中国古代茶画研究
发布时间：2018-10-29 20:39
【摘要】：同一民族的文化艺术,其内在精神总呈现一种相关性。随着当前中国传统文化的升温,对中国茶文化的研究也愈来愈多。中国古代茶题材绘画是绘画艺术和茶文化的结合,饮茶和绘画作为古代文人高雅的生活享受和艺术追求,其包含的精神文化意义具有潜在的联系,茶画作为中国茶文化的一个重要组成部分,生动的反映了中国古代不同时期饮茶的特点、文化和审美意趣,对中国茶文化研究有着独特的意义。本文对茶题材绘画的范围作了细致的界定,并从时间、画面内容以及主题呈现三个角度对中国古代茶画进行了分类。通过分析唐宋元明清五个时期的茶题材绘画作品,探讨了作品在题材与内容、画面布局、画面元素三个方面的变化及原因。为了更好的解读中国古代茶画的文化内涵以及饮茶在古代知识分子生活中的重要地位,本文从品茗的境、人、器、背景以及题诗分析了茶画中包含的文人意趣。同时,针对经常误读为茶主题的绘画作品唐《宫乐图》,从饮茶方式及画面器具进行了考证,提出该画为酒会题材的作品。中国古代茶画对当今社会生活依然具有积极意义,有利于唤醒人们对生活的诗性审美、拓展优雅文明的社交方式以及为茶文化的新发展提供参考。
[Abstract]:The inner spirit of the culture and art of the same nation always presents a correlation. With the heating up of Chinese traditional culture, there are more and more researches on Chinese tea culture. Chinese ancient tea painting is the combination of painting art and tea culture. Tea drinking and painting, as the elegant life enjoyment and artistic pursuit of ancient literati, contain the spiritual and cultural significance of the potential links. As an important part of Chinese tea culture, tea painting vividly reflects the characteristics, culture and aesthetic interest of tea drinking in ancient China, which has a unique significance for the study of Chinese tea culture. This paper makes a detailed definition of the scope of tea painting, and classifies ancient Chinese tea paintings from three angles: time, picture content and theme presentation. By analyzing the painting works of tea in the Tang, Song, Yuan, Ming and Qing dynasties, this paper discusses the changes and reasons of the works in three aspects: the subject matter and content, the picture layout and the picture elements. In order to better understand the cultural connotation of ancient Chinese tea paintings and the important role of tea drinking in the life of ancient intellectuals, this paper analyzes the literati's interest in tea paintings from the perspective of tea tasting, people, instruments, backgrounds and poems. At the same time, in view of the painting work Tang Le Chou, which is often misread as tea theme, this paper makes textual research from tea drinking method and picture apparatus, and puts forward that the painting is the subject of wine party. The ancient Chinese tea painting still has positive significance to the social life today, which is helpful to awaken people's poetic aesthetic of life, expand the elegant and civilized social way and provide reference for the new development of tea culture.
【学位授予单位】：浙江农林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2298756
[Abstract]:The inner spirit of the culture and art of the same nation always presents a correlation. With the heating up of Chinese traditional culture, there are more and more researches on Chinese tea culture. Chinese ancient tea painting is the combination of painting art and tea culture. Tea drinking and painting, as the elegant life enjoyment and artistic pursuit of ancient literati, contain the spiritual and cultural significance of the potential links. As an important part of Chinese tea culture, tea painting vividly reflects the characteristics, culture and aesthetic interest of tea drinking in ancient China, which has a unique significance for the study of Chinese tea culture. This paper makes a detailed definition of the scope of tea painting, and classifies ancient Chinese tea paintings from three angles: time, picture content and theme presentation. By analyzing the painting works of tea in the Tang, Song, Yuan, Ming and Qing dynasties, this paper discusses the changes and reasons of the works in three aspects: the subject matter and content, the picture layout and the picture elements. In order to better understand the cultural connotation of ancient Chinese tea paintings and the important role of tea drinking in the life of ancient intellectuals, this paper analyzes the literati's interest in tea paintings from the perspective of tea tasting, people, instruments, backgrounds and poems. At the same time, in view of the painting work Tang Le Chou, which is often misread as tea theme, this paper makes textual research from tea drinking method and picture apparatus, and puts forward that the painting is the subject of wine party. The ancient Chinese tea painting still has positive significance to the social life today, which is helpful to awaken people's poetic aesthetic of life, expand the elegant and civilized social way and provide reference for the new development of tea culture.
【学位授予单位】：浙江农林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
【参考文献】
相关期刊论文 前10条
1 孙晓燕;;宋代茶画艺术研究[J];山西档案;2014年02期
2 黄玉平;尹培如;;中国古代茗茶场所初论[J];建筑与文化;2012年09期
3 苏梅;刘赦;;宋代文人意趣兴起的成因[J];古籍整理研究学刊;2012年04期
4 胡长春;;试论古代文人饮茶的基本特征[J];农业考古;2011年05期
5 郭丹英;;苦节君考[J];茶叶;2009年01期
6 扬之水;;晚唐金银酒器的名称与样式[J];中国历史文物;2008年06期
7 王冬松;;中国古代诗与画的结合之路——绘画之诗性获得过程[J];新疆艺术学院学报;2007年04期
8 石晓伟;;画格与人品[J];美术观察;2007年11期
9 李凯;王建玲;;话说玉耳杯——“觞”、“羽觞”、“耳杯”的关联[J];文博;2007年05期
10 胡建次,涂序堂;中国古代文论中的“意趣”论[J];内蒙古社会科学(汉文版);2004年02期
相关博士学位论文 前2条
1 宋fB磊;唐代茶文化问题研究[D];武汉大学;2013年
2 王海铝;意境的现代阐释[D];浙江大学;2005年
相关硕士学位论文 前4条
1 张莹;宋代茶事绘画及其文化内涵探析[D];河南大学;2012年
2 袁薇;明中晚期文人饮茶生活的艺术精神[D];杭州师范大学;2011年
3 邱尚周;中国茶文化空间形态研究初探[D];中南林业科技大学;2007年
4 宋玉立;唐代饮食器造型设计研究[D];苏州大学;2007年
，本文编号：2298756
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2298756.html
