作为概念的“时间性”在绘画艺术中的表达与运用
发布时间：2018-11-03 10:12
【摘要】：绘画时间性的提出,源于结合当下艺术环境对过去类似“空间艺术”,“时间艺术”这种文类法规的反思。“时间性”如今已变成一个日益重要的概念被艺术家以视觉的方式进行呈现。其实绘画作为一种重要的视觉艺术表现形式,其自身无论是以表达时间观念的内容为目的,还是以时间性的方式去进行呈现,时间这一概念一直根植于其本体之中。艺术品与人类经验中所有的物品一样都是时空结构,我们要去理解的是它的时空的构造,而不是给它贴上时间或空间的标签。本文共分四个部分来论述绘画中时间性这一问题。第一部分简介了古埃及和欧洲工业革命之前的绘画以“时间观念”表达为内容的创作方式。第二部分结合欧洲各个时期的社会经济人文背景,论述了从十九世纪学院派绘画到二十世纪现代主义绘画中“时间性”在创作过程里作为表现手段的呈现方式。其中着重分析了莱辛与亨利·伯格森两人的理论,并讨论了这些理论对绘画艺术中“时间性”表现形式的影响。第三部分以劳申伯格与森·山方两位艺术家为代表探讨了时间性概念在当代艺术中的运用。最后一部分通过中国古代山水画画论结合名家作品论证了中国古代山水画中“时空一体”的特点。全文通过对中西方绘画中时间性因素的分析,看到其发展的脉络,并从这些脉络的梳理中得出结论——绘画艺术发展史是一个其自身逐步在表现形式上突破时空壁垒的过程史。
[Abstract]:The time of painting comes from the reflection of the laws and regulations of the past such as "space art" and "time art" combined with the present artistic environment. Temporality has now become an increasingly important concept presented visually by artists. In fact, as an important form of visual art, painting itself, whether to express the content of the concept of time for the purpose, or in the way of time to present, the concept of time has been rooted in its ontology. Art, like all things in human experience, is a structure of time and space, and what we need to understand is the structure of time and space, not the label of time or space. This article is divided into four parts to discuss the problem of timeliness in painting. In the first part, the author briefly introduces the way of painting before the industrial revolution in ancient Egypt and Europe, in which the concept of time was expressed as the content. The second part combines the social economic and humanistic background of every period in Europe, and discusses the presentation of "time" as a means of expression in the process of creation from academic painting in the nineteenth century to modernism painting in the 20th century. The theories of Lessing and Henry Bergson are analyzed, and the influence of these theories on the expression of "time" in painting art is discussed. In the third part, the author discusses the application of the concept of time in contemporary art. In the last part, the author demonstrates the characteristics of "time and space integration" in ancient Chinese landscape painting by combining the painting theory of ancient Chinese landscape painting with the works of famous writers. Based on the analysis of the temporal factors in Chinese and western painting, the author finds out the development of painting and draws the conclusion that the history of painting art development is a process of breaking through the barrier of time and space gradually in the form of expression.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
，
本文编号：2307487
[Abstract]:The time of painting comes from the reflection of the laws and regulations of the past such as "space art" and "time art" combined with the present artistic environment. Temporality has now become an increasingly important concept presented visually by artists. In fact, as an important form of visual art, painting itself, whether to express the content of the concept of time for the purpose, or in the way of time to present, the concept of time has been rooted in its ontology. Art, like all things in human experience, is a structure of time and space, and what we need to understand is the structure of time and space, not the label of time or space. This article is divided into four parts to discuss the problem of timeliness in painting. In the first part, the author briefly introduces the way of painting before the industrial revolution in ancient Egypt and Europe, in which the concept of time was expressed as the content. The second part combines the social economic and humanistic background of every period in Europe, and discusses the presentation of "time" as a means of expression in the process of creation from academic painting in the nineteenth century to modernism painting in the 20th century. The theories of Lessing and Henry Bergson are analyzed, and the influence of these theories on the expression of "time" in painting art is discussed. In the third part, the author discusses the application of the concept of time in contemporary art. In the last part, the author demonstrates the characteristics of "time and space integration" in ancient Chinese landscape painting by combining the painting theory of ancient Chinese landscape painting with the works of famous writers. Based on the analysis of the temporal factors in Chinese and western painting, the author finds out the development of painting and draws the conclusion that the history of painting art development is a process of breaking through the barrier of time and space gradually in the form of expression.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
，
本文编号：2307487
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