浅析材料技法与油画家个性化绘画语言的关系
发布时间：2018-10-30 17:23
【摘要】：油画作为西方绘画的重要画种具有悠久的历史。在中国,油画作为一种舶来品真正登上历史舞台却在20世纪以后,这还是经过一批留学归国的画家的不懈努力。在这期间,有包括透视学、解剖学、构图学、色彩学等几种重要的绘画理论被传入和广泛学习,但是对于同样重要的材料技法理论和知识的研究却进展缓慢,这是中国油画领域落后的一面。 宏观上看,材料技法在绘画的发展历程中扮演着重要的角色,它伴随甚至推动了整个绘画历史的前行。微观角度,材料技法承载了一个画家的精神和语言,画家必须首先熟知材料技法的规则、材料的性能、技法的演变才可能成功形成个性的绘画语言。因此材料技法的问题是不容忽视的。 本文从微观的角度入手,以研究油画的材料技法与油画家的个性绘画语言的关系为重点,包括了对油画材料技法演变的简析,油画基本材料的研究,以及按演变顺序选择各时期的典型个案进行分析比较。期望通过这些研究和分析补上缺失的材料技法课程,在材料技法与绘画语言间找到契合点,探寻属于自己的绘画道路。
[Abstract]:As an important painting in the West, oil painting has a long history. In China, oil painting, as an import, really ascended the stage of history, but after the 20th century, it was the unremitting efforts of a group of painters who returned to China. During this period, several important painting theories, including perspective, anatomy, composition and color, were introduced and widely studied, but the study of equally important material techniques and knowledge was slow. This is the backward side of the field of Chinese oil painting. Macroscopically, material techniques play an important role in the development of painting. From the micro point of view, material techniques carry the spirit and language of a painter. The painter must first be familiar with the rules of material techniques, the performance of materials, and the evolution of techniques in order to successfully form a unique painting language. So the problem of material technique can not be ignored. In this paper, from the micro point of view, we focus on the study of the relationship between the material techniques of oil paintings and the language of individual painting of oil painters, including a brief analysis of the evolution of techniques of oil painting materials, the study of basic materials of oil paintings, The typical cases of each period are analyzed and compared in the order of evolution. It is hoped that through these studies and analysis the missing material technique course can be found between material technique and painting language to find the point of convergence and to explore its own painting path.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2300664
[Abstract]:As an important painting in the West, oil painting has a long history. In China, oil painting, as an import, really ascended the stage of history, but after the 20th century, it was the unremitting efforts of a group of painters who returned to China. During this period, several important painting theories, including perspective, anatomy, composition and color, were introduced and widely studied, but the study of equally important material techniques and knowledge was slow. This is the backward side of the field of Chinese oil painting. Macroscopically, material techniques play an important role in the development of painting. From the micro point of view, material techniques carry the spirit and language of a painter. The painter must first be familiar with the rules of material techniques, the performance of materials, and the evolution of techniques in order to successfully form a unique painting language. So the problem of material technique can not be ignored. In this paper, from the micro point of view, we focus on the study of the relationship between the material techniques of oil paintings and the language of individual painting of oil painters, including a brief analysis of the evolution of techniques of oil painting materials, the study of basic materials of oil paintings, The typical cases of each period are analyzed and compared in the order of evolution. It is hoped that through these studies and analysis the missing material technique course can be found between material technique and painting language to find the point of convergence and to explore its own painting path.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
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