探析漆材料表达语境中的拓展性绘画特征
发布时间：2018-11-02 10:52
【摘要】：漆画是个年轻的画种,在中国当代艺术中它已经被划至独立画种的范畴,从它在国内目前的发展状况来分析,无论是在形式语言的多样性表现上,还是在题材内容的丰富性选择上,无论是在作品气势氛围的渲染方面,还是在作品精神内涵的表达方面,都与其它主流画种存在着一定的差距。为了快速提升漆画的价值等级,很多漆画艺术家对漆画本应坚持的品质及发展方向有了近乎错误的理解,不断在漆画浅层表达上的材料、工艺等方面寻找新的突破口,不免在创作中有堆砌材料和炫耀技术之嫌,把本应内涵丰富、意蕴深远的漆画艺术,自我限制在一个狭窄的范围内,削弱了漆语言的表达能力,然而漆画仍归是画,绘画性才是漆画的基本品性,这样做恰恰扼杀了漆画的灵魂,使漆画失去了对主体精神的表达,蜕变成空洞的驱壳。漆画是一门以“漆”为主要表现材质的艺术,和其它画种一样有自己特定的材质特征,掌握各类漆种的不同性能所能呈现出的表现效果,恰到好处的发挥漆的特性,同时吸收传统漆绘的艺术精神,借鉴姊妹艺术的长处,重视个人情愫的表露、拓展创作思维,才能使画面洋溢着十足的画意。使观者看到的不仅是“物质”而是物质所负载的精神,是精神的浮现,以此达到丰富漆材料的表达语境的目的。绘画性是漆画的灵魂,它给予画面精彩的生命,把对绘画性的研究归置在漆材料所营造的表达语境中去探讨,使漆画的主体语言“漆”的表达更具活力,防止喧宾夺主的现象发生。因此本文的研究重点将主要放置在绘画性中的“拓展性绘画特征”上,通过对漆材料表达语境之下的绘画特征进行深入研究,让材料更好的为绘画性服务,使材料的运用服从整个画面表达意境的需要,引导观众进入作品的意境,从而引起更深层次的联想、得到艺术的美的享受,提高漆材料表达语境的渲染力,以致达到丰富漆画画面效果的目的。
[Abstract]:Lacquer painting is a kind of young painting. In Chinese contemporary art, it has been classified into the category of independent painting. From its current development situation in China, whether in the diversity of formal language, There is still a certain gap between the rich choice of the subject matter, whether in the rendering of the atmosphere of the works or in the expression of the spiritual connotation of the works. In order to quickly upgrade the value grade of lacquer painting, many lacquer artists have a near-wrong understanding of the quality and development direction of lacquer painting, and constantly seek new breakthroughs in the materials and techniques for the shallow expression of lacquer painting. Inevitably, there is a suspicion of piling up materials and showing off technology in the creation. The art of lacquer painting, which should be rich in content and profound in meaning, is confined to a narrow range, which weakens the ability of expression of lacquer language, but the lacquer painting still belongs to painting. Painting is the basic character of lacquer painting, which strangles the soul of lacquer painting, makes lacquer painting lose the expression of the main body spirit, and degenerates into an empty shell. Lacquer painting is an art with "lacquer" as its main performance material. It has its own specific material characteristics just like other kinds of paintings. It can display the performance effect of different kinds of lacquer and give proper play to the characteristics of lacquer. At the same time, we can absorb the artistic spirit of traditional painting, draw lessons from the strengths of sister art, attach importance to the expression of personal feelings, and expand the creative thinking, so as to make the picture full of pictorial meaning. What the viewer sees is not only "matter" but the spirit loaded by substance, which is the emergence of spirit, so as to enrich the expressive context of lacquer material. Painting is the soul of lacquer painting. It gives wonderful life to the picture, puts the study of painting into the context of expression created by lacquer materials, and makes the expression of "lacquer", the main language of lacquer painting, more vigorous. Prevent the phenomenon of seizing the dominant position. Therefore, the research focus of this paper will be placed mainly on the "extended painting characteristics" in the painting, through the in-depth study of the painting characteristics under the context of the expression of lacquer materials, so that the materials can better serve for the painting. So that the application of materials from the whole picture to express the need for artistic conception, leading the audience into the artistic conception of the work, thus causing a deeper association, to enjoy the beauty of art, and to improve the rendering power of the lacquer material expression context. So as to achieve the purpose of enriching the picture effect of lacquer painting.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J213.9
本文编号：2305804
[Abstract]:Lacquer painting is a kind of young painting. In Chinese contemporary art, it has been classified into the category of independent painting. From its current development situation in China, whether in the diversity of formal language, There is still a certain gap between the rich choice of the subject matter, whether in the rendering of the atmosphere of the works or in the expression of the spiritual connotation of the works. In order to quickly upgrade the value grade of lacquer painting, many lacquer artists have a near-wrong understanding of the quality and development direction of lacquer painting, and constantly seek new breakthroughs in the materials and techniques for the shallow expression of lacquer painting. Inevitably, there is a suspicion of piling up materials and showing off technology in the creation. The art of lacquer painting, which should be rich in content and profound in meaning, is confined to a narrow range, which weakens the ability of expression of lacquer language, but the lacquer painting still belongs to painting. Painting is the basic character of lacquer painting, which strangles the soul of lacquer painting, makes lacquer painting lose the expression of the main body spirit, and degenerates into an empty shell. Lacquer painting is an art with "lacquer" as its main performance material. It has its own specific material characteristics just like other kinds of paintings. It can display the performance effect of different kinds of lacquer and give proper play to the characteristics of lacquer. At the same time, we can absorb the artistic spirit of traditional painting, draw lessons from the strengths of sister art, attach importance to the expression of personal feelings, and expand the creative thinking, so as to make the picture full of pictorial meaning. What the viewer sees is not only "matter" but the spirit loaded by substance, which is the emergence of spirit, so as to enrich the expressive context of lacquer material. Painting is the soul of lacquer painting. It gives wonderful life to the picture, puts the study of painting into the context of expression created by lacquer materials, and makes the expression of "lacquer", the main language of lacquer painting, more vigorous. Prevent the phenomenon of seizing the dominant position. Therefore, the research focus of this paper will be placed mainly on the "extended painting characteristics" in the painting, through the in-depth study of the painting characteristics under the context of the expression of lacquer materials, so that the materials can better serve for the painting. So that the application of materials from the whole picture to express the need for artistic conception, leading the audience into the artistic conception of the work, thus causing a deeper association, to enjoy the beauty of art, and to improve the rendering power of the lacquer material expression context. So as to achieve the purpose of enriching the picture effect of lacquer painting.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J213.9
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