed.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205

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