自画像中面部与视线的朝向研究
发布时间：2018-10-30 11:25
【摘要】：自画像在一般人眼里就是画家给自己画的个人肖像,仅仅是作为画家成长过程的记录,或者某段心理历程的一面镜子。然而,仅仅这么解释自画像我觉得还是不够的,只是对自画像的模糊解释。因为我们只是知道这或许是个事实,而往往忽略了这个事实是如何通过具体的特点来传达的。反过来说就是：如果我们了解了自画像中的具体特点,我们可以反推艺术家的内在特性(本性),因为我们知道：正因为艺术家的内在特性,才呈现出了自画像中的特定形象。这个特定形象与画家与生俱来的偏好是分不开的。比如为什么有的画家在作自画像时偏好特定角度(正面、侧面、正视、斜视等)的面部或视线。分析自画像特点与画家的内在特性之间的联系,将是解读自画像这面神秘镜子所呈现出的偏好的背后含义的一个途径。这里共选用12位画家的自画像来阐述我的观点,这些画家分别为：达·芬奇、丢勒、伦勃朗、鲁本斯、凡戴克、凡·高、契里柯、毕加索、保拉·莫德松·贝克尔、达利、弗朗西斯·培根、芙烈达·卡萝。
[Abstract]:In the eyes of most people, self-portrait is a personal portrait painted by a painter, only as a record of the artist's growing up, or as a mirror of a certain period of psychological process. However, I do not think it is enough to interpret self-portrait in this way. It is only a vague explanation of self-portrait. Because we just know that this may be a fact, and often ignore how this fact is conveyed by specific characteristics. Conversely, if we understand the specific characteristics of the self-portrait, we can reverse the inherent characteristics of the artist (nature), because we know: it is because of the inherent characteristics of the artist, showing a specific image in the self-portrait. This particular image is inextricably linked to the inherent preference of the painter. For example, why do some artists prefer the face or sight of a particular angle (front, side, face, squint, etc.) when making self-portraits. The analysis of the relationship between the characteristics of self-portrait and the inherent characteristics of the painter will be a way to interpret the meaning behind the preference presented by the mysterious mirror of self-portrait. Here are 12 self-portraits of painters: da Vinci, Deller, Rembrandt, Rubens, Vandack, Van Gogh, Chiriko, Picasso, Paula Modeson Becker, Dali. Francis Bacon, Freda Carol.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2299865
[Abstract]:In the eyes of most people, self-portrait is a personal portrait painted by a painter, only as a record of the artist's growing up, or as a mirror of a certain period of psychological process. However, I do not think it is enough to interpret self-portrait in this way. It is only a vague explanation of self-portrait. Because we just know that this may be a fact, and often ignore how this fact is conveyed by specific characteristics. Conversely, if we understand the specific characteristics of the self-portrait, we can reverse the inherent characteristics of the artist (nature), because we know: it is because of the inherent characteristics of the artist, showing a specific image in the self-portrait. This particular image is inextricably linked to the inherent preference of the painter. For example, why do some artists prefer the face or sight of a particular angle (front, side, face, squint, etc.) when making self-portraits. The analysis of the relationship between the characteristics of self-portrait and the inherent characteristics of the painter will be a way to interpret the meaning behind the preference presented by the mysterious mirror of self-portrait. Here are 12 self-portraits of painters: da Vinci, Deller, Rembrandt, Rubens, Vandack, Van Gogh, Chiriko, Picasso, Paula Modeson Becker, Dali. Francis Bacon, Freda Carol.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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