孔版印刷在版画艺术中的技术拓展与概念延伸

发布时间：2018-10-23 12:33

【摘要】：孔版印刷是指以漏印为基本原理，印版的图文部分可透过油墨漏印至承印物上的一种印刷方式。这种印刷方式的起源可以追溯到两千多年前的春秋战国时期，这个时期的孔印技术主要应用于印染领域，后来逐渐从印染领域拓展到版画领域形成了多种形式和多种艺术风格的孔印版画。随着科技进步和艺术多元化的发展，孔印版画在当代艺术中破除了版画的身份，其漏印的原理在当代装置作品、涂鸦艺术中得到概念的延伸。本文以孔版印刷的起源与发展为脉络而展开，共分为三大部分，第一部分：以繁复华丽的唐代染缬艺术和断点连续的千佛洞纸制针孔漏像，趋于单色的宋代防染剂染缬艺术以及印绘结合的辽代《南无释迦牟尼佛》夹缬为例，，论述孔版印刷在古代艺术中运用的渊源和发展。第二部分：从孔印版画的最初形态型版版画到誊写版画再到丝网版画，论述了从印刷术中发展而来的孔版印刷技术在近现代版画中的技术拓展与类型。第三部分：通过列举徐冰的《何处惹尘埃》、查克·克洛斯的《若依像》和布莱克·拉哈的涂鸦艺术等作品阐述孔版漏印的原理在当代艺术作品中的概念延伸。通过这三部分的论述总结出有着两千年历史的孔印技术，在不断演变和传承的过程中，语言越来越丰富，形式越来越多样化。从最初的印染领域到版画艺术，从版画艺术到装置、涂鸦等艺术古老技术的概念延伸极大地丰富了当代艺术的创作语言，同时古老技术的本身也被赋予了当代意义，而用理念和材料置换后的版画语言进行当代艺术创作的范例，也让我们思考：版画人不应固守版画人的身份，应该破除版画这层身份，运用版画元素更好的融入到当代“大美术”中去。
[Abstract]:Perforated printing is a kind of printing method in which the print and text part of the plate can be printed to the substrate by ink leakage as the basic principle. The origin of this printing method can be traced back to the Spring and Autumn and warring States periods more than 2,000 years ago, during which hole printing technology was mainly used in the field of printing and dyeing. Later, from the field of printing and dyeing to the field of print, a variety of forms and art style of hole printing. With the progress of science and technology and the development of art diversification, hole print has broken the status of print in contemporary art, and the principle of missing print has been extended in the contemporary installation works and graffiti art. This paper is based on the origin and development of orifice printing, which is divided into three parts. The first part is divided into three parts. This paper discusses the origin and development of the use of orifice printing in ancient art of the Song Dynasty, which tends to be monochromatic, and the combination of printing and painting, such as the Liao Dynasty < South Sakyamuni Buddha > Jiayuan valerian. The second part: from the initial form of holographic printing to transcribing and then to screen printing, this paper discusses the development and types of orifice printing technology in modern printing. The third part: by enumerating Xu Bing's "where to cause Dust", Chuck Crosse's "Ruoyi Image" and Black Raha's graffiti art, etc., expound the concept extension of hole printing principle in contemporary art works. Through the discussion of these three parts, the paper summarizes the hole printing technology with the history of 2000. In the process of continuous evolution and inheritance, the language is more and more abundant and the forms are more and more diversified. From the original printing and dyeing field to printmaking art, from print art to installation and graffiti, the concept of ancient art technology has greatly enriched the creative language of contemporary art, and at the same time, the ancient technology itself has also been endowed with contemporary significance. And the example of contemporary art creation by replacing the printed language with ideas and materials also makes us think: printmakers should not stick to the identity of printmakers, but should break the identity of printmaking. The use of printmaking elements better into the contemporary "big art" to go.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217

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