中国当代油画作品中“留白”意境研究
发布时间：2018-10-31 06:20
【摘要】：油画在西方走过好几百年的历史了,至今在技术层面和艺术层面上仍然是一种国际性的绘画形式。油画传到中国后,经历了几代人的学习、融会贯通,已取得令人瞩目的成果。油画的发展推动了中国社会的进步、提高国人文化素养和修养以及促进中国传统艺术变革方面都发挥了重要作用。对中国当代油画的探索与创新是艺术家难以绕过的课题。“留白”作为东方绘画的专有名词,在多种文化的冲击下也融入了新的文化之中。中国当代油画作品中“留白”的出现以及被广泛的运用,可见是受到中国本土化思想的影响。目前的中国艺术还依然处于历史的转折点,因此对中国传统绘画艺术的了解与认识是极有必要的。站在历史的高度和拥有国际视野,创造当代的艺术,使之既有世界油画艺术的普遍价值,又有独特的民族气派,这是当今摆在中国油画面前的重要问题。本文以中国传统美学的“留白”意境为切入点,通过梳理“留白”意境在中国美学中的发展,探究“留白”在中国美学中的意义。通过研究印象派、现代主义、西方当代的艺术家绘画艺术作品中“留白”的出现与发展,分析“留白”在作品中出现的时间与艺术家的艺术思想、表现手法,总结“留白”在绘画作品中的作用与意义。本文通过研究当代艺术家作品中的“留白”,分析了“留白”在作品中的形式和作用,以及“留白”在作品中出现的原因。“留白”已成为当代艺术家在长期创作中探索出来的重要表现形式。艺术家的思想历程和艺术表达方式的转换实则是艺术家观念的转变,在中国的艺术语境下是必然的。掌握油画艺术本体语言才是油画艺术创作的源泉和动力。文章总结中国当代油画作品中“留白”运用的实践意义,结合本人自己的创作感受、创作思想以及创作作品,寻找一种新的表现方式和新的视觉感受,试图探寻“留白”意境的美学价值与意义。对当代油画作品中“留白”的研究学习,是对中国传统绘画养分的吸收,学习继承了中国的优秀传统文化。对当下中国油画的发展具有重要的作用和意义。“留白”在艺术家的画面中也被赋予了新的生命,新的内涵。要创造具有世界性、时代性特色的艺术作品,我们要有广泛的艺术视野,对当今世界油画发展最前沿的观念绘画作品有所研究、了解,关注当代,立足于民族化、本土化的文化之中。
[Abstract]:Oil painting has a history of several hundred years in the West, and it is still an international painting form at the technical and artistic levels. After the oil painting spread to China, experienced several generations of learning, integration, has achieved remarkable results. The development of oil painting has promoted the progress of Chinese society and played an important role in improving the cultural literacy and accomplishment of Chinese people as well as promoting the reform of Chinese traditional art. The exploration and innovation of contemporary Chinese oil painting are difficult for artists to bypass. As the proper term of oriental painting, white space is also integrated into the new culture under the impact of many cultures. The appearance and wide application of "white space" in Chinese contemporary oil paintings show that it is influenced by Chinese localization thought. At present, Chinese art is still at a turning point in history, so it is necessary to understand and understand Chinese traditional painting art. Standing at the height of history and having international vision, creating contemporary art, making it have the universal value of the world oil painting art, as well as the unique national style, this is the important question placed in front of the Chinese oil painting nowadays. Based on the artistic conception of "white space" in Chinese traditional aesthetics, this paper explores the significance of "white space" in Chinese aesthetics by combing the development of "left white" artistic conception in Chinese aesthetics. By studying the appearance and development of "white space" in the painting works of Impressionism, Modernism and Contemporary Western artists, this paper analyzes the time in which "white space" appears in the works, the artistic thought of the artist, and the way of expression. This paper summarizes the function and significance of "left white" in painting works. This paper analyzes the form and function of "white space" in the works of contemporary artists, and the reasons for the appearance of "left white" in the works. White space has become an important form of expression explored by contemporary artists in their long-term creation. The transformation of the artist's thought and artistic expression is the change of the artist's idea, which is inevitable in the Chinese artistic context. Mastering the Noumenon language of oil painting art is the source and motive force of oil painting art creation. This paper summarizes the practical significance of the use of "white space" in Chinese contemporary oil paintings, and combines with my own creative feelings, creative thoughts and creative works to find a new way of expression and new visual feelings. This paper attempts to explore the aesthetic value and significance of the artistic conception of "leaving white". The study of "white space" in contemporary oil paintings is the absorption of the nutrients of Chinese traditional painting and inherits the excellent Chinese traditional culture. At present, the development of Chinese oil painting has an important role and significance. In the artist's picture, White space is endowed with new life and new connotation. In order to create works of art with global and contemporary characteristics, we must have a wide range of artistic horizons, study, understand, pay attention to the contemporary era and base ourselves on nationalization of the most advanced conceptual works of oil painting development in the world. In the culture of localization.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
本文编号：2301200
[Abstract]:Oil painting has a history of several hundred years in the West, and it is still an international painting form at the technical and artistic levels. After the oil painting spread to China, experienced several generations of learning, integration, has achieved remarkable results. The development of oil painting has promoted the progress of Chinese society and played an important role in improving the cultural literacy and accomplishment of Chinese people as well as promoting the reform of Chinese traditional art. The exploration and innovation of contemporary Chinese oil painting are difficult for artists to bypass. As the proper term of oriental painting, white space is also integrated into the new culture under the impact of many cultures. The appearance and wide application of "white space" in Chinese contemporary oil paintings show that it is influenced by Chinese localization thought. At present, Chinese art is still at a turning point in history, so it is necessary to understand and understand Chinese traditional painting art. Standing at the height of history and having international vision, creating contemporary art, making it have the universal value of the world oil painting art, as well as the unique national style, this is the important question placed in front of the Chinese oil painting nowadays. Based on the artistic conception of "white space" in Chinese traditional aesthetics, this paper explores the significance of "white space" in Chinese aesthetics by combing the development of "left white" artistic conception in Chinese aesthetics. By studying the appearance and development of "white space" in the painting works of Impressionism, Modernism and Contemporary Western artists, this paper analyzes the time in which "white space" appears in the works, the artistic thought of the artist, and the way of expression. This paper summarizes the function and significance of "left white" in painting works. This paper analyzes the form and function of "white space" in the works of contemporary artists, and the reasons for the appearance of "left white" in the works. White space has become an important form of expression explored by contemporary artists in their long-term creation. The transformation of the artist's thought and artistic expression is the change of the artist's idea, which is inevitable in the Chinese artistic context. Mastering the Noumenon language of oil painting art is the source and motive force of oil painting art creation. This paper summarizes the practical significance of the use of "white space" in Chinese contemporary oil paintings, and combines with my own creative feelings, creative thoughts and creative works to find a new way of expression and new visual feelings. This paper attempts to explore the aesthetic value and significance of the artistic conception of "leaving white". The study of "white space" in contemporary oil paintings is the absorption of the nutrients of Chinese traditional painting and inherits the excellent Chinese traditional culture. At present, the development of Chinese oil painting has an important role and significance. In the artist's picture, White space is endowed with new life and new connotation. In order to create works of art with global and contemporary characteristics, we must have a wide range of artistic horizons, study, understand, pay attention to the contemporary era and base ourselves on nationalization of the most advanced conceptual works of oil painting development in the world. In the culture of localization.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
【参考文献】
相关期刊论文 前2条
1 石永红;;论陈丹青艺术成就的分期及特点[J];出国与就业(就业版);2011年21期
2 范迪安;;画我所要——戴士和艺术谈片[J];美苑;2009年02期
，本文编号：2301200
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