康德与中国现代美学思想

发布时间：2018-01-08 12:15

本文关键词：康德与中国现代美学思想　出处：《中国社会科学院研究生院》2001年博士论文　论文类型：学位论文

【摘要】： 在文化现代化的语境里，本文阐述了传统美学范式的现代性转化，从而为论文的展开预设了理论的背景。本文从宏观的角度审视了康德美学在中国的百年历程，概观了中国美学中的康德美学，，论述了形式主义美学对传统美学思维方式的改造。从康德美学与中国现代美学的关系出发，本文阐释了康德美学的中国化过程及其意义，揭示出康德美学对现代美学的深刻影响。论文以三个命题阐述康德美学与中国现代美学的内在关联：首先，回溯审美无利害的历史，结合中国传统美学，从审美态度、艺术独立的角度阐明审美无利害命题的重要作用，审美无利害性既奠定了现代美学学术的独立性，又揭示出现代美学的基本性质与特征；其次，诠释康德美学中的审美自由概念，在现代美学的语境中阐释了“美是道德的象征”的命题，同时阐明审美游戏与美育的自由特征，审美自由显示出现代美学的超越精神和乌托邦精神；第三，艺术的人生观或者人生的艺术化将艺术与人生紧密地联系起来，审美人生展示出现代美学的审美理想，成为现代美学的价值归宿。在民族困境的历史背景下，本文解释了现代美学与宗教之间的复杂关系，同时阐明现代美学的启蒙精神。本文最后反省了现代美学的学术道路，为美学的未来指出一条可能的道路。
[Abstract]:In the context of cultural modernization, this paper expounds the modern transformation of the traditional aesthetic paradigm, thus presupposing the theoretical background for the development of the thesis. This paper examines the century-old history of Kant's aesthetics in China from a macro perspective. This paper reviews Kant's aesthetics in Chinese aesthetics and discusses the transformation of formalism aesthetics to traditional aesthetic thinking mode. Starting from the relationship between Kant's aesthetics and modern Chinese aesthetics, this paper explains the process and significance of Kant's aesthetics in China. It reveals the profound influence of Kant's aesthetics on modern aesthetics. This paper expounds the inner relationship between Kant's aesthetics and Chinese modern aesthetics with three propositions: first, looking back on the history of aesthetics without interest, combining with Chinese traditional aesthetics. From the angle of aesthetic attitude and artistic independence, this paper expounds the important role of the proposition of aesthetic non-interest, which not only establishes the academic independence of modern aesthetics, but also reveals the basic nature and characteristics of modern aesthetics. Secondly, it interprets the concept of aesthetic freedom in Kant's aesthetics, explains the proposition that "beauty is the symbol of morality" in the context of modern aesthetics, and clarifies the free characteristics of aesthetic play and aesthetic education. Aesthetic freedom shows the transcendental spirit and utopian spirit of modern aesthetics. Third, the artistic outlook on life or the artistry of life closely links art with life, and aesthetic life shows the aesthetic ideal of modern aesthetics and becomes the value end-result of modern aesthetics. In the historical background of national dilemma, this paper explains the complex relationship between modern aesthetics and religion, and expounds the enlightenment spirit of modern aesthetics. Finally, this paper reflects on the academic path of modern aesthetics. Point out a possible path for the future of aesthetics.
【学位授予单位】：中国社会科学院研究生院
【学位级别】：博士
【学位授予年份】：2001
【分类号】：B83

【引证文献】