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略论当代工笔人物画的意象造型及其对传统的继承

发布时间:2018-10-23 21:09
【摘要】:千百年以来,意象造型作为中国绘画艺术的基本造型形式,构成了中国画独特的艺术面貌而独立于世界画史之上,大放异彩。在传统的工笔人物画当中,意象造型的形态主要体现在不同形式的“线”的运用、色彩的铺陈、平面化的构图和“以形写神”的元素之上,所有这些元素的产生都是缘于画家的思想情感而形成。在当今这样一个全球文化大融合的时代背景之下,当代工笔人物画受到许多外来艺术形式的影响,其意象造型的形态也呈现出了多元化的趋势,并以丰富多彩的面貌呈现在当代艺术中,接受着历史的考验。本文主要通过对传统与当代工笔人物画意象造型形态的分析,探讨当代工笔人物画在发展过程中所形成的艺术特征以及显现出的一些问题,,并试图找到解决问题的方法,使当代工笔人物画在保持其本质精神的前提下得到较大程度的发展。
[Abstract]:For thousands of years, image modeling, as the basic form of Chinese painting art, constitutes the unique artistic appearance of Chinese painting and is independent of the history of world painting. In the traditional meticulous figure painting, the form of image modeling is mainly reflected in the use of different forms of "line", the spreading of color, the flat composition and the element of "writing spirit in shape". All these elements came into being because of the artist's thoughts and feelings. Under the background of the integration of global culture, the contemporary meticulous figure painting is influenced by many foreign art forms, and the shape of its image modeling also shows a trend of diversification. And presents in the contemporary art with the rich and colorful appearance, accepts the historical test. This article mainly through the traditional and the contemporary meticulous figure painting image modelling form analysis, discusses the contemporary fine brushwork figure painting in the development process the artistic characteristic as well as appears some problems, and attempts to find the solution to the problem. So that contemporary meticulous figure painting under the premise of maintaining its essential spirit to a greater extent.
【学位授予单位】:北京服装学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 徐建融;;读《墨葡萄图》[J];国画家;2011年02期



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