罗尔纯油画艺术色彩语言研究
[Abstract]:Mr. Rollchun is a respected painter, because his works can be very strong, but also very simple, bold color, painting style personality, known as "East Van Gogh." This article begins with Luo er's pure oil painting art characteristic, analyzes his oil painting art local complex, bold color, unrestrained stroke, expressive emotion and the special meaning of "ugliness and beauty" in his oil painting works. In addition, this paper mainly studies the color of the pure oil painting, including the subjectivity of the color and the nationality and culture of the color; In combination with the pure oil painting works of Luo to analyze and study his research and reference to the western oil painting, and discuss his unique position and contribution in the development of contemporary Chinese oil painting. Through the analysis of Luo er pure oil painting art characteristic, analyzes its unique color individuality, provides the reference for the current society people to the Luo er pure oil painting art understanding. In addition, we can find the similarities and differences between Chinese and western oil painting art from the absorption and reference of Luo er pure to the western oil painting art, and thus highlight the individuality significance of Luo er pure oil painting art under the background of the blending of Chinese and western culture. In order to promote the communication and exchange between Chinese and Western oil painting art in the future to provide a new reference perspective for the development of oil painting art in China to provide a certain basis for in-depth thinking. Luo Erchun was able to usher in a new era of Chinese expressionist painting because he had not only a blessed son, but also the day after tomorrow's hard work. He made a great contribution to the rapid development of oil painting and set an example for a large number of artists in China. The author thinks that the reason why Luo er's pure oil painting art has such artistic charm lies not only in the artistry of his works, but also in part because of the embodiment of his painting spirit and national style in his works. It can be said. Luo er pure in the creation, will art and the national spirit together, gather a hundred schools of excellence, set up a family of words, so that his oil painting becomes a unique form of meaning. The pure phenomenon of Rolle tells us that artistic creation is not only to express the aesthetic sense of form of art itself, but also to express a kind of meaning, even a kind of spirit. When the artistic spirit and work perfect fusion, the art work is truly the successful art.
【学位授予单位】:浙江理工大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【相似文献】
相关期刊论文 前10条
1 孙黎;如何摆脱中国油画艺术市场的困境与尴尬[J];广东教育学院学报;2000年04期
2 朱正言;生命之歌——郑旭庆的油画艺术[J];家具与环境;2001年06期
3 陈艺方;也论中国油画艺术的民族化[J];黔南民族师范学院学报;2005年04期
4 胡斌;广东油画名家探寻[J];美术大观;2005年10期
5 墨风;;画家应该平和地对待市场——油画家谭涤夫谈油画艺术及市场[J];艺术市场;2006年07期
6 陈菁晖;;“静”境——中国油画艺术的东方之路[J];美与时代;2006年10期
7 ;中国当代油画名家年度推荐 油画艺术家——夕子[J];收藏界;2006年04期
8 杨力斌;;孜孜不倦的求索者——程继光油画作品赏析[J];企业文明;2007年02期
9 钱益中;韩连国;;老油画修复例说[J];检察风云;2008年07期
10 李枚泓;刘林;;浅谈当今现实主义油画艺术[J];科技信息;2009年20期
相关会议论文 前7条
1 马力;;期待塞尚 呼唤凡高[A];2005年当代艺术与批评理论研讨会论文集[C];2005年
2 曹q;;中国当代油画中的“性图像”研究[A];首届中国高校美术与设计论坛论文集(上)[C];2010年
3 郑寒;;物境·情境·意境 论“创新”是艺术创作的生命之舟[A];首届中国高校美术与设计论坛论文集(下)[C];2010年
4 白良;;中国油画保护与修复的现状及展望[A];继承 发展 保护 管理——北京博物馆学会保管专业十年学术研讨纪念集[C];2010年
5 高星;;转瞬即逝的现代性——二十世纪三十年代“先锋”艺术家后期转型现象评析[A];2010青年艺术批评奖获奖论文集[C];2010年
6 ;中国非洲史研究会第三届理事会理事和理事会机构分工名单[A];中国非洲史研究会三十年[C];2010年
7 宋玉成;;日本吸收西方油画历程及得失判断[A];“特殊与一般——美术史论中的个案与问题”第五届全国高校美术史学年会会议论文集[C];2011年
相关重要报纸文章 前10条
1 王京;中西合璧 惊采绝艳[N];文艺报;2001年
2 王黎;油画艺术,在中国寻找灵感[N];四川政协报;2000年
3 张苹;做大做强大芬村品牌[N];深圳特区报;2005年
4 罗中立;山外有山[N];美术报;2008年
5 范迪安;闻立鹏的油画艺术[N];人民日报海外版;2006年
6 本报驻广东记者 周媛 王q
本文编号:2298192
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2298192.html